an all new suspension windshield for use with professional shotgun microphones. RØDE Microphones has today re-affirmed the RØDE Blimp as the leading choice for shockmounting and wind protection of microphones, by announcing a full ten year warranty. Following the Blimp’s recent international successes in both the Australian International Design Awards and the illustrious European Red Dot product design awards, RØDE Microphones is very proud to make the announcement which will see all Blimps covered by the same 10 year warranty that guarantees all RØDE microphones. The warranty covers all components of the Blimp, excluding normal wear and tear of the Dead Wombat furry cover or any misuse, modification or improper storage and transportation of the product. “Today’s announcement will ensure Blimp owners share supreme confidence in their investment” commented RØDE Sales and Marketing Director, Damien Wilson. “The RØDE Blimp offers category leading protection and performance, and of course excellent value to both professional and amateur sound recordists. With the announcement of the ten year warranty there’s absolutely no question that the Blimp stands alone.” For more information on the RØDE Blimp please visit

Stylish and ultrathin Sound Shower® directional audio speakers enable museums and galleries to deliver high-quality, focused audio to targeted areas without disturbing the surrounding environment. Museums and galleries continue to be major drivers for directional audio. The need for museums and galleries to deliver sound for information purposes or exhibits has to be balanced with the desire to maintain the quiet dignity and ambiance of the venue. Achieving this balance has been nearly impossible with traditional speaker technology, which is why many museums and art galleries use cumbersome-and uncomfortable-portable players and headsets. By incorporating directional speakers into their facilities, these institutions can offer a range of audio alternatives for exhibition plan ners while still maintaining the quiet ambiance that guests (and staff) appreciate without having to use the aforementioned headsets. The limitless audio alternatives a museum can use directional audio for include: narration or commentary, ambient or background music, visitor instructions, and nature sounds, such as light rain, animal calls, or a babbling brook. Along with being able to provide high-quality directional audio, additional benefits of using Sound Shower speakers are the ultrathin profile and customizable color that make them easy to blend into the surrounding decor. Also, because the audio produced by these speakers attenuates very slowly, they can be placed on very high ceilings and still deliver a focused audio footprint were needed-no need for unsightly hanging tubes or domes. Museums and galleries of all type, large and small, public and private, rely on Sound Shower® directional speakers for all their focused audio needs. Users include: The Museum of Modern Art (MoMA), New York, USA Ateneum Art Museum, Finland Tate Modern, UK Center Pompidou and Exposition Huguenots, France Koninklijke Bibliotheek (National Library), Netherlands Vapeenmusuem, Sweden Churchill Museum, UK The Aquarium of Cattolica Le Navi, Italy London Transport Museum, UK Seattle Art Museum, WA, USA Waipu Museum, New Zealand The Maritime Museum of Finland American Jazz Museum, MO, USA BMW Museum, Germany La Biennale di Venezia, Italy Toyota Visitor Center Museum, TX, USA National Gallery of Art, Paris, France Lilliesleaf Farm Museum, South Africa ...and hundreds more.

NTI AG transforms its company name. Effective July 1st 2009, the new official company name is NTi Audio AG, the abbreviation for New Technologies in Audio. The new company name underlines the excellence in developing audio technologies and test solutions for the acoustics- and audio market. Hand in hand with the re-naming goes a fresh company logo, the spearhead of the new Corporate Design for NTi Audio AG. The new corporate design will be introduced step-by-step, as CEO Philipp Schwizer says: "We are a company committed to innovation. With the evolutionary introduction of the clear, modern Corporate Design we will share new technology, new designs and new product styles with our customers, so they will continue to perceive us as the providers of New Technologies in Audio. The new company name NTi Audio AG marks a step forward for growth and branding.” Providers of New Technologies in Audio In its first nine years NTi Audio AG has been at the forefront of new developments in audio measurement. Well known examples are the exclusive PureSound defect detection of speakers and the leading STI-PA speech intelligibility measurements for evacuation system. NTi Audio now enters its second decade providing state-of-the-art measurement solutions for the professional audio market. The name extension applies for NTi Audio headquarters only. The names of NTI Americas, NTI Japan and NTI China are not affected. Postal address, email addresses, website and other contact details of NTi Audio AG are not affected by the name extension and will remain unchanged as well ownership, staffing and all commercial aspects remain the same.

Istanbul-based Mikafon Elektronik has installed Community RSH-462 Focused Array™ horn loudspeakers to provide a shore-to-ship control and warning system at İÇDAŞ port, located at Biga/Canakkale in the north-east of Turkey. Founded in 1880, and with nearly 10,000 employees, İÇDAŞ is the largest capacity privately owned steel producer in Turkey, also operating in the fields of ship building, port operations, piloting and towing, land and marine transportation, shipping, brokerage, insurance, international trade, tourism, construction and power generation. With two piers and a wharf, İÇDAŞ port has a total berthing area in port of 1,680 metres, which can accommodate up to 20 vessels at the same time. Approximately 7,500 containers can be stored on 100,000 m2 at the port, a capacity which makes the port the largest container and general cargo stock area in the region. “The port is ‘airside’, so it requires an effective traffic control communication system”, explained Mikafon Elektronik’s managing director, Erkan Polat, “Needing massive SPL with uncompromised intelligibility, we designed a system using just eight Community RSH-462 loudspeakers. Each RSH-462 uses four Community M200 compression drivers on an Exponential Focused Array™ wave guide, giving an accurately controlled dispersion of 60 x 20 degrees with a sensitivity of 118 dB/W/m and power handling of 750W programme. These voice-range or tone signaling devices are remarkable, with a capability that has to be heard to be believed”. “Extreme all-weather design was also a major factor for both the products and the installation”, continued Erkan Polat, “The Port has prevailing north-easterly winds and waves, with the salt-spray of any exposed coast, and the region also has very high rainfall and summer temperatures. The materials and design of the RSH-462 are unequalled for all-year, all-weather use, giving us and the port authorities the level of reliability we need in the system. These Community loudspeakers have provided the facility with a highly effective system and the ICDAS Port Authorities are very pleased with the results”.

A B Noam Electronics new Israeli distributor DPA Microphones has appointed A B Noam Electronics as its new distributor for Israel. Established in 1972, A B Electronics is particularly active in the sound and theatre markets, importing and distributing high quality products for sound reinforcement and providing specialized solutions for customers’ needs. “We've been searching for high quality microphones for some time, partly because we felt that the market in Israel needs alternatives to the brands already established here,” says Asaf Tzur, import manager. “DPA was our first choice, since it not only covers live and theatrical performances, it can also provide us with vast solutions for recording applications, which we lacked altogether. We are very optimistic that the brand will be a success in Israel due to its leading reputation and the wide range of products for various applications.” Adds DPA director Morten Stove, "We are happy to welcome A B Noam Electronics to the family and look forward to servicing that part of the planet with DPA Microphones."

DPA Microphones has joined forces with Rycote to develop the DPA 4017-R Shotgun/Rycote Windshield Solution. The new strong suspension and windshield solution has been designed specifically to take the DPA 4017 shotgun mic’s compact size and light weight into consideration. The DPA 4017-R consists of the 4017 shotgun mic with XLR cable and DPA windscreen; the distinctive Rycote Windshield 2 measuring just 210mm; the Rycote fur windjammer; Rycote suspension mount in vibrant red and Rycote XLR holder. This kit provides everything an outside broadcaster, journalist or location film maker could need for clear, directional sound, regardless of the weather and environmental conditions. “DPA and Rycote share the same philosophy and it has been a great pleasure to work on a project with them,” says Rycote’s managing director Vivienne Dyer. “From conception to fruition it has taken us just three months and DPA has always responded immediately to our requests for information or feedback. DPA know what they want and we are so pleased that we have been able to fulfill their needs. The collaboration has been a great success that will ultimately benefit both companies. We respect DPA and everything that they stand for and look forward to working with them closely in the future.” Adds DPA director Morten Stove, "We were looking for a good way to protect our 4017 shotgun microphone from wind and rain, and contacted Rycote to see if they were interested in making a dedicated shield. Rycote has been wonderfully professional to work with and we look forward to a fruitful business relationship. We are certain that this is a wind-wind solution."

Meyer Sound¹s New JM-1P Arrayable Loudspeaker Combines Powerful Performance with Precise, Scalable Horizontal Coverage Meyer Sound has introduced the JM-1P arrayable loudspeaker, a self-powered high-Q system designed to integrate seamlessly in tight-packed clusters where horizontal coverage must be predictably scaled to exacting requirements. Distinguished by its precisely defined 20-degree horizontal by 60-degree vertical pattern, the JM-1P delivers controlled coverage while minimizing reverberation in large or reflective acoustical environments. With a remarkably consistent polar response and trapezoidal enclosure patented by Meyer Sound, the JM-1P delivers optimum performance in tight-packed arrays providing horizontal coverage that is proportional to the number of units deployed. Single JM-1P cabinets can be used as a point-source system in either horizontal or vertical orientations. The JM-1P is suited to critical quality applications including theatres, houses of worship, theme parks, stadiums, concert halls, and nightclubs. In touring sound, it offers flexible solutions for center- and side-fill systems. Meyer Sound¹s experience in point-source systems dates back to 1980 when John Meyer, CEO of Meyer Sound, patented the trapezoidal cabinet shape with the release of the UPA loudspeaker. The JM-1P features a Meyer Sound¹s patented REM� ribbon emulation manifold technology, which results in low distortion and a tight pattern control, while a constant-Q horn ensures a uniform response throughout the coverage area. The JM-1P¹s exceptional power-to-size ratio and flexible Quickfly® rigging options allow for easy mounting and flying in a variety of applications. Captive sliding rigging links on the front and back of the cabinet facilitate easy arraying, and optional pickup and array plates are available for flying horizontal arrays of up to five JM-1P cabinets. A top grid receives links and pins directly from the JM-1P cabinet and allows for flown vertical arrays of up to four cabinets. ³The JM-1P gives sound designers the flexibility to accurately tailor coverage in highly reverberant or oddly shaped environments,² notes John Meyer. ³You can conform your horizontal coverage to fit the room, so you maintain a smooth response at all seats while avoiding echoes or excessive reverberation.² The JM-1P¹s precise high-frequency section is driven by a 4-inch diaphragm compression driver, complemented by a 15-inch, long-excursion cone transducer for the low-mid section. Power is supplied by a dual-channel class AB/H amplifier with a total power output of 1275 W (2550 W peak), while onboard processing includes electronic crossover, comprehensive driver protection, and correction filters for flat frequency and phase responses. Performance of the JM-1P is exemplary in all respects, with a wide operating frequency range of 55 Hz to 18 kHz, and a maximum peak SPL of 136 dB (at 1 m). The optional RMS� remote monitoring system allows comprehensive monitoring of system parameters on a Windows®-based computer. The JM-1P can be controlled with the Galileo digital loudspeaker management system and presets for JM-1P arrays will be available to provide mid-bass and bass management. Designed and manufactured at Meyer Sound headquarters in Berkeley, Calif., the JM-1P arrayable loudspeaker will begin shipping in August 2009.

The Sounds of Summer Ring Out with Meyer Sound Self-Powered Line Array Loudspeakers All across the northern hemisphere, the busy summer music season is in full swing, with an abundance of tours and festivals making Meyer Sound their first choice for supplying high-fidelity sound at events ranging from in-the-round concerts to massive outdoor festivals; from North America to Europe and Asia; and from soulful jazz music and heavy metal to the King of Pop. With the power, consistency, and reliability proven to withstand even the most extreme atmospheric conditions, Meyer Sound¹s self-powered systems are a mainstay on the summer festival circuit year after year. Perennial European favorites have long relied on Meyer Sound loudspeakers, including the famed Montreux Jazz Festival in Switzerland, Germany¹s Moers, Sziget in Hungary, and a multitude of other outdoor festivals in Norway, Sweden, Spain and the UK. In Eastern Europe, Slovenia¹s Festival Novo Mesto is supplying Meyer Sound systems for a range of musical celebrations including Festival Lent and Rock Otocec, while To Breathe as One 2009 Song and Dance Celebration will attract a massive crowd to Tallinn, Estonia, with reinforcement provided by local sound company Eventech. Across America, the festival scene also promises to deliver topnotch listening experience for visitors from near and far, with Meyer Sound systems powering stages at Michigan¹s Rothbury Festival (Thunder Audio), Colorado¹s Mile High Festival (Dowlen Sound), and Wisconsin¹s Summerfest (Clearwing Productions). At MX Beat in Guadalajara, Mexico City-based CREA provided a MILO® line array loudspeaker system, which delivered high SPL throughout the performances of Cat Power, Mystery Jets, and Sebastian Tellier, despite the unpredictable weather. ³Temperatures in Guadalajara could fluctuate between zero and 37 degrees Celsius (32 98.6 degrees Fahrenheit),² says Saul Rodriguez, production manager of MX Beat. ³Meyer Sound gear was really the only choice for such demanding conditions.² A growing number of festivals in Asia are turning to Meyer Sound systems this year. In Bangalore, India, the 24x7 Rockathon is being considered for an entry into the Limca Book of Records for the longest continuous musical concert and live webcast, with 50 bands playing for four days with reinforcement from a Meyer Sound system provided by Reynolds Sound and Lighting Services. ³We had three teams working in shifts while the system delivered diligently 24 hours a day without a glitch,² says Felix Remedios of Reynolds Sound and Lighting Services. ³It was an impressive showcase of the reliability of Meyer Sound equipment.² In the touring world, Meyer Sound MILO line array loudspeaker remains a de facto standard among the largest and highest-profile tours. Metallica, the grand masters of metal are rocking arenas across Europe with a MILO line array loudspeaker system provided by Thunder Audio. Britney Spears and André Rieu are each taking a MILO system on tour, provided by Montreal-based Solotech. The Bay Area¹s ProMedia/UltraSound chose Meyer Sound systems for Dave Matthews Band and The Dead, while East Rutherford, NJ-based Masque Sound is supplying the Celtic Woman tour across the US. In the UK, Capital Sound¹s MILO rig is following Il Divo¹s world tour across several continents, and Canegreen¹s Meyer Sound systems have been booked solid for tours with Paul Weller, The Enemy, and Ray LaMontagne. In July, all eyes will be on Michael Jackson¹s stage return at O2 Arena, with a massive Meyer Sound system provided by Major Tom.

City Winery Selects Meyer Sound M¹elodie Line Arrays for a New World Entertainment Experience in New York City City Winery has emerged as a unique feast for the senses since its debut in Manhattan¹s highly selective SoHo district in December 2008. A 21,000-square-foot epicenter combining winemaking, gourmet dining, and live music, City Winery stands out from the crowded culinary scene with a world-class music venue reinforced by the award-winning M¹elodie� line array loudspeaker system from Meyer Sound. City Winery Founder and CEO Michael Dorf specified the M¹elodie after successfully employing Meyer Sound systems in the famed Knitting Factory live venues that he formerly owned and operated. ³Meyer Sound is the best, period,² Dorf says. ³At City Winery, we¹re using the definitive glassware, the most exclusive cheeses‹we¹re only working with the elite. As a home for international acts, when you let them know you have a Meyer Sound system, you never have anyone say, ŒI have to bring my own.¹ We¹re a Meyer venue, and there¹s nothing to improve on.² A warm, open, and airy space, City Winery hangs four M¹elodie line array loudspeakers on both sides of the stage, yielding uncommonly rewarding results. ³The M¹elodie has exactly what we were looking for: It doesn¹t blow away the people in the front, and it still can reach to people 75 feet back,² says Dorf. ³The vocal clarity is precise, deep, rich, and it sounds very true. For instrumentation we get a full, rich sound‹anything plugged in is coming out very accurately.² The system was designed by Ed Greer, general manager of operations at City Winery, in collaboration with Meyer Sound Tech Support, and installed by Brooklyn, NY-based Music First Productions. The M¹elodie-based solution incorporates two Meyer Sound UPQ-1P wide coverage loudspeakers which anchor left and right fills for the far sides of the wide room, while frontfill is provided by three M1D-SM loudspeakers, a version of the M1D line array loudspeaker with alternate end plates for single-mount configurations with the M1D-MUB single mount U-bracket. The design also includes two 600-HP subwoofers, four UM-1P stage monitors, eight MM-4XP self-powered miniature loudspeakers and a Galileo� loudspeaker management system. Together, the components have created a compelling sonic experience for artists such as Joan Osborne, Suzanne Vega, Lenny Kaye, Boz Scaggs, Philip Glass, Rufus Wainwright, and many more. ³To have many of these performers come in and say, ŒThis is one of the greatest musical performance rooms that I¹ve played in for many years¹ is a very high compliment,² Dorf reflects. ³City Winery spent a lot of time thinking about both the audience and the artist experience. We¹ve nailed it with Meyer Sound.²

Effective 1 July 2009, Midas Consoles North America has been appointed as the exclusive distribution channel for Midas and Klark Teknik in the USA and Canada. Based north of Los Angeles, Midas Consoles North America, a wholly owned subsidiary of JAM Industries, is a new, brand focused, distribution company dedicated to the sales and after sales support of Midas and Klark Teknik products in the world’s largest single market. “This is a huge new chapter in our company history,” states David Cooper, sales and marketing director for Midas and Klark Teknik. “It ensures that our present and future customer base in North America is offered dedicated, brand-orientated sales expertise and technical support. We believe that a focused, brand led distribution channel is the best way of ensuring our already industry leading support is maintained and then continually improved. Our aim is simple: to establish the XL8 and PRO6 as industry standards in the live performance sector across North America. We see this move as the means of making that happen.” Adds Lynn Martin a JAM executive and president of JAM’s AM&S (American Music and Sound) division, “The creation of Midas Consoles North America is yet another milestone. We are extremely proud to be awarded two of the greatest live sound brands in the industry and see great opportunities for those brands via the new Midas Consoles North America distribution channel. Both Midas and Klark Teknik operate in a unique market and we need to address the requirements of sound engineers, rental companies, houses of worship, theatre, live TV broadcast – in fact the whole live sector. I am also happy to announce that Jay Easley, who has been heading Midas and Klark Teknik sales in the US, will be managing the Midas Consoles North America sales team from day one and will ensure we hit the ground running! We aim to offer seamless customer support during the transition.” The move gives Midas and Klark Teknik direct control of its US distribution channel, allowing it the flexibility and freedom to respond to the market and tailor its sales and service network accordingly. Launching a dedicated operation in the US comes during a period of huge development for the company, particularly in light of the rapid uptake of the XL8 and PRO6 digital systems. In such a developing market, offering superior support and backup is paramount to the brands’ ongoing growth and success across North America.

Nova Drive is TC Electronic's incredible new programmable analog overdrive and distortion pedal. It features the same awesome analog drive circuit as the acclaimed Nova System and has full digital control. Nova Drive is therefore the ultimate distortion and overdrive pedal, offering the best of both worlds: sonic excellence combined with total control. On top of the superb tone, Nova Drive has excellent preset and control options that ensure guitarists don't have to rebuild their set-ups from scratch to use it. The pedal also comes packed with 18 killer sounding factory presets, meaning that guitarists will be ready to rock in no time at all. Nova Drive features two totally separate overdrive and distortion circuits that can be used separately or combined to offer a wealth of classic, spine-tingling, old school sounds. These are partnered with total digital control that enables guitarists to store up to 18 of their favorite sounds and to integrate Nova Drive into their set-ups and tailor their sound with total precision. The dedicated distortion section offers a wide range of tones, from subtle, punchy driving distortion to screaming fuzz. And for added control it also features a 2-band EQ section for precise shaping of distorted sounds. Nova Drive's distortion character is best typified as raw but, like the overdrive section, it preserves the original character of the sound. The overdrive section delivers everything from clean boost with a little extra 'oomph' through Bluesy sting and smooth tube-like break-up, to heavy, all-out crunch. It is the perfect place to find added sustain for existing sounds and to supercharge any tone into classic territory. With Nova Drive, guitarists finally have a place to create, store and recall all the distorted and overdriven sounds they could ever need.

Complementing Xantech's XTR39 LCD Remote, the RF2IR2w allows wireless RS232 feedback to LCD Remote for sophisticated control systems, perfect for conference rooms, bars/restaurants and houses of worship -- SYLMAR, CA, June 25, 2009 -- Xantech Corporation, a leader in the field of audio/video remote control and distribution for 40 years, recently began shipping the new RF2IR2w Bi-Directional RS232 RF Base Station for the XTR39 LCD Remote. Utilizing a robust and reliable 2.4 GHz network (based on the ZigBee IEEE802.15.4 specification), the RF2IR2w units are perfect for Conference Room, Bar/Restaurant and House-of-Worship applications. Each base has four routable IR Output ports as well as a bi-directional RS232 port, allowing for wireless control of any IR and RS232 device while dramatically reducing a facility's wiring infrastructure. The RF2IR2w base station is the ultimate accessory for the XTR39. It is a receiver that accepts the radio frequency output of the XTR39 remote and translates it into IR and RS232 command signals that can control virtually any electronic device. The RF2IR2w makes it simple to set up a reliable and sophisticated multi-room control system that is easily controlled by the XTR39's intuitive LCD touchscreen display. With the new RF2IR2w, Xantech offers unparalleled bi-directional RS232 capabilities for its popular XTR39, providing dynamic volume feedback and device status display, including projector status and conference room dialer confirmation. With its low-profile design, the RF2IR2w can be placed inconspicuously at multiple locations throughout a facility. For larger installs, more than 250 RF2IR2w base stations can be used with a single XTR39 to handle any size wireless control system.

The ultimate Canadian sport fishing resort installs EAW VR Series and SMS Series speakers Whitinsville, MA, USA, June 25, 2009 - The waters off the northwest coast of British Columbia are deep, cool and clear - the perfect conditions for salmon and halibut - and the Queen Charlotte Lodge, at the north end of the Queen Charlotte Islands, is perfectly situated to be a fisherman's dream come true. Recently, the Lodge decided to update its sound system, and Vancouver-based installers/integrators Sapphire Sound turned to the reliable and innovative engineering of EAW, a world leader in audio system technology. The main building was fitted with an SMS1990 Surface Mount Loudspeaker, two SMS3 Surface Mount Loudspeaker systems, a weather-resistant SMS4 Surface Mount Loudspeaker system, two VR62 Compact Full-Range Loudspeakers, a VR61 Compact Full-Range Loudspeaker enclosure with a single 6-inch LF driver, two PH30 Paging Horns, an SB48 Very Compact Subwoofer and three CAZ Series amplifiers. The Totem House, which features a bar and restaurant as well as guest suites, had installed one PH30, six SMS4's and six CIS400 Ceiling Loudspeakers. The private Charlotte House residence now has six SMS4's and two PH30's. The Queen Charlotte Lodge is accessible only by boat or helicopter. The paging system takes on added importance, as it is fairly common to have to call guests across the island to remind them that their ride is ready to depart. "The system is running background music most of the time, so it has to be full-range and smooth," explains John Powell, Project Manager on the installation for Sapphire Sound. "But when the lodge needs to page people to let them know their helicopter is about to take off, the system has to be loud and clear without being piercing or grating. The PH30 is especially good at that." Powell also cited the ease of installation of the SMS Series speakers, noting that the log wall construction of the Lodge's buildings could have made that a challenge. "The SMS was corner-mounted and we ran the wiring in between the logs," he says. "Everything blended in nicely." Dave Raneses, EAW Commercial Product Manager describes how EAW is a leader in its field because of its engineering, and the VR62's and VR61 used in the bar area is a perfect example. "The rotatable horn design feature of both enclosures made them the best choice for this application," he explains. "Because of space considerations, these boxes had to be mounted horizontally rather than vertically, which is their usual orientation. But because the rotatable horn can be adjusted up to 90 degrees left or right, the horizontal mounting was not a problem, as the horns were rotated to optimize directivity control. They didn't have to trade off sound quality for space." The EAW SMS1990 was positioned near the plasma display screens in common areas of the Lodge such as the lobby and breakfast room. "What's unique about the engineering of the SMS1990 is that its coverage pattern is a true 90-by-90-degrees and it's that way throughout its entire frequency spectrum," notes Raneses. "The need in these gathering spaces was for a high level of intelligibility, and the SMS1990 delivers that by design."

Meyer Sound MILO and SF Opera Set Record Attendance with Tosca Simulcast at AT&T Ballpark Beer, hotdogs, and Š Puccini? Cultural worlds collided in the best way possible when Opera at the Ballpark returned to AT&T Park on June 5th with a free simulcast of Tosca, setting a new ballpark attendance record for San Francisco Opera with an estimated 27,000 viewers. For its fourth simulcast, Bay Area rental house Pro Media / UltraSound turned to Meyer Sound products for the reliability, clarity, and power required to knock the job out of the proverbial park (and literal home to the San Francisco Giants baseball team). The unique task of broadcasting a live performance from the stage of the War Memorial Opera House to a crowded outdoor venue was no easy feat, but David Bowers of Pro Media / UltraSound felt that the decision to go with a Meyer Sound system was a relatively simple one: "It's just the way it is. There's nothing that works better for opera. It's absolutely, purely linear. It predicts well, and there's very low distortion." The PA system included 28 MILO line array loudspeakers (two arrays of 14 each), along with eight legacy MSL-2A loudspeakers, eight M3D-Sub directional subwoofers, a Galileo loudspeaker management system, and a SIM 3 audio analyzer for system tuning. Pulling off opera without a hitch on the Giants' home field was a tall order, and knowing what works was of the highest importance when over 20,000 attendees expected an Italian tragedy by 8:00 pm sharp. "We showed up at 1:00 pm to load in yesterday," said Bowers on the day of the show. "By 7:00 pm last night, we were doing our first pass for optimization. It was so expeditious. That's a credit to self-powered systems‹they're very easy to rig." Bowers, who has a wealth of experience when it comes to mixing opera and classical music, recognizes the benefits of choosing Meyer Sound for this project. "We love the M3D subwoofer for the opera," said Bowers. "It's the most musical-sounding sub for opera and classical music. We want the sound system to be invisible, even if the stage is 400 feet away from the audience. M3D-Sub, MILO, and Meyer allow us to do that." A fan of our pristine sound and reliable results, Bowers isn¹t the only Meyer Sound enthusiast. ³I am overwhelmed and gratified by the Bay Area¹s enthusiastic response to our third simulcast of live opera to AT&T Park,² commented Opera General Director David Gockley. ³Our presentation of Tosca onto the scoreboard in high def transmission was fantastic and was matched by the superior sound quality under the careful guidance of Meyer Sound , ProMedia Ultra Sound and the SF Opera Sound Dept. From the outfield and the infield to stadium seating, more than 27,000 guests enjoyed this growing San Francisco tradition of Opera at the Ballpark. It truly was a grand night for singing!² In the case of an event that involves arias and garlic fries, it's safe to say that this was no ordinary evening at the ballpark. Aside from the obvious successes of the evening (great sound, beautiful music, and a happy audience), Bowers found amusement in the subtleties that made the job so unusual, and so enjoyable: "The clean-up was much easier than when Kenny Chesney played here." Now that is music to our ears.

More than 45 years after their first concert, The Dead (previously the Grateful Dead) continued to set the highest sonic standards on their 22-show, 17-city tour, the band's first tour in more than five years. Known for their unyielding requirement for low-distortion sound, The Dead's new tour was again supported by a Meyer Sound MILO line array loudspeaker system supplied by Bay Area associates Pro Media/UltraSound. The system, designed to provide up to 360-degree coverage for the tour's multiple arena dates, included main left and right arrays of 16 MILO and two MILO 120 line array loudspeakers each. Left and right side arrays of ten MILO and two MILO 120 loudspeakers each were augmented by identical arrays covering far left and far right areas, for a total of 72 MILO and 12 MILO 120 loudspeakers in all. The rear areas were served by left and right arrays of 12 MICA line array loudspeakers each. Low frequencies were ably handled by 16 700-HP subwoofers, with eight each flown below the main MILO arrays. An additional nine M3D-Sub directional subwoofers were groundstacked at the stage. Left and right frontfills of three CQ-1 loudspeakers each and a pair of UPJ-1P VariO loudspeakers for centerfill completed the setup. "The Meyer Sound system provided us with a consistent, clean, and powerful image across a wide range of venues," remarked FOH Engineer Derek Featherstone, who used a pair of HD-1 audio monitors at the mix position. "Even with more than 90 open microphones on the stage, we had very little leakage back onto the PA system." Few bands have played a larger role in the evolution of today's concert sound than The Dead. The band was among the first users of Meyer Sound systems, and Meyer Sound founder John Meyer credits the group's high standards with inspiring his ongoing quest for audio excellence.

AUDIO-TECHNICA EXHIBITS HEADPHONES AND ACCESSORIES FOR M2 AND M3 IEM SYSTEMS INFOCOMM, ORLANDO, FL, June 17, 2009 — Audio-Technica, a leading innovator in transducer technology for over 45 years, expands its extensive line of headphones and accessories to accompany A-T’s M2 and M3 In-Ear Monitor (IEM) Systems. With these products, Audio-Technica continues to offer turnkey solutions for all portable wireless needs. Audio-Technica In-Ear Headphones - EP1: In-ear dynamic headphones, featuring an ultra-compact design and delivering a remarkably clear, articulate high-fidelity audio signal, are compatible with M2 and M3 Wireless In-Ear Monitor Systems. EP1 Headphones come with three sizes of interchangeable flexible earpieces (small/medium/large) and universal-fit foam tips for a custom fit, increased isolation and long-wearing listening comfort. A gold-plated right-angle stereo mini-plug with locking collar provides exceptional corrosion resistance, superb conductivity and a secure connection. The EP1’s Y-cable includes an adjustable sleeve for a secure, comfortable fit. Comes with a soft pouch. $59.00 U.S. MSRP. - EP3: In-ear dynamic headphones, compatible with Audio-Technica M2 and M3 In-Ear Monitor Systems, are equipped with proprietary A-T dynamic drivers that deliver an exceptionally pure audio signal with a full frequency response and richly detailed high-fidelity sound. EP3 Headphones come with three sizes of interchangeable flexible earpieces (small/medium/large) and universal-fit foam tips for a custom fit, increased isolation and long-wearing listening comfort. Their ultra-compact design makes them ideal for on-stage use with M2 and M3 IEM Systems. A gold-plated right-angle stereo mini-plug with locking collar provides exceptional corrosion resistance, superb conductivity and a secure connection. The EP3’s Y-cable includes an adjustable sleeve for a secure, comfortable fit. Includes 9.8" (25 cm) extension cable/adapter with 3.5 mm connector for use with MP3 and other portable players. Also includes a protective carrying case and soft pouch. $139.00 U.S. MSRP.

AUDIO-TECHNICA’S STEVE SAVANYU NAMED TO INFOCOMM ACADEMY’S ADJUNCT FACULTY INFOCOMM, ORLANDO, FL, June 17, 2009 — Audio-Technica, a leading innovator in transducer technology for over 45 years, announces that Steve Savanyu, A-T Director, Educational Services, has been awarded status as an Adjunct Faculty Instructor for InfoComm Academy. InfoComm Academy is the educational body of InfoComm International®, the trade association serving the professional audiovisual and communications industries. Savanyu joined Audio-Technica in 2000 and, prior to his current positions, has held the titles of Market Manager, Installed Sound, Broadcast & Theater; and Marketing Manager, Training and Seminars. He formerly owned and operated Stonewood Studios, an audio/video production company in Geneva, Illinois. Savanyu is also involved with Kent State University’s School of Journalism and Mass Communication, teaching courses on audio production. Building on the experience he gathered in these capacities, Savanyu brings a thorough understanding of the importance of hands-on education initiatives and consistent communications efforts to his current roles at Audio-Technica and in his new capacity as Adjunct Faculty Instructor with the InfoComm Academy. “The InfoComm Academy program is dedicated to teaching the A/V body of knowledge for the betterment of the audiovisual industry and its customers,” stated Melissa Taggart, InfoComm Senior Vice President for Certification, Education and Standards. “InfoComm looks for the best minds in A/V and business to present relevant coursework that provides practical knowledge to the industry that will keep them up-to-date on technology trends. Our knowledgeable faculty members are critical to the success of this program, and we are grateful for their participation.” “We are very proud of Steve and what he continues to accomplish here at A-T,” stated Greg Pinto, Audio-Technica Vice President, Marketing. “Steve has the right knowledge and experience to be of great service to the A/V industry as a whole, so it is very fitting that he is named Adjunct Faculty Instructor for the InfoComm Academy. It is an honor that Audio-Technica can have a presence within this institution, and we look forward to Steve and A-T continuing to push the industry forward with such honors and initiatives.” About the InfoComm Academy and the Faculty Program The InfoComm Academy Faculty Program was created to recognize the contributions of its corps of dedicated instructors and to contribute to their professional development. In doing so, InfoComm provides students with the highest quality training from the industry’s leading technical experts. Faculty members are nominated by the InfoComm Professional Education and Training Committee (PETC), with final selections made by the association’s Board of Directors. With more than 50,000 enrollments since 1997, InfoComm’s audiovisual education and certification programs are the A/V industry’s leading professional development resource. InfoComm Academy offers an extensive range of A/V courses designed and taught by InfoComm’s expert faculty members representing the entire spectrum of technical, sales, management and professional disciplines. Courses are taken online, at the Fairfax, Virginia headquarters, around the world and at this year’s InfoComm, which is taking place June 13-19, 2009, in Orlando, Florida. Last year’s show had more than 8,600 course registrations. On any given day, there are over 3,000 students enrolled in InfoComm training and certification. InfoComm also licenses certain curricula to companies and organizations and provides contract training on location by request. About InfoComm International InfoComm International® is the international trade association of the professional audiovisual and information communications industries. Established in 1939, InfoComm has 5,000 members, including manufacturers, systems integrators, dealers and distributors, independent consultants, programmers, rental and staging companies, end-users and multimedia professionals, from more than 70 countries. InfoComm International is the leading resource for A/V market research and news. Its separately administered Certified Technology Specialist (CTS®) credential sets a standard of excellence for A/V professionals. InfoComm International is the founder of InfoComm, the largest annual conference and exhibition for A/V buyers and sellers worldwide. InfoComm also produces trade shows in Europe, Asia, China and India. Additional information is available at www.infocomm.org.

Historic venue gets a sonic upgrade with EAW KF, SBX, LS, JF and LA Series products designed in a unique two-set configuration for versatile performance Whitinsville, MA, USA, June 24, 2009 - Mallorca (Majorca), the largest of Spain's Balearic Islands, is home to its capital Palma's Teatre Principal ("Principal Theater"), a venue dating all the way back to the 1600s. Through the years, it has seen a number of alterations, renovations and reconstructions, and in 2001, work began on a comprehensive project to bring Teatre Principal into the 21st century. Crucial to the theater's update would be a cutting-edge sound system, holding up to the rigors and demands of a wide variety of current theatrical productions and musical events. Fernando Garca Carrin, the head of the A/V Department of Madrid-based installer Chemtrol's Divisin Teatro (theater division), selected a wide range of EAW products as the system's loudspeaker and monitor components. Chemtrol recently installed the full system, with the support of EAW's Spanish representative Pro3 & Co, S.L. To determine the necessary sound system components, Pro3's Engineering Department, headed by Victor Prez Cejas, conducted a comprehensive acoustic simulation of the theater. Because of the venue's historic nature, it was important to integrate the system into the architecture as smoothly as possible. The theater is laid out in a horseshoe design, typical of venues built in the 17th century. Also, the venue hosts a number of different events and performers; a variety of different sounds, from a single spoken voice to a booming orchestra, would need sound system solutions tailored toward them. Taking this into account, Chemtrol opted to install what could be considered two separate sets of loudspeaker components. The first is a fixed installation, which itself can cover most of the theater. The second is a more mobile, modular/configurable system, adaptable for concerts and louder events that need extra reinforcement. The first set of components includes EAW LS832 Line Source Loudspeakers in each of the hall's balcony levels (10 loudspeakers in total) and four EAW SBX220 Compact Subwoofers, installed in the orchestra pit. The second, more adaptable set of components includes 12 KF730 Compact Line Array Modules, which are flown from the proscenium arch, allowing for a straightforward stereo configuration or a three-channel L-C-R array. To maintain uniform coverage throughout the venue, four EAW JF60z Compact Full-Range Loudspeakers were installed as stage frontfills, covering the theater's first few rows. For stage monitoring, the system is rounded out by four EAW LA212 and four LA215 Compact Full-Range Loudspeaker/Monitors with LAKE processing and Lab.gruppen amplification. "EAW products offered us exactly what we needed for this project," stated Carrin. "We needed to be able to configure this system for a wide variety of applications and sounds, all while maintaining coverage in a challenging space and making sure the loudspeakers keep a low profile visually. And of course sound quality is paramount. EAW delivered all these things and more."

Company offers contractors and system integrators a flexible, portable wireless infrared system with easy setup, intuitive operation and unmatched security — INFOCOMM, ORLANDO, FL, June 17, 2009 — Audio-Technica, a leading innovator in transducer technology for over 45 years, expands its Engineered Sound® range of meeting/conference room offerings with the ATCS-60 IR (infrared) Conference System. The ATCS-60 is a fully self-contained wireless distributed audio system using infrared communications technology, designed for corporate, government and educational applications. The system offers many impressive and practical features, providing ease of setup and operation, and eliminating the need for microphone wiring and ceiling speakers. The ATCS-60 IR Conference System offers all the advantages of infrared communication – including security, high noise immunity and low power requirements, to name a few – and features wireless microphone units (ATCS-M60). As a result, it offers more flexibility, with freedom to easily change microphone locations and system configurations. Even for a conference scenario of over 100 participants, the setup takes far less time than other conference systems. The system also features sophisticated functions such as simultaneous interpretation for one native language and up to three foreign languages; automatic camera tracking to follow the switching of microphones; optional minutes recording; along with other features that help improve conference efficiency. The ATCS-60 system can also be fully portable. The ATCS-60’s infrared technology offers secure communication. Since the infrared signal stays within the room, a meeting cannot be picked up or intercepted elsewhere, which can often be an issue with conventional RF systems. The ATCS-60 system consists of the following components: ATCS-M60 Microphone Unit (base unit) ATCS-60MIC Dedicated standard-length Gooseneck Microphone ATCS-A60 IR Transmitter/Receiver Unit ATCS-C60 Master Control Unit ATCS-D60 Distributor (splitter) ATCS-B60 Battery charger ATCS-C60MAG Software Setup of the ATCS-60 IR Conference System is simple and intuitive: the applicable number of ATCS-A60 IR Transmitter/Receiver Units (aka Transponders) are placed on the room’s ceiling space (or flown/elevated for full portability), and connected back to the master control unit with 75 ohm coaxial cable. Each ATCS-M60 Microphone Unit, with dedicated ATCS-60MIC microphone, is set on the conference table (one for each participant) and assigned a discrete address; beyond that, it’s virtually plug-and-play. Each ATCS-M60 Microphone Unit features a built-in dedicated loudspeaker, which will return the entire system’s audio (minus that conference member, therefore preventing feedback and echo). The system operates in two modes, manual and automatic, allowing for a number of different meeting styles and levels of formality. In manual mode, which works like a “discussion system” (commonly used with a more formal approach to corporate meetings), each meeting member pushes a button to request to speak, and each request is recognized by the meeting’s chairman. In manual mode, the system’s ATCS-C60 Master Control Unit controls whether requests to speak are accepted in first-in-first-out or last-in-first-out order. This mode accepts up to 150 microphone units. In automatic mode, which accepts up to 50 microphone units, all channels run through a “smart” mixer, which turns each microphone on and off depending on whether or not that meeting member is speaking. The mixer can be set (via the ATCS-C60 Master Control Unit) so that from one to five people can talk simultaneously. The ATCS-A60 IR Transmitter/Receiver Unit has an oblong 120-degree coverage pattern. The ATCS-D60 Distributor acts as a splitter, expanding the Master Control Unit’s four IR Transmitter/Receiver Unit connections so that up to 16 ATCS-A60 units can be placed on a room’s ceiling space, depending on necessity presented by room size and shape. The system’s included ATCS-C60MAG software allows users to monitor and control the system using a computer screen with a graphical interface patterned after the room layout. An advanced version of the software can record meetings for electronic minute-taking. The ATCS-M60 Microphone Units can run on battery power (LI240 Lithium ion battery, charged with ATCS-B60 Battery Charger) or via AC power with a standard adapter. Finally, the Master Control Unit features an RS-232C connecting port, for control via third-party units by AMX™, Crestron® and others. Greg Pinto, Audio-Technica VP of Marketing, states, “The addition of the ATCS-60 system to our extensive range of contractor and system integrator products, represents Audio-Technica’s total commitment to providing install-sound solutions. The new infrared conference system joins A-T’s hard-wired microphones, RF systems and the ultra wideband SpectraPulse® wireless microphone system, offering engineers, sound contractors and installers a complete range of conference system options.”

INFOCOMM, ORLANDO, FL, June 17, 2009 — Denon® Professional is showing the DN-C620 CD Player and the DN-C640 Slot-in Network CD Player at InfoComm 09. Both units play a variety of file formats, and the DN-C640 adds network connectivity and data DVD playback, in addition to other advanced features. Denon Professional DN-C620 CD Player: Housed in a 1-rackspace enclosure, the DN-C620 offers contractors and system integrators a versatile CD player at an extremely cost-effective price point. The DN-C620 is compatible with standard audio data file formats including CD-DA (.cda) and MP3, allowing for up to 20 hours of audio playback from a single CD, CD-R or CD-RW, making it well suited to serve as a continuous audio playback device for houses of worship, health clubs, restaurants, and various broadcast applications. The player features intuitive front panel control, which allows customizable program playlists and output of ID3 or CD-TEXT Title, Artist, and Album information via RS-232-C. Additionally, standard 25-pin Contact Closure (GPIO) and 9-pin RS-232-C Control connections are included. The RS-232-C remote capability provides added flexibility and allows the DN-C620 to be controlled from third party industry leaders like AMX™ and Crestron™. The DN-C620 is now available with a U.S. MSRP of $699.99. Denon Professional DN-C640 Slot-in Network CD Player: Also housed in a 1-rackspace enclosure, the DN-C640 offers tremendous playback format options utilizing largely untapped system resources found in many of today’s standard audio, network and computing devices. Elevated from simple audio disc player, the unit enables audio data-file playback from both CD and DVD discs and easy access to network playback capabilities. It is well suited to serving as a fully networked audio playback control center. The DN-C640 is compatible with most standard audio data file formats including CDDA (.cda), WAV (.wav), MP3, MPG and Windows Media Audio (.wma), allowing for up to 20 hours of playback from a single CD. Additionally, the unit breaks new ground by reading these files directly from a data DVD, with greatly enhanced storage, thus increasing continuous single-disc playback to nearly 6 days of uninterrupted audio. For those requiring the fidelity of uncompressed WAV audio files, this allows a new, convenient disc playback unrestrained by the normal 80-minute CD-R time limit. As an added benefit, various file types may be combined on the same disc to accommodate different source formats of program material. The DN-C640 incorporates the latest in network integration for streaming audio playback from personal computers, servers or other network resources. This affords nearly endless file storage and continuous playback while allowing direct access to files from the unit’s front panel/remote or an internal web-based GUI complete with transport controls and customizable program playlists (can output CD-TEXT Title, Artist, and Album via RS-232), accessible from any web-enabled computer on the network. The ability to stream any of the above file formats from a network source allows the broadcast station to store files, like Public Service Announcements (PSAs) or local advertisements, on a PC and have instant access to them without having to burn optical media. The web-based GUI also provides a visual interface for programming files to play from a specified directory. Those programs can be downloaded to a PC in a simple file format for later use. This is perfect for a station that needs to recall previous shows/programs or for a station’s production department that wants to recall a set of sound effects. Additionally, standard 25-pin Contact Closure (GPIO) and 9-pin RS-232-C Control connections are included. The DN-C640 is currently available with a U.S. MSRP of $999.99.

Company offers a subminiature omnidirectional lavalier condenser microphone engineered to deliver high quality audio with low profile design for on-camera applications — INFOCOMM, ORLANDO, FL, June 17, 2009 — Audio-Technica displays its smallest lavalier offering to date, the BP896 MicroPoint™ Subminiature Omnidirectional Condenser Lavalier Microphone. Intended for capture of high-quality audio with unobtrusive profile, the BP896 provides maximum intelligibility and clean, accurate reproduction for broadcasters, lecturers, church/house of worship users, actors and presenters. The BP896 capsule measures a mere 2.5 mm in diameter, making it ideal for applications requiring minimum visibility. The microphone operates on phantom power and includes a complete accessory kit. The BP896 is available in black and beige wired and wireless models. The wireless offerings include a multitude of terminations designed to work with Audio-Technica and other manufacturers’ wireless systems. The ruggedly designed BP896 MicroPoint handles high SPLs and offers a wide frequency response. The subminiature omni element is enclosed in a durable, low-profile housing with internal construction designed to minimize noise from handling, clothing and wind. The microphone plugs into the included AT8539 power module, which provides a low-frequency roll-off switch and an integral XLR3M connector supplying a low-impedance balanced output. The extensive accessory kit includes a clothing clip base, viper clip base, three single mic holders, two double mic holders, two windscreens, and six element covers (two each in black, white, and beige) for blending in with users’ attire. A protective carrying case is also included.

AUDIO-TECHNICA EXPANDS SPECTRAPULSE® OFFERINGS WITH mtu201 WIRELESS XLR DESK STAND TRANSMITTER — Transmitter optimized to work with any of A-T’s Engineered Sound® gooseneck mics — INFOCOMM, ORLANDO, FL, June 17, 2009 — Audio-Technica, a leading innovator in transducer technology for over 45 years, expands its award-winning SpectraPulse® Ultra Wideband (UWB) wireless microphone system with the mtu201 XLR Desk Stand Transmitter. The mtu201 is optimized to work with any of Audio-Technica’s 29 Engineered Sound® gooseneck microphones with 3-pin XLRM-type output, ideal for such applications as podiums, boardroom tables and other situations where a gooseneck is preferred over a boundary-type mic. The mtu201 provides phantom power to the microphone and features a programmable touch-sensitive switch (for push-to-talk, push-to-mute or toggle operation) and 9-hour rechargeable battery life. A completely new application of UWB technology, SpectraPulse bypasses the increasingly congested RF environment to deliver clear, intelligible, secure audio without the performance and setup issues associated with conventional wireless systems.

MARANTZ® PROFESSIONAL DISPLAYS THE PMD580 COMPACT DIGITAL RECORDER, ALONG WITH OTHER PMD® RACKMOUNT UNITS — Latest addition to Marantz® Professional’s renowned family of rackmount digital recorders adds new hardware and software enhancements, including network compatibility — — The single-rackspace PMD580 also adds balanced XLR I/Os, Ethernet and RS232 connections, AES/EBU interface and 24-bit resolution — — Company also shows PMD570 and PMD560 rackmount Solid State Recorders — INFOCOMM, ORLANDO, FL, June 17, 2009 — Marantz® Professional is displaying the PMD580 Solid State Recorder, the latest addition to its highly successful family of rackmount digital recorders. The PMD580 uses proven, stable Compact Flash (CF) as its recording medium, with the inherent reliability of no moving parts. The unit brings many of the same features and high sonic quality found in the PMD® Series recorders but adds a crucial new dimension: network connectivity. Via its Ethernet port, the PMD580 can be positioned as a network device, allowing users to set menu parameters, schedule recording events, and transfer and archive audio files, all by using a web-based GUI interface from any PC in the network. Network accessibility allows users of solid-state digital recording devices, such as universities and government agencies, the ability to archive audio files effortlessly even at designated times, and it makes managing multiple units a breeze. The PMD580 also has an internal clock for scheduling recording events. For instance, lectures could be automatically scheduled for recording, multiple events can be scheduled via the web interface and recorded files can then be downloaded to a local PC with drag-and-drop simplicity. Of course, files can also be uploaded automatically to a server or network location, at a user specified time or immediately upon the conclusion of a scheduled recording. The unit also adds balanced XLR inputs and outputs, S/PDIF as well as AES/EBU digital interfaces and RS-232 control. The new PMD580 offers MP3 and WAV recording formats, and users can select between 16-bit and 24-bit resolution. Also being displayed are single-rackspace PMD570 and PMD560 Solid State Recorders. The PMD570 records in mono or stereo directly to Compact Flash cards in MP3, MP2, WAV and Broadcast WAV formats. With over 40 quality settings, the PMD570 supports sample rates from 16 to 48 kHz and bit rates from 32 to 384 kbps, as well as full-quality 16-bit PCM resolution. The recorder is able to create a new file (track increment) while recording and files can be created in intervals of 1, 5, 10, 15 and 30 minutes as well as 1-, 2-, 6-, 8-, 12- and 24-hour intervals for long-term, unattended audio recording. A comprehensive input and output complement on the PMD570 includes balanced XLR line inputs with trim, unbalanced RCA line in and out, and stereo S/PDIF input and output on coaxial RCA jacks. Remote control is provided via full two-way RS-232-C interfacing; users can set up, change and replace all preset settings with a PC. In addition, the PMD570 features USB connectivity for easy linking and file transfer to a PC or Mac. Audio files can be instantly dragged and dropped to the computer, eliminating wasted time doing transfers. A lower-price alternative, PMD560 offers the same recording quality and RS-232 system control with cost effective features.

D&M PROFESSIONAL OFFERS CONTRACTORS AND SYSTEM INTEGRATORS INSTALLATION SOLUTIONS INFOCOMM, ORLANDO, FL, June 17, 2009 — When system integrators and contractors enter the D&M Professional booth (#6235) at the 2009 InfoComm convention, they will see a wide array of new, leading edge products from Denon® Professional and Marantz® Professional, spanning the entire range of installation products used in the industry. Each product was developed after extensive research with leading sound contractors and system integrators, reflecting D&M Professional’s ongoing commitment to providing the preeminent tools for system integration in this highly competitive marketplace. The breadth of new product offerings from Denon Professional includes the DVD-3800BDCIP Reference Blu-ray Disc/DVD/CD Player; TU-604CIP Expandable Multi-Tuner; AVR-589P A/V Receiver; DCM-390P 5-Disc CD Changer; the DN-F300 & DN-F400 Solid-State Audio Players; and more. New products from Marantz Professional being shown for the first time at this InfoComm include the VS3002P HDMI 1.3a Switcher; SR5003P Dolby TrueHD/dts-HD Master A/V Receiver; ST7001P AM/FM/XM Tuner; and the IS301 Wireless/Wired Flexible iPod Dock. “With their decades of leadership and service in audio technology, Denon Professional and Marantz Professional continue to offer contractors and system integrators the most effective products for any major media format,” stated Peter Papageorge, D&M Director of Sales, Americas. “With our latest product offerings, D&M Professional continues to reaffirm its preeminent position as the absolute resource for the sound contracting/fixed installation market sector with market-driven products.”

SYLMAR, CA, June 23, 2009 -- Xantech Corporation, a leader in the field of audio/video remote control and distribution for 40 years, introduces the new WIC1200 Web Intelligent Controller. The WIC1200 is a stand-alone room controller for networked/web-based control featuring two IR Ports, two Serial Ports, two Contact Closure ports and two Digital I/O ports as well as two Ethernet ports (one with POE) for TCP/IP telnet control with less intrusion into facility IP networks. On its own, the Web Intelligent Controller is an Event-driven component with two RS232 ports (configurable for RS422/485 and RS232 for control via Xantech or third-party units by AMXTM, Crestron and others) and two IP ports. The Event Manager is capable of Timed Events, Calendar Events, Telnet and Serial Events and features a full FTP site, Web Server and Email Server. Used as a Room Controller for a presentation system, the Web Intelligent Controller can automatically turn the projector OFF if left on, check Bulb Life (and, if low, email the IT or A/V specialist responsible) and sense and control IR components, as well as Screen drops and Projector lifts. When interfaced with Xantech's CSPLCD Commercial Touch Panel Display or XTR39 Wireless RF Remote, the WIC1200 Web Intelligent Controller can send messages back to the Touch-Panel allowing for Text Display, Numeric Display, Volume and Indicator bars, ON/OFF indicators and more, for full real-time data display. The IP port allows each room to be accessible on the facilities IP network for Status display, remote centralized control and remote diagnostics. WIC1200 Web Intelligent Controller Features: - Remote Room Control (perfect for classroom, conference Room and house of worship applications, etc.) - Two routable RS232/422/485 Serial Ports - Two routable IR Outputs - One IR Input - IR Learner - Two Ethernet ports - One with POE (Power Over Ethernet). - 2 Ethernet ports allow for less intrusion into facility network - One dedicated Facility Ethernet port and second port can be used for entire control network - Two Relay Ports (NC/NO) - Two Digital I/O's (0-5v) - 256 MB onboard storage for Web pages, event manager files and CSPLCD touch panel project storage - Micro SD slot for added file storage - USB program port or Web Server programming - Front Panel LED status display for all ports - Can provide feedback from virtually any Serial or IP (Telnet) device back to any Xantech LCD Touch Panel - Can be added to systems for universal IP or Serial room control standalone or can be combined with LCD controllers - FTP server for storing and backing up of files - Embedded Web Setup Pages accessible over existing network - Event Manager for Timed Events (for instance, Parsing of Serial Data or Event Trigger of multiple simultaneous actions) - Web-based asset management for room control and system diagnostics - Email capabilities for pro-active support

DENON® PROFESSIONAL ANNOUNCES ITS NEXT GENERATION OF SOLID-STATE AUDIO PRODUCTS — Company unveils intuitive, state-of-the-art digitally-based audio playback solutions for contractors, consultants and system integrators — INFOCOMM, ORLANDO, FL, June 17, 2009 — Denon® Professional, a leader in digital recording and playback solutions for the fixed installation and education market sectors, is showing its DN-F300 and DN-F400 Solid-state Audio Players at InfoComm 2009. The new players further emphasize the continued growth of Denon Professional, as well as the company’s commitment to providing consultants and contractors with digitally-based, solid media products that feature no moving parts, with high reliability and maintenance-free operation under the most challenging conditions. The DN-F300 and DN-F400 Solid-state Audio Players take audio playback to new levels by implementing stable and reliable solid-state media technology as the source medium. Both products are able to read MP3 files and uncompressed WAV files from SD or SDHC cards (The DN-F300 reads from USB drives as well), which utilize technology that is far more stable and reliable in demanding applications than the “spinning” CD. All of the advanced features that have made Denon Professional famous for broadcast CD playback have been implemented in the DN-F300 and DN-F400. Because of their robust and reliable solid-state media format, the DN-F300 and DN-F400 are ideal for audio playback in a myriad of demanding applications, including Background Music (BGM), Fitness and Aerobics, Message on Hold (MOH) systems, theaters and broadcast. Housed in a compact 1U-rackspace enclosure, the DN-F300 offers contractors and system integrators a versatile solid-state audio player at an extremely cost-effective price point. The DN-F300 also has IR control and a microphone input, making it perfect for fitness and dance applications as well as background music playback. Additionally, the mic input has music ducking, which helps for paging in BGM applications. It also features ±12% pitch control, likewise ideal for dance and aerobics/fitness. Elevated from a standard audio playback device, the DN-F400 is a 1RU, half-rackspace unit designed for background music, message on hold, repetitive messaging, crisis management, or any application requiring audio to be running continuously. The DN-F400 features balanced/unbalanced outputs and is also controllable via RS-232-C and GPIO (General Purpose Input/Output), making it perfect for theme/amusement parks, malls, government facilities such as post offices, police stations, public transportation, hospitals, hotels, restaurants, airports, museums, art galleries or anywhere a repeated audio announcement is needed. Additionally, the optional RC-F400 Remote Controller features a large LCD display and enhances the DN-F400’s capability by providing an ergonomically designed, intuitive control unit for instant playback of audio or audio elements (sound effects) via its hot-buttons, making it ideal for live events, radio, television, etc. “The DN-F300 and DN-F400 represent Denon’s next generation of audio playback devices,” stated Karl Gustafson, Brand Manager, Denon Professional Products. “These new products were based on direct feedback from contractors and system integrators and provide high-quality, digital audio playback solutions in a 1RU rack format. They are ideal for the fixed installation/sound contracting markets.”

New PMD661 recorder offers a smaller footprint, an improved layout and a superior feature set — INFOCOMM, ORLANDO, FL, June 17, 2009 — D&M Professional, manufacturer of the renowned Marantz® Professional PMD series of professional recording products, exhibits its newest field recorder, the PMD661 Compact Digital Recorder. The launch of the PMD661 is a direct result of feedback from users in the field, working in an array of recording environments in various vertical markets such as broadcast, government, faith and education. Marantz Professional has developed the PMD661 to provide advanced functionality and convenience, further emphasizing its ongoing commitment to supplying customers with market driven product solutions. A robust and versatile professional handheld PCM / MP3 recorder, the PMD661 improves on the hugely popular PMD660, offering a streamlined form factor, a superior feature set, and the use of SD flash media. Major new design innovations include a smaller footprint and an improved top facia layout with fewer buttons and more highly developed use of multi-functional operation. Measuring a mere 6.5" x 3.7" x 1.4" (165 x 93 x 36 mm), the PMD661’s small footprint, combined with the improved control layout, ensures comprehensive single-handed operation. The PMD661 features switchable balanced mic/line XLR inputs and a S/PDIF digital input, as well as unbalanced line-outs on RCA connectors and a secondary unbalanced line-in on 3.5 mm mini jack connector. Also included for the first time at this price point within the Marantz range is a high-resolution 24-bit/96-kHz recording option (PCM). The PMD661 incorporates SD flash media, the most widely available and fastest developing flash memory format. Compatibility with SDHC media means that cards currently up to 32 GB in size can be used. High capacity media storage is matched by up to five-plus hours recording time from four AA Alkaline or NiMH batteries (not included). Drag and drop file transfer is supported via the USB 2.0 port. In a company first, Marantz Professional has bundled its Mark Editor software with the unit, free of charge. PMD Mark Editor allows the marker points made on the recorded file to be adjusted post-recording, creating a new file, so that basic editing can be carried out on a PC or Mac if desired.

The high-SPL successor to Audio-Technica's popular AT892, the new BP892 offers increased dynamic range with maximum audio quality, minimum visibility and a comfortable under-ear design The BP892 MicroSet is ideal for church/house of worship, educational and commercial applications, including corporate A/V presentations, broadcast and theater sound reinforcement requiring outstanding audio quality and inconspicuous design -- STOW, OH, June 23, 2009 -- Audio-Technica introduces the BP892 MicroSet Subminiature Omnidirectional Condenser Headworn Microphone, handling high SPL's and delivering accurate sound in a tiny package. Representing the latest in miniaturization technology, the new MicroSet utilizes a condenser capsule with a diameter of a mere 2.6 mm, making it ideal for applications requiring minimum visibility. In addition, the BP892 MicroSet offers an ergonomic, flexible, ultra-lightweight, under-ear design that is both comfortable to wear and highly secure. The MicroSet hooks behind the ear and can be worn for hours without fatigue. Its contoured earpiece stays in place even on the most animated performer/presenter and does not interfere with the user's eyeglasses. Plus, the MicroSet features the industry-standard Audio-Technica sound that professionals have come to rely on for over 45 years. Intended for high-quality, low-profile inconspicuous operation, the BP892 MicroSet features a new highly durable Parylene coating in either a non-reflective black or theater-beige finish. The microphone provides maximum intelligibility and clean, accurate reproduction for the most demanding church/house of worship user, lecturer, broadcaster or theater performer. With its high-SPL capability (135 dB), it is particularly ideal for high-volume motivational speakers/lecturers, pastors and stage actors. Available in a wired model as well as in a multitude of terminations to work with A-T and other manufacturers' wireless systems, the BP892 MicroSet has an omnidirectional polar pattern and features excellent performance specifications, including a flat, extended frequency response (20-20,000 Hz). The wired version features a switchable integral 80 Hz high-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The high-pass position reduces the microphone's sensitivity to popping; it also reduces the pickup of low-frequency ambient noise. Output from the power module's XLRM-type connector is low impedance (Lo-Z) balanced. The MicroSet includes a power module (wired version only), two windscreens, two element covers, a cable clip, a moisture guard and a protective carrying case.

HD Pro Audio Provides New Digidesign VENUE SC48 for Paloma Faith Debut Single Gig at the BBC A day after its UK launch, the new Digidesign VENUE SC48 was in use on a Sam Kruger production at BBC Maida Vale Studio 3, with PA provided by Capital Sound. The show was arranged by the BBC for Paloma Faith to perform her new single 'Stone Cold Sober', a BBC record of the week, and other tracks from her forthcoming debut album 'Do You Want The Truth Or Something Beautiful'. The event was recorded for ‘Radio 2 Introduces... Paloma Faith’, part of Dermot O'Leary's show due to be aired on Saturday 20 June. On FOH was engineer Peter Whitelaw, “The show was the first to fully showcase the complexity and dynamic diversity of Paloma’s song writing. With 15 people on stage, including brass, strings, and backing vocals, I knew I needed a dynamic and comprehensive console. The Profile would have been my normal choice, as I'm a big fan of it, but with the launch of the SC48 I was keen to get my hands on the new console and test it out. With its launch being the night before, we got it just in time for the show thanks to Andy Huffer and HD Pro Audio”. “With all 48 channels being used and every bit of DSP maxed out (can't get enough of the Eventide plug-ins). I well and truly tested it out. It worked like a familiar friend with some very useful enhancements. Being able to keep a finger on Paloma’s lead vocal via the Center Flex Channel, which provides immediate access to any key input without having to go through fader layers, was comforting as I flipped through the 4 banks. The new LED colour coded aux / EQ / dynamics section is another very welcome improvement” “The VCA spill feature looks promising and useful as I become more familiar with the console. Its definitely a desk I'm looking forward to using and exploring more again on Paloma; her schedule is exploding so the tiny foot print and truck space it takes up are another great asset, and I'm thinking about using it on Sophie Ellis Bextor in the coming months”. Sam Kruger commented “From my point of view the SC48 means that even though this is a new artist, I have an affordable option that can deal with the complexities of such a production at an early stage in her career, rather than having to compromise with whatever we're given. Paloma is a rising star and, thanks to this desk, we can showcase her at the level of much bigger, more expensive dates. We plan to carry one for all of her key shows and festivals over the coming months; as the artist grows this element of the production doesn't need to change to grow with her as it’s already up to the highest standard”.

Hilo Hawaii – June 19 2009 – Alta Moda Audio, maker of high-performance professional audio equipment, today announced commencement of distribution through its newly established dealer network in Europe. Alta Moda Audio products were previously only available in the US and Canada. Alta Moda Audio president Paul Ricchiuti says “We are very happy and excited to finally be bringing our products to Europe. We’ve had many inquiries through the years asking when our products would be available. As our dealership network expands through Europe with quality dealers, we can better serve and support those who want to obtain our products through local authorized dealers.” Alta Moda makes the highly acclaimed Unicomp all-discrete stereo compressor/ limiter as well as a new line of quality, high-performance modules for API (TM)-compatible 500-series rack enclosures. A complete list of Alta Moda Audio dealers can be found at http://www.altamodaaudio.com.

The Digidesign® VENUE SC48: a fully-integrated audio and processing live sound solution developed for small to mid-sized houses of worship, clubs, and corporate A/V companies, as well as touring customers. As a cost-effective and compact system, this solution delivers exceptional sound quality and compatibility with industry standard professional audio and video systems. VENUE SC48 also combines I/O, digital signal processing and tactile control and offers built-in support for a number of professional audio plug-ins that provide customers with more creative mixing options. Building upon the industry-leading VENUE family of professional live sound systems, the VENUE SC48 system delivers the same sound quality and clarity customers around the world have come to expect from VENUE, in a compact footprint designed to meet the needs of customers with smaller to mid-sized live sound applications. The console introduces several groundbreaking features designed to enhance and streamline the mixing process including: · Professional Plug-In Support enables customers to install and use software plug-ins from Digidesign and a number of third party developers to easily and instantly re-create and recall an artist’s signature studio sound during a “live” performance. · Direct Connection to Pro Tools LE® makes it simple to record shows and perform Virtual Soundcheck: a timesaving process that enables customers to playback and mix tracks recorded from a previous performance using a computer connected via VENUE SC48’s built-in USB port. · Channel Control allows easy access, display and adjustment to any channel parameter with the single click of a button. In addition, any eight parameters can be assigned to the color-coded framework for immediate access during the mix. · Center Flex Channel provides immediate access to any key input, such as a lead vocalist’s microphone, without having to go through fader layers. · VCA and Group Spill provides easy control and quick access to grouped channels within a mix by focusing the control surface layout to match the logical groupings created by VCA and Group style mixing. All VENUE systems, including the VENUE SC48, Mix Rack, Profile and D-Show® console, use the same VENUE D-Show software, allowing customers to easily transition show files between any system in the VENUE product line within a familiar interface.

VMB has announced that Spotlight, the Italian professional lighting manufacturer is to be the new exclusive distributor for VMB towerlifts in Italy. Spotlight will be responsible for all the sales in the Italian market and will also be in charge of all the servicing and support. Spotlight celebrated their 40th birthday last month with a series of opened days. Augusto Andraghetti, Spolight’s President said “The partnership between Spotlight and VMB is based on a similar strategic mission: our work, over the past 40 years, has been focused on continuous improvement, technical innovation and Customer satisfaction, in order to always be a step ahead in providing solutions for the performing arts. In fact, Spotlight - member of the most important associations in its business - is one of the leading manufacturers of lighting in Italy and in the world, thanks to a strong network of dealers in over a hundred Countries. As a result of 40 years of experience in the entertainment industry, Spotlight are now proud to offer their customers not only a wide range of products and solutions, but also efficient service, in a modern and flexible structure. Thanks to proven partnerships, Spotlight exclusively distribute in Italy brands such as Arkaos, ADB, Compulite, Chainmaster, Eurotruss, Litestructures, Kleu and now VMB. Spotlight is proud to include the most important theatres in Italy (Teatro alla Scala in Milan, Arena in Verona etc) amongst their customers as well as abroad (Bolshoi in Moscow etc) where the market share is consistently increasing thanks to the well structured distributor network in all four corners of the globe. Moreover, Spotlight provides technology to the most important Italian television networks such as RAI Radio Televisione Italiana, Mediaset and All Music. VMB’s Export Manager Ben Sinclair also comments, “I am looking forward to working with Spotlight. The company has a great reputation as a manufacturer and also as a distributor. VMB is going to be a welcome addition to their current portfolio of locally distributed brands. They have been around for a similar amount of time to us and we share many approaches to business. It’s not just the corporate orange colour we have in common. We already have a great reputation in the Italian market and I am sure Spotlight are going to open lots of new doors.

Community Professional Loudspeakers has announced the appointment of John Dodson to represent its sales and business development throughout the Middle East region, including Bahrain, Egypt, Israel, Jordan, Kuwait, Lebanon, Oman, Qatar, Saudi Arabia and the United Arab Emirates. Based in Dubai, Dodson was previously with Bose for 23 years. His positions included UK business development manager and national sales manager before he relocated to Dubai to direct Middle East and Africa sales operations 15 years ago. "I am really pleased to be representing Community," commented Dodson. "They have an unequalled product range for all-weather applications on any scale, and great products across all areas of the installation sector. With some very high profile projects in the Middle East already, the sales potential for the brand is substantial, and I'm looking forward to advancing Community's success in the region. Their product development and technical support is outstanding and I really enjoy their personal approach to people and business in this increasingly corporate world." The appointment was supported by Community's Founder and President Bruce Howze. "We are all very happy to welcome John to the team. He has a great attitude towards business development and customer relationships and his in-depth knowledge of the people, markets and applications are exactly right for the position." Community VP John Wiggins also commented, "Having John living in the region will greatly strengthen our support for customers and consultants and we're looking forward to working with him. Community is greatly committed to growing our market share in the Middle East."

EASE Users Can Now Evaluate Meyer Sound Products More Accurately BERKELEY, Calif., June 2, 2009 – Meyer Sound today announced the availability of high-resolution measurement data for 13 of its most popular loudspeakers in the GLL (Generic Loudspeaker Library) format, enabling users of EASE design and simulation software to model the interaction of Meyer Sound self-powered loudspeaker systems with the acoustics of rooms. With the release of EASE 4.3, the software can now import and view(*) Meyer Sound’s one-degree measurement data in the GLL format which is considerably higher resolution than the EASE SPK file format used by previous versions of EASE, resulting in more precise predictions. The following product GLL files are now available for download from Meyer Sound’s website: MILO (60, 90, 120), MICA, M’elodie, 700-HP, 600-HP, 500-HP, UPQ-1P/2P, UPJ-1P, UPJunior and SB-3F. To register and download any of these files, please visit: http://www.meyersound.com/forms/ease_form.php. As additional product data becomes available the page will be updated, and registered users will be informed via email. Meyer Sound’s patented MAPP Online Pro acoustical prediction program will continue to be the preferred prediction tool, and provide the most accurate reference for modeling the interaction of Meyer Sound loudspeakers. “The utility of acoustical prediction programs depends on several factors, including the accuracy of the measurement data used to model the individual loudspeakers, the consistency of the product from cabinet to cabinet, and finally on the quality of the algorithms used to process that data,” said Meyer Sound CEO John Meyer. “While EASE is designed to incorporate articulation data and room acoustics information, MAPP is designed to facilitate aligning loudspeaker systems with the highest level of accuracy, and therefore took care to exclude room data. With its ability to incorporate higher-resolution GLL data, EASE has become a much more useful platform for accurate system modeling, enabling its users to evaluate Meyer Sound loudspeaker performance simulations with a good degree of confidence.” “We are pleased to be working with the EASE team to provide users with more accurate and useful predictions,” added Meyer, “and give customers the tools they need to effectively evaluate and specify Meyer Sound loudspeaker systems.” “For years, John Meyer and I have pushed to advance technology that would empower system designers with prediction tools offering high accuracy, interoperability, and advanced functionality,” said Dr. Wolfgang Ahnert, the scientist behind the EASE program. “We are both pleased to witness the industry’s widespread adoption of acoustical simulations, and look forward to seeing system designers and the audio education community benefit from EASE’s compatibility with Meyer Sound data.” Meyer Sound pioneered the use of high-resolution complex data in creating loudspeaker models with its MAPP Online acoustical prediction software, a patented method of providing acoustical response predictions in an Internet-enabled client-server system, offering significant advantages over self-contained programs running entirely on a user's machine. With a registered user base that has more than doubled in the past eight months, MAPP Online Pro development and upgrade efforts continue to be a top priority for Meyer Sound’s software development team. The EASE software program was created by Acoustic Design Ahnert, and is developed and supported by the Ahnert Feistel Media Group of Berlin, Germany.

Avid® delivers 20th ICON console and hundreds of Pro Tools licenses to SAE Institute Global educator SAE upgrades to Pro Tools 8 and purchases three additional Digidesign ICON digital consoles… SAE, the world's biggest private educator within the audio, media and film industries, has recently made a substantial investment in Avid® solutions for its international campuses, including 400 Pro Tools 8 upgrades (including more than 80 Pro Tools | HD licenses) and a new Digidesign ICON D-Control ES worksurface for its San Francisco, Istanbul and Oxford campuses. Each college has installed a 32-channel console, which offers unparalleled Pro Tools integration. The D-Control installed at SAE's Oxford HQ is the 20th that SAE has purchased since the console's debut in 2004. With more than 50 colleges in 20 countries, SAE has been supplying practical, hands-on training for the audio and media industries for 32 years, specialising in courses in Audio Engineering, Home Studio Recording, Digital Film Making, Electronic Music Production and Music Business. Avid video and audio solutions can be found throughout SAE facilities worldwide, including the market-leading Pro Tools production system used in the majority of studios around the world, and one that continues to be the solution of choice for numerous film soundtracks, including most recently the Oscar winning movie Slumdog Millionaire. SAE’s Managing Director Rudi Grieme says: “Our students have access to multiple production systems so that they are able to deal with many situations within the industries that they choose to work in. However, Pro Tools is the industry standard in music production so it is vital that our students have access to the latest and greatest versions. ICON too is state of the art technology and, again, while SAE students need to learn about a variety of studio technology we also want them to work with the very best technology out there.” Tim Carroll, Avid’s VP World-Wide Audio Programs adds: “SAE is a premiere education facility that focuses on preparing their students for real world careers in audio production. With the industry-wide adoption of ICON and Pro Tools 8 for both post and music production, SAE students will be learning cutting edge technology that is being used every single day in the audio production world. We are very proud to have SAE invest in both their future and their student’s future.”

Company offers visitors a chance to win a Genelec Surround System NATICK, MA, June 11, 2009 -- Finland-based Genelec Oy, the world-leading manufacturer of Active Monitoring loudspeakers, has launched an online community on its website. The Genelec Community at www.community.genelec.com is aimed at all Genelec users and other audio enthusiasts who want to get in touch with fellow users and fans for discussion and to share experiences with the products and studio work in general. Online since April 1st, the community has already reached over 800 members and is growing rapidly. Recently Genelec also started a video competition where people can enter to win a 5.1 surround system of 6010A & 5040A Active Loudspeakers. The competition is open to everyone who has registered to the Community. More details about terms and conditions are available inside the Community. The Genelec Community features monthly user stories and technology tips, as well as a newsletter posted to all registered users. The site also features a discussion forum where users can post their experiences and questions with a direct link to the manufacturer. "We wanted to create a place for all the Genelec people around the world, where they can share experiences and benefit from the knowledge of fellow users in a modern and efficient way", says Terho Savolainen, Marketing Manager of Genelec Oy. "Now all of our users and fans have a place for direct contact to the Genelec's support and an easy way to use it. Sharing experiences with other users about the products and getting advice on room acoustics, speaker placement or any other problems people might have with our products is now much more convenient than before." Future development of the Community depends chiefly on its membership. "This is only the first step in improving the cooperation between the manufacturer and our end users. We are working on new ideas all the time and are of course welcoming any suggestions from our worldwide user base," Savolainen continues. "Most of our customers are spending a lot of time on the Internet, so that is where we want to be as well."

Automap for iPhone / iPod touch – take instant remote control of your music making software Novation’s Automap has already revolutionised the way we control music production software – now Automap is set to do the same with the iPhone and iPod touch… The power behind Novation's award-winning SL MkII, SL Compact and Nocturn MIDI controllers is now available for your iPhone / iPod touch, providing an instant and intelligent, wireless, palm-sized MIDI controller. Now you can use iPhone / iPod touch to control all of your music making software. Whenever you want to control music software and the mouse is out of reach, Automap for iPhone / iPod touch delivers. And the possibilities are endless – remotely control transport functions; give your artist remote control of reverb levels; a hand-held cross-fader for laptop DJ'ing; controlling multi-effects whilst tracking guitar; switching drum kits whilst you’re sat at your V-drums… The Automap for iPhone / iPod touch app will be available to buy from the Apple app store mid July. Combined with Novation's free Automap 3 Standard software, or Automap 3 PRO, it provides two horizontal faders and eight buttons per page, displayed on a single iPhone / iPod touch screen. However, the number of pages – and thus the number of controls – is unlimited. Automap lets you see at a glance how every control on your iPhone / iPod touch is assigned, both on the iPhone / iPod touch itself, and across your computer screen. Combining all this visual feedback with intelligent software browsing also helps you get to the right software fast! Control maps are automatically placed into categories depending on type (instrument, effects, mixer and so on) for quick and easy browsing and selection. Although Automap automatically and intelligently maps to all major music making software, you will inevitably have your own unique way of working. Consequently, editing maps and re-assigning controls in Automap is extremely quick and easy. Simply click a parameter in learn mode, then touch a control on your iPhone / iPod touch to assign it. Double-clicking 'learn' allows you to 'Click-Touch-Assign' in quick succession. Using your iPhone / iPod touch with Automap 3 PRO (available to buy from www.focusrite-estore.com) delivers some extremely powerful additional features… Firstly, it harnesses the shortcut power of your QWERTY keyboard. It then allows you to assign almost any computer keyboard shortcut, and combinations thereof, to any of the controls on your iPhone / iPod touch. Editing maps is also improved, allowing you to simply drag parameters in the Automap Heads-up GUI from one control to another. Finally, with PRO you can use your iPhone / iPod touch alongside any other Automap compatible hardware controller – and it’s all perfectly integrated for seamless control. With Automap for iPhone / iPod touch, Novation has placed the power of your music making software into the palm of your hand to use and abuse in ways we couldn't even imagine!

EAW Capitalizes on Its Engineering and Manufacturing Resources in Whitinsville for Custom Products Employed in High-Profile System Installs From the Eagles to the Orioles, EAW's Strategic Engineering Team has created custom solutions for applications ranging from national theme parks to major-league baseball parks Custom products address the complexities of modern large-scale, high-profile systems installs, resolving issues for the clients and leading to new products that better serve the industry as a whole Whitinsville, MA, USA, Jun 8, 2009 - When Coffeen Fricke and Associates, Inc. (www.cfaconsulting.com) developed a complex specification for the Lincoln Financial Field (home of the Philadelphia Eagles) audio system, they went to several manufacturers of sound technology seeking a solution. EAW was chosen, as they could provide that solution and manufacture the product to exacting specifications. At the EAW Strategic Engineering Group's offices in Whitinsville, Massachusetts, Kenton Forsythe, EAW's co-founder/Vice President, Strategic Engineering; Jeff Rocha, Senior Director of Engineering; Joe Fustolo, Director of EAW's Applications Support Group; and Janet Yacino, who supervises the Build-To-Order (BTO) projects, constitute a brain trust that continuously develops customized solutions for a wide range of applications and users. In the process, those solutions often end up turning into products that benefit the broader industry. A perfect example is the work EAW's Strategic Engineering Group did for the Eagles stadium sound system, which needed sound coverage of very specific sections of the venue with enclosures that would also deflect weather in a particular manner, so that fans would get great sound without getting wet. The Group took the concept from an existing EAW line-source speaker array, of the type used commonly in houses of worship on columns to project sound without interfering with sight lines, and adapted it for horizontal mounting. Not only did the custom solution work brilliantly, but additionally a version of the design is under consideration to become a standard product in EAW's speaker systems line, providing the benefit of the Group's collective innovation to other users. Another ongoing custom engineering project involves developing a compact, high output design with exceptional pattern control that, when completed, will allow more targeted placement of better-sounding boxes for venues such as theme parks where architectural considerations become paramount. In another example, a customized version of EAW's full-range AX 364 Arrayable Install Loudspeaker, modified to fire simultaneously forward and down, was developed for the newly opened New York Mets ballpark Citi Field. Working closely with systems consultants WJHW of Dallas, Texas, and integrator TSI Global Companies, LLC, several of these precisely modified enclosures were installed at the clubhouse level, one of the most challenging spaces in a stadium of this design, with a pair of 10-inch woofers aimed downward to cancel out low-frequency buildup in an architectural bass trap. Other solutions have been developed for venues including the Red Sox's Fenway Park in Boston and the Nationals Park in Washington, D.C. In fact, this kind of customized-solution approach to engineering has already led to elegantly converged market and engineering-driven breakthroughs in sound systems design by EAW. "It's a key aspect of our product development," says Forsythe. "A significant portion of EAW's product ranges come from specialized work our engineering and manufacturing divisions have developed to provide specific solutions to our customers. These 'solutions' have then become products within the EAW line." Systems installations are becoming more complex as venues become more competitive and advances in technology allow for more complicated systems designs, but Forsythe says the increase in the amount of custom work that the Strategic Engineering Group has been doing is driven as much by the fact that EAW has such a broad range of products upon which custom solutions can be based. "We have a pretty broad scope of product, so we have a lot of things that would address a wide range of challenges," he explains. But engineering is just one piece of the customization process. Manufacturing resources also need to be in place to execute the design. The Baltimore Orioles' Oriole Park at Camden Yards recently benefited from the installation of a brand new distributed sound reinforcement system, featuring nearly 300 loudspeakers from EAW. The installation, completed in time for the Orioles' April 6th season opener against the New York Yankees, was finished in a highly accelerated time period of three months, which is approximately half the amount of time a system of this magnitude would take to install under normal conditions. To meet these stringent deadlines, EAW drew on the resources at its Whitinsville, Massachusetts R&D/manufacturing facility to supply the complete loudspeaker inventory requested for the installation. In addition to accelerating the manufacturing process to meet the deadline, a customized weatherproof system was developed for the specific requirements of this job, all within the strict delivery requirements. Customer interface is crucial in this custom design process. The Applications Support Group evaluates new requests as they come in, reviewing which existing EAW products might form the basis of a solution. Engineering will develop the concept further and create prototypes if required. The BTO group will oversee completion of the custom solution. These custom solutions not only address the issues that clients want solved but also deepen the bond between EAW and its customers. "They love it because they've got an ownership interest in the idea," says Forsythe. "We all work together to help that customer solve their problem, and when we turn the system on and they finally hear the results of everyone's efforts, it's a very rewarding experience."

Radiant Church Chooses Allen & Heath iLive as Key Component in Expansion, Training Unique application of iLive's EtherSound interface allows the Radiant Church to train volunteer engineers by mixing pre-recorded rehearsals. When Radiant Church in Colorado Springs decided to upgrade their mixing console, Worship & Media Pastor Dustin Guthrie was charged with making sure the church got the most out of its investment. For the main campus, Rutledge recommended the Allen & Heath iLive-144. The system accepts 48 inputs from the stage through the system's iDR10 mix rack, with 16 additional channels inserted from the mixing surface itself for a total of 64 inputs. An Aviom output card in the mix rack handles the 16 channels flowing through the personal monitor system. The final slot in the iDR10 is the iLive's EtherSound card, which proved to be a key element in the system design. Visit Allen & Heath at the infoComm Show, Orlando FL, Booth 6229, June 17 - 19. "We run several different bands in both contemporary and blended worship styles, so we knew we wanted to go digital," notes Guthrie. "Having the ability to save scenes and recall them on the fly makes a huge difference for us." Dustin wanted to do training by recording services on individual tracks, and allowing the volunteers to train by mixing the playback of the services during the week while the church is empty, an idea that Rutledge strongly endorses. To do this via the iLive, its EtherSound module was connected to a personal computer via a Digigram LX6464ES computer sound card. "It allows them to do 64 tracks of recording, then use the playback as a virtual service so the volunteers can mix it exactly as it happened," notes Rutledge. "When they open the satellite church, all their engineers will be fully trained and ready to go." For services, the console supports mixing subgroups via DCAs on the top layer, including groups for drums, vocals and guitars. "We set up initially and showed them how it works," says Rutledge. "They've taken it from there and made it their own." Three main outputs go to the sanctuary's left-center-right speaker system via BSS SoundWeb processing, while Aux outputs carry the mix to the choir monitor, one stage monitor and subwoofers. The 16 primary monitor sends are sent out via the iLive's Aviom module. For the new satellite location, Worship Resources specified an iLive T-112 console. "It was really the price point of the T Series that made this all possible," explains Tom Rutledge. "Besides the training aspect, the T Series will help save setup time for them. A single Cat5 cable replaces the microphone snake, and there's no need for an outboard effects rack. Plus they'll be able to transfer settings saved at rehearsal with a USB drive, so it's as close to plug-and-play as you can get." While several other consoles were considered, Dustin Guthrie kept coming back to the iLive as the logical choice for Radiant Church. "Having used it for several weeks now, I can say that the iLive really meets our needs without compromises," he states. "Having all that DSP on board with the ability to save settings gives us a lot more control over the sound of each instrument. Even though we didn't change the speakers, there's been a huge improvement in our sound quality. It's also very intuitive to learn, and with our recording setup, the training aspect is handled. It's made a world of difference."

High-Volume, Ultra-Versatile Stage and Small Venue Subwoofer Joins MicroWedge12 and MicroWedge15 in the MicroWedge Series MicroSub's Unique Design Gives Users Endless Configuration Options and Is Particularly Ideal for Drummers Whitinsville, MA, USA, June 11, 2009 - EAW unveils the new MicroSub stage subwoofer, the latest offering in EAW's MicroWedge Series of stage monitor products. The single-15" enclosure is a high-quality, high-volume, ultra-versatile stage and small venue subwoofer, designed to address the unique environment of onstage low frequency demands - sonic territory that often goes ignored by stage monitor setups. The MicroSub can be configured and interlocked in a huge range of different combinations - by itself, with other MicroSubs or with other MicroWedge units. Small pads and recesses are located on its sides, top and bottom. The loudspeaker is mounted at a 45-degree angle and the cabinet height is exactly half of the cabinet width when the MicroSub is laid flat (features which facilitate a variety of arrangement options). Due to its small profile, it serves as an excellent side fill monitor, particularly in a club setting: the 13" height allows the MicroSub to be used as a building block to achieve the optimum height for the top cabinets. It is versatile enough to fit in the monitor wedge line downstage or as an addition to many different types of stage monitor setups, understage and front-of-house. The MicroSub is particularly ideal for drummers. The box projects at a 45-degree angle, and it can stand on its side. When placed on stage directly next to the drum riser, the MicroSub points directly at the drummer rather than the drums. As the chief timekeeper of the band, drummers should have a particular punch and clarity to their kick's low end and the bass player's low end to go along with a finely-tuned rest of the mix, and that is what the MicroSub offers. For optimal performance, it is tuned at 35Hz, operating in the range from 27Hz to 150Hz. It features external DSP with one-way filter. Axial SPL Sensitivity is 92dB (LF - whole space) or 98dB (half space) at 27-150 Hz. Nominal input impedance is 8 Ohms LF, with minimum input impedance of 7.6 Ohms at 165Hz. The unit's High Pass Filter is a 12db/octave Butterworth filter at 28Hz. Able to produce high sound pressure levels, the MicroSub has a calculated SPL Axial Output Limit of 122dB average/128dB peak (LF - whole space) or 128dB average/134dB peak (half space). The MicroSub will be available in standard black, matching the other EAW MicroWedge units. The Baltic birch cabinets are protected with EAW's proprietary RoadCoatTM finish, highly resistant to dings and scratches, and the rugged steel grille keeps its distinctive shape, even when stood upon. Additionally, all transducer components are highly liquid tolerant.

Partnership with Joe Satriani yields extra incentive for fans MELVILLE, NY, June 11, 2009 -- VOX has announced that from now until August 31st, 2009 (or while supplies last), they will be giving away a free copy of the new self-titled Chickenfoot CD to anyone who purchases a new VOX Joe Satriani signature pedal from an authorized U.S. VOX dealer. In early 2008, VOX announced their partnership with guitarist Joe Satriani to design a series of signature effect pedals. Since then, the original Satchurator distortion pedal has been joined by the Time Machine digital delay and the Big Bad Wah. All three are now available in stores. Chickenfoot is Joe Satriani's latest musical project, which also features the talents of Sammy Hagar (vocals), Michael Anthony (bass) and Chad Smith (drums). The band's first album was released on June 8th, 2009. Chickenfoot will be playing dates in Europe this summer and returning to tour the States in August and September.

High Wycombe, Bucks – This year's LIMS show see the release of the latest in Focusrite’s new generation of FireWire audio interfaces, The Focusrite Saffire PRO 24. As with all Focusrite interfaces, Saffire PRO 24 is the best sounding interface in its class, attentively designed with recording musicians and the modern home studio in mind. Twenty-five years of mic-pre excellence form the foundation of this new interface, with two award-winning Focusrite pre-amps. These combine with the very latest in mix control software and FireWire interfacing technology to deliver seamless integration, excellent routing flexibility and rock-solid driver stability. With Saffire PRO 24, sonic integrity reigns supreme. The two Focusrite pre-amps ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains. Alongside the two Focusrite pre-amps are a host of I/O options; two additional analogue inputs, six analogue outputs, ADAT inputs (for expanding the interface with, for example, Focusrite’s OctoPre), stereo SPDIF I/O and 2 virtual ‘loopback’ inputs for routing digital audio between software applications - ideal for capturing online audio. Front panel 5-LED metering for each analogue input offers accurate viewing of levels. Saffire Mix Control, the zero-latency 18 x 8 DSP Mixer/Router software provided with Saffire PRO 24, sets a new standard at this price point for audio interface control. It features flexible output routing and monitoring, as well as intuitive one-click set-up solutions designed to help you track, monitor and mix as quickly as possible. Saffire PRO 24 also comes with all the additional tools needed to start making music straight away. These include the latest version of the Focusrite Plug-in Suite, providing a significant upgrade from your standard sequencer effects. The suite includes Compression, Reverb, Gating and EQ. Focusrite’s established Xcite+ bundle is also included. The bundle features Ableton Live Lite (for all your production, performance and compositional needs), Novation’s Bass Station soft synth and over 1 gig of royalty-free samples from Loopmasters and ‘Mike the Drummer’. Focusrite’s Saffire PRO 24 is designed to capture every subtle nuance of your recordings, transferred seamlessly and effortlessly into the digital domain, leaving you to enjoy the freedom of a creative modern music making experience. Focusrite can be found at the front entrance of the SRT hall at LIMS, booth F4. The new Saffire PRO 24 will be available worldwide in June 2009 from a selection of pro audio retailers worldwide. Contact your local distributor for further details. Focusrite® is the premier choice for audio professionals and enthusiasts with an ear for detail. Focusrite was established back in 1985, with the introduction of the forte console, renowned for upholding a level of sonic integrity beyond compare. Since then, Focusrite’s RED™, ISA™ and Platinum™ solutions can be found pride of place in studios across the globe. Today, with Liquid™ technology and the Saffire PRO™ range of Firewire audio interfaces, Focusrite remain at the cutting edge of audio interfaces, digital audio workstations and signal processing solutions, with sonic integrity still forming the foundation of every design. These same qualities are to be found in numerous award-winning and industry-shaping products, designed by Focusrite for other leading brands within the audio industry.

D&M PROFESSIONAL OFFERS CONTRACTORS AND SYSTEM INTEGRATORS INSTALLATION SOLUTIONS ITASCA, IL, June 3, 2009 -- D&M Professional, through its brands Denon® Professional and Marantz® Professional, is bringing to market a wide range of new, leading edge products for system integrators and contractors, spanning the entire range of installation products used in the industry. Each product was developed after extensive research with leading sound contractors and system integrators, reflecting D&M Professional's ongoing commitment to providing the preeminent tools for system integration in this highly competitive marketplace. These products will be displayed at the D&M Professional Booth (#6235) at the 2009 InfoComm convention, June 17-19, 2009, in Orlando. The breadth of new product offerings from Denon Professional includes the DVD-3800BDCIP Reference Blu-ray Disc/DVD/CD Player; TU-604CIP Expandable Multi-Tuner; AVR-589P A/V Receiver; DCM-390P 5-Disc CD Changer; the DN-F300 & DN-F400 Solid-State Audio Players; and more. New products from Marantz Professional being shown for the first time at this InfoComm include the VS3002P HDMI 1.3a Switcher; SR5003P Dolby TrueHD/dts-HD Master A/V Receiver; ST7001P AM/FM/XM Tuner; and the IS301 Wireless/Wired Flexible iPod Dock. "With their decades of leadership and service in audio technology, Denon Professional and Marantz Professional continue to offer contractors and system integrators the most effective products for any major media format," stated Peter Papageorge, D&M Director of Sales, Americas. "With our latest product offerings, D&M Professional continues to reaffirm its preeminent position as the absolute resource for the sound contracting/fixed installation market sector with market-driven products."

Focusrite is proud to announce that the Liquid Saffire 56 is shipping and widely available in stores across the USA The Liquid Saffire 56 is Focusrite's new flagship Firewire interface. It has generated a great deal of excitement as it marries Focusrite's celebrated Liquid technology with its new generation of Saffire interface technology (pioneered by the critically acclaimed Saffire Pro40). The Liquid Saffire 56 features 2 Liquid mic-pre’s evolved from the original award winning Liquid Channel. Each Liquid Pre-amp lets you choose from ten different classic pre-amp emulations including the API 3124+, Neve 1073, Pultec MB-1, Telefunken V72, Focusrite’s own Red 1, and more! Matching the microphone type with perfect pre-amp setting is the key to capturing the perfect performance. In addition to 8 mic pre's, Liquid Saffire 56 includes 10 analogue outputs, 16 channels of ADAT i/o, stereo S/PDIF or AES i/o (on RCA phono), MIDI i/o, 2 virtual 'loopback' inputs, for routing digital audio between software applications, and BNC wordclock i/o. The Saffire Mix Control software provides ultra flexible control over routing and monitoring, which includes presets for immediate set up of commonly used mixing situations, and full metering across all inputs, outputs and submixes. This is just a few of the Liquid Saffire 56's many features, see product pages for full details. For more information on the entire range of Focusrite products please visit www.focusrite.com. Established in 1985, Focusrite Audio Engineering Ltd. has evolved from a manufacturer a professional recording console to one of the world's most respected manufacturers of high-quality microphone preamplifiers and signal processors. The Focusrite product line includes the Platinum range of processors for the project studio market, the classic ISA range of professional recording modules based on Focusrite's original console input stage designs, the Red range of premium, recording signal processing, the Blue range of mastering processors, converters and controller, and as well as the revolutionary Liquid Channel classic mic pre and compressor emulator and the brand new, innovative Saffire professional audio interfaces with onboard DSP and 24-bit/192kHz processing.

Only three months after the official launch of UNILINE, APG is proud to announce a first installation with the entire renewal of the sound system of the André Malraux complex in Châteaudun. With a total attendance capacity of 1200, this hall welcomes regularly theater plays as well as concerts with major artists like Alain Souchon, Christophe Willem etc. After conducting successful tests, the company 507 s.a.r.l. (28) as equipped the venue with 16 x UNILINE and 10 TB115S as F.O.H. , and 12 SMX 15 as stage monitors.

Alcons yields sacred sounds The world’s fifth biggest basilica opts for Alcons QR36 modular speaker systems In houses of worship, intelligibility of the spoken word is crucial, something both the clergy as well as the technical crew of God’s houses have become aware of. The Belgian national basilica, the “Basiliek van Koekelberg”, is the country’s largest church, (the world’s fifth largest basilica) and used for big national ceremonies and services with international acclaim. It’s cross shaped base-form with a 2500 capacity main nave and big side aisles, each with a capacity of some 250 visitors, a depth of 60m./197ft. plus the 7 seconds reverb made the assignment to provide accurate sound reinforcement a true challenge for audio company Pa-P.A and Alcons’ engineer Philip de Haan. After a first demo-session with Alcons QR36 sets equipped with double RBN1801 pro-ribbon HF drivers: two columns in the main ‘national’ nave of the Basilica, one column in the ‘parish’ nave, where it excelled over the existing recently installed beam-steered system in the A/B test, the church management decided to invest in the Alcons system. “The result of the tests was astonishing and far better than the telephone-sound they had before,” enthuses Luc De Paepe, managing director of Pa.P.A, “And the church administration gave the green light for an Alcons configuration in the national nave. The QR36 was designed for difficult acoustic environments, but the national Basilica became the first church to install a set - contrary to most line array systems (“that still have too much dispersion”) they offer a perfect, almost absolute 3° vertical dispersion angle, projecting the sound right to the church audience.” With the Basilica’s architect Jos Van den Breeden, the Alcons QR36 speaker enclosures were tailored to fit the monumental architecture, and Alcons’ engineers configured the system from two meter QR36 columns, to obtain the perfect sound for the church. The speakers and custom stands were supplied in a special RAL ‘ancient’ green finish, contrasting with the basilica interior and terracotta-finished pillars. Each of the QR36 combinations was equipped with an additional Alcons VR8 full range speaker cabinet for out-fill – with large worship services, the VR8’s are used as monitor speakers for the choir and in the side aisles. (Koekelberg basilica Brussel / Alcons press cont’d) Pa-P.A. removed the old and worn speaker system and installed two Alcons QR36 sets serving the whole church – all of the cabling was replaced and incorporated in the church architecture. A mobile control desk, featuring two Alcons ALC2 controller-amplifiers and pre-configured DDP processors; A Soundcraft EPM8 console completes the configuration and provides an easy operable unit. Luc de Paepe: “the intelligibility over the entire space is remarkable, with a measured STI of 0,7. The full-range 70Hz to 20kHz system response makes the vocals crystal clear, warm and “in the face”, even for the last row of seats; From front to rear, we have a 1dB SPL drop-off in the mid/high frequency band. And the nice part is, the system is very user-friendly, as it doesn’t need any difficult (beam-steering) processing, it’s really “plug and play”! “ The system was ‘baptised’ during a celebration for the Belgian army and in a ceremony with Congolese Bishop Monsengwo and stood the test glamorously. And this was the real reason for the renovation of our installation: we as a church attach much importance to God’s word – if one cannot understand this, there’s no reason for gathering in this church,” says Basilica rector Herman Cosijns. “More than the evolution in experiencing religion, with music and choir, the word is crucial. It’s great that we have been able to purchase this equipment with the support an donations of so many in the archbishopric.”

EDIROL’s most compact, powerful and lightweight recorder updated… EDIROL’s field recorders have become an industry standard and a great choice for every situation requiring professional quality audio recording. Many musicians, journalists, podcasters, video editors, educators and broadcasters who need crystal clear, reliable and dependable audio recording have become fans of the range. The EDIROL R-44 is a compact and lightweight recorder that offers the ultimate in quiet and reliable SD/SDHC recordings. It has up to four channels of uncompressed audio available at selectable 16- or 24-bit depths and between 44.1kHz and 192kHz (stereo mode only). Broadcast wave is also supported and two R-44s can be synced together to offer up to 8-channel recording for surround sound applications. The latest update takes the R-44’s software to v1.05 and enables users to add effects in Pre Record mode, and also includes updates for the BWF (Broadcast Wave File) marker format, notable with previously recorded data. Other improvements include quicker shutdown times in some modes with SD cards, and a smoother overall workflow helped by minor bug fixes. Key Features of the R-44 · Compact, lightweight and rugged design · Record up to four channels of audio at selectable bit rates (16- & 24-bit) and sampling frequencies (44.1, 48, 96kHz – 192kHz for stereo recording only) · Wide variety of input sensitivity levels · Uses SD and SDHC cards for quiet and reliable operation · Comprehensive effects, including limiter, low-cut filter, 3-band EQ, 6-band GEQ, enhancer and de-esser · XLR and 1/4-inch TRS jack inputs · USB 2.0 connection for quick and easy copy and archive to a computer · Power from external PSU or onboard AA batteries

Britney Spears’s “Circus” tour finds the pop diva in top form, bringing an in-the-round extravaganza to arenas across the US, Canada, and Europe. Montreal-based Solotech is masterminding the tour’s sophisticated multimedia, lighting, and sound, including a highly integrated Meyer Sound system, which provides consistent coverage across the arenas. “Today’s audiences are quite sophisticated, and expect album-quality sound at every show, regardless of the venue’s acoustics or other variables,” observes FOH Engineer Blake Suib, whose previous tour credits include Madonna, Prince, Guns and Roses, and Annie Lennox. “Meyer Sound has really been instrumental in providing the tools to achieve a seamless and cohesive sound to every seat of even the largest arenas.” The 360-degree system begins with 64 MILO® line array loudspeakers in four hangs of 16 cabinets each, along with two arrays of 16 MICA™ line array loudspeakers each. Four more hangs of 12 M’elodie™ line array loudspeakers, along with four MSL-4 loudspeakers, complete the flown system. A total of 32 700-HP subwoofers provide massive low-frequency power, with eight boxes under each end of the stage and a block of four at each of the arena’s four corners. In addition to the loudspeaker complement, Meyer Sound’s system design, control and monitoring tools ensure system reliability for Suib. “One of the challenges of mixing in the round is that there’s a large part of the audience hearing a part of the system I’m not,” Suib says. “If something doesn’t sound right on the other side of the stage, I’m not going to hear it at FOH. But using Meyer Sound’s RMS™ remote monitoring system we can keep an eye on the performance of each component, so if something’s not right we can see it immediately.” With a different venue nearly every night, Suib also relies on the MAPP Online Pro™ acoustical prediction program to configure the system. “MAPP enables us to come up with an accurate representation of how the system will perform in that space. We use the Galileo™ loudspeaker management system to configure the system into different zones, each with its own equalization, time alignment, and performance characteristics. The SIM® 3 (audio analyzer) allows us to measure and tune the entire system. Tuning a system of this size would normally take hours, but with this system, and the help from the Solotech crew, we’re usually up in less than an hour.” Suib uses multitrack recordings of each night’s show to fine-tune the system. “I’ve never been a big fan of sound checks,” he says. “It’s rare that the band plays with the same intensity as they do in a real show. I run the multitrack of the last show and use the Digidesign console’s Virtual Sound Check to do my final tweaks. I trust the performance of the Meyer Sound system, and the PA sounds great every night.”

In hopes of helping the resurgence of one the most played instruments ever, Splurgo Audio (http://www.splurgo.com) presents another bigger helping of that grand piano sound by announcing the release of two brand new sample packs: Piano Loops Pack 3 and 4. Piano Loops Pack #3 (http://www.splurgo.com/Piano-Loops-Pack-3-p-16425.html) – These piano loops are available in the keys C and G at 80, 85, 90 and 100 bpm. The pack contains 27 loops (in 6/8) and is available in Sony Acid WAV and Apple Garageband AIFF for $4.95. Piano Loops Pack #4 (http://www.splurgo.com/Piano-Loops-Pack-4-p-16426.html) - These piano loops are available in the keys A and D at 110 and 120bpm. The pack contains 47 loops (in 4/4) and is available in Sony Acid WAV and Apple Garageband AIFF for $6.95.

At Florida’s Northland Church, Meyer Sound Constellation Makes Dallas Symphony Feel at Home In March 2009, Guest Conductor and Violinist Pinchas Zukerman led the Dallas Symphony Orchestra in an acclaimed concert at Northland, a Church Distributed in Longwood, Fl. Meyer Sound Constellation® electroacoustic architecture provided an optimal acoustical environment in Northland’s 3,000-seat sanctuary as the symphony touched the audience performing the musical masterpieces of Stravinsky and Schumann. Constellation enables multipurpose venues such as Northland to enhance their room acoustics at the press of a button, allowing them to host a wide range of events and provide the acoustics most appropriate for the audience and performers, while remaining invisible to the eye. With the physical characteristics of Northland’s room optimized for amplified music, the success of the Dallas Symphony concert is notable, and made an impression on Mark Melson, the symphony’s vice president of artistic operations. “I was worried when I first walked into the building,” confesses Melson, after seeing the vast, wide room, “but my worries ended when the musicians started playing. The orchestra retained its natural warmth and presence at seats well out into the hall.” Constellation incorporates the physical acoustics of a space with powerful technology and expert services to create flexible acoustical environments. The Constellation system at Northland includes presets that provide a range of reverberation times and level settings, supporting not only symphonic events but also reinforced sound and congregational singing. The Constellation system has helped the sanctuary accommodate the diverse acoustic needs of the Florida Youth Symphony Orchestra, the Kiev Symphony Orchestra and Chorus, country star Wynonna, gospel music singer Kirk Franklin, and contemporary Christian artist Michael W. Smith. In order to emulate the reverberation characteristics of the Morton H. Meyerson Center, the Dallas Symphony’s acoustically impeccable home, Steve Ellison, director of applications, LCS Series, created a customized setting of early decay time (EDT) and reverberation time (RT). The resulting system had an RT of 2.4 seconds and an EDT of 1.9 seconds, very close to the Meyerson measurements of 2.6 seconds RT and 1.9 seconds EDT. The sound quality during the event was certainly appreciated by the audience—including Dallas Symphony President Douglas Adams. “I was frankly amazed at how well the [Constellation] system worked,” says Adams. “What I found particularly impressive is how I could maintain a clear sense of the origination of different instruments at various places around the stage. Each was perceived in its proper place, as it would be with natural acoustics.” The concert is a revelation to Marc McMurrin, Northland’s executive director of operations, who reports that Constellation is a valuable asset as he offers Northland as a viable alternative performance space to organizations such as the Festival of Orchestras, a group dedicated to bringing symphonies to Central Florida. Already scheduled are Florida’s Naples Philharmonic in October and the Detroit Symphony with conductor Leonard Slatkin in early 2010. “Our senior pastor, Joel Hunter, refers to our new building as ‘a communication device with a sanctuary attached,’” says McMurrin. “Having the technology to present symphonic music gives us a great tool for communication, one that helps us in our mission to serve the whole community.” Completed in late 2007, the Longwood sanctuary of Northland, a Church Distributed was the world’s first house of worship to incorporate Meyer Sound’s Constellation electroacoustic architecture. The system encompasses MS-Constellation processors, MS-VRAS processors, Mic-Omni Constellation microphones, as well as the company's most compact and versatile loudspeaker models including UPJ-1P compact VariO™ loudspeakers, UPM-1P loudspeakers, and MM-4 miniature loudspeakers. Independent of the Constellation system, the sound reinforcement setup utilizes MILO® line array loudspeakers, CQ-1, CQ-2, UPJ-1P, and UPM-1P loudspeakers, in addition to M3D-Sub directional subwoofer, with system processing and drive supplied by a Galileo™ loudspeaker management system. The building was designed by DCA Architects and Building God’s Way, with Daniel Cook as principal architect. The Northland Constellation system was designed by Sierra Madre, Calif.-based Platt Design Group and installed by the Burbank office of Electrosonic Systems, Inc., with final system tuning handled by Bob McCarthy, senior design consultant of Meyer Sound.