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OSX Recording


 

 Saturday June 21, 2008. 12:02 AM 
Digidesign Releases Pro Tools for Leopard Digidesign Releases Pro Tools for Leopard
12:02 AM 
Digidesign, a part of Avid Technology, Inc. (Nasdaq: AVID), announced today the immediate availability of Pro Tools® 7.4.2 software, which provides Mac OS X 10.5.3 (Leopard) compatibility for Pro Tools|HD®, Pro Tools LE®, and Pro Tools M-Powered™ users. Product update details can be found below. “Since the release of Mac OS X Leopard, we have been working closely with Apple to ensure that a Leopard-compatible version of Pro Tools delivers the same level of performance and reliability that our customers have come to depend on,” commented Dave Lebolt, Avid vice president and general manager of Digidesign. “With the release of Mac OS X 10.5.3 just a few weeks ago, we were able to enter the final stages of performance testing and quality assurance before making qualified versions of Pro Tools available to our customers. We’re pleased to finally be able to offer all of our customers—HD, LE, and M-Powered alike—a fully qualified version of Pro Tools software that will allow them to take advantage of Apple’s latest operating system.” Lebolt continues, “Digidesign is fortunate to have one of the largest and most dedicated user communities in professional audio. From hobbyists to high-end pros, Pro Tools users rely on our products every day to attain a level of performance and stability that allows them to create award-winning work — it’s often the primary toolset that they depend on to earn their living. That’s why we’re extremely committed to ensuring that any Pro Tools release is fully-tested and ultimately reliable before it’s introduced to our users.” Availability All registered Pro Tools 7.4 users may download the free Pro Tools 7.4.2 software update from the Digidesign website. Purchasers of new Pro Tools systems or software will receive the free update to Pro Tools 7.4.2 upon registration. Current Pro Tools users who have not yet upgraded to Pro Tools 7.4 software* can purchase a 7.4.2 upgrade from the DigiStore (HD, LE, and M-Powered) or an authorized Digidesign dealer (HD only). Plug-in Compatibility Some currently shipping plug-ins and virtual instruments are not yet compatible with Pro Tools 7.4.2 software running on Mac OS X 10.5.3, and some require that users update their plug-ins if an update is available. Before installing the Pro Tools HD 7.4.2 update, users should review the Pro Tools Plug-in Compatibility with Leopard page, which is updated regularly with the latest information. *Customers who recently purchased but have not yet registered a Pro Tools system packaged with Pro Tools 7.4 or 7.3 software are eligible to receive a free update/upgrade to Pro Tools 7.4.2 upon registration. About Digidesign Digidesign is a worldwide leading manufacturer of digital audio production systems and the winner of the 2001 Technical Grammy® Award and 2003 Oscar® statuette representing the Academy Scientific and Technical Award for the design, development, and implementation of the Pro Tools® digital audio workstation. Digidesign provides the professional music, film, video, multimedia, and radio broadcast industries with tools for digital recording, MIDI sequencing, editing, signal processing, and surround mixing. Digidesign products are marketed in more than 40 countries worldwide through a distribution network of value-added dealers, distributors, and OEM relationships. Digidesign is a part of Avid Technology, Inc.For more information, visit www.digidesign.com. About Avid Technology, Inc. Avid is a worldwide leader in tools for film, video, audio, 3D animation, gaming and broadcast professionals – as well as for home audio and video enthusiasts. Avid professional and consumer brands include Avid, Digidesign, M-Audio, Pinnacle Systems, Sibelius, Softimage and Sundance Digital. The vast majority of primetime television shows, feature films, commercials and chart-topping music hits are made using one or more Avid products. Whether used by seasoned professionals or beginning students, Avid’s products and services enable customers to work more efficiently, productively and creatively. Avid received an Oscar statuette representing the 1998 Scientific and Technical Award for the concept, design, and engineering of the Avid® Film Composer® system for motion picture editing. For more information about the company’s Oscar, Grammy® and Emmy® award-winning products and services, visit www.avid.com.

 

 Friday June 20, 2008 
Steinberg Showcases New Hardware at Summer NAMM Steinberg Showcases New Hardware at Summer NAMM
11:51 PM 
New MR816 Firewire Interfaces and CC121 DAW Controller Debut in US Steinberg Media Technologies GmbH today showcases its new MR816 Firewire Audio Interfaces and CC121 Advanced Integration Controller at the Summer NAMM show in Nashville. Shipping in Q3 of this year, these new hardware products continue the vision of advanced software and hardware integration between Steinberg and Yamaha. Designed by Steinberg and Yamaha, the MR816X and MR816 CRX feature unprecedented integration with Cubase, and offer a full range of audio I/O options and onboard DSP with the renowned REV-X reverb. The units house 8 discrete Class A analog 'D-Pre' mic preamps with combination XLR and TRS analog inputs with advanced new inverted Darlington circuits and switchable phantom power per channel, as well as digital ADAT and S/PDIF I/O. The MR816 CSX also offers the acclaimed Sweet Spot Morphing Channel Strip plug-in, with both DSP effects available as a VST3 plug-in in Cubase. These new units will support Mac OS X, Windows XP and Windows Vista. The CC121 Advanced Integration Controller features an Ultra-precision Advanced Integration controller knob with 'point and control' support to control any visual Cubase 4 parameter, internal FX setting or VSTi parameter using mouse pointer selection. It is plug-and-play with a 'Cubase Ready' LED and no additional setup or parameter assigning required. It has ne motorized 100mm touch-sensitive fader and dedicated control of Cubase channel settings including solo/mute, record arm, 'e' settings button, automation read/write, pan and VSTi editor as well as full Cubase EQ section with 12 dedicated rotary encoders, with mode selection and bypass switches. A User-assignable section with Cubase-integrated presets for Control Room studio sends and monitoring setup make the CC121 the perfect controller small or large studios alike. The MR816 and the CC121 are on display in Booth 104 at Summer NAMM in Nashville, June 20-22, 2008. About Steinberg Media Technologies GmbH Steinberg is known the world over for its professional media solutions. The company has been developing, manufacturing and selling software products for musicians and producers in the music, film, post production, and multimedia industries since 1984. Steinberg products are used by Grammy® and Oscar® award winning composers, engineers, and producers. For more information, please visit http://www.steinberg.net.
TC Electronic PowerCore X8 Sonnox Edition Now Shipping TC Electronic PowerCore X8 Sonnox Edition Now Shipping
10:24 PM 
TC Electronic announces immediate availability of the limited PowerCore X8 Sonnox Edition, a PowerCore X8 bundled with the highly acclaimed Sonnox Oxford EQ and Sonnox Oxford Dynamics plug-ins. This exclusive PowerCore Sonnox Edition is available from authorized TC Electronic dealers at a suggested retail price of $1845. PowerCore X8 features eight DSP engines, which offers twice the processing power of PowerCore FireWire, and allows even more plug-ins to be used simultaneously with native digital audio workstations. PowerCore X8 comes with 14 included plug-ins as well as PowerCore 3.0 system software, which adds exciting new UIs and features to the PowerCore platform. With the inclusion of the two Sonnox plug-ins, PowerCore X8 Sonnox Edition is one of the most powerful mixing solutions for DAWs available today.
BARK - The Multiband Filter BARK - The Multiband Filter
10:19 PM 
Critical band equalization and compression The multiband filter BARK takes the approach to match the reception characteristic of the final destination of all sound: the ear. The ear behaves as if it contains a bank of filters, each filter passing frequencies within the critical band. In fact, the human ear have also its own built in compression system which are based on the critical bands. Consequently BARK incorporates an independent compression algorithm for each of it’s 27 bands. A fully functional/time limited demoversion is available: http://www.virsyn.de/en/E_Demo/E_BARKDemo/e_barkdemo.html BARK introductory offer ! From now till June 30th, 2008 you can buy BARK for only EURO 99.- instead of EURO 169.- Take Five FX introductory offer: The new Take Five FX bundle contains the five fx plugins BARK,MATRIX,REFLECT,TDESIGN and VTAPE. If you buy Take Five FX before July 31st, 2008 you will get our next FX product for free ! Features - 27 Bark band Equalizer/Compressor - Linear phase precision filters for maximal transparency - +24 / -48 dB gain change rate per band - Surround operation with channel link/unlink* - Minimized latency ( 12 ms ) - Real time pre/post processing spectrum display - Compression parameters overall and per band. *only available for AU / RTAS / VST3 version. Host compatibility - VST 3 - VST 2.4 - AudioUnit - RTAS
UA Unveils 710 Twin-Finity, New Tone-Blending Tube & Solid-State... UA Unveils 710 Twin-Finity, New Tone-Blending Tube & Solid-State...
09:58 PM 
Combines Retro UA Tube Warmth & Transient Bite Of Solid-State Universal Audio, a manufacturer of high-quality vintage audio hardware and DSP software plug-ins for digital audio workstations, today announced the 710 Twin-Finity Single Channel, Tube & Solid-State, Tone-Blending Preamp. This radically new UA preamp design with dual signal paths is centered around the innovative phase-aligned “Tone-Blending” knob which is continually variable from 100% Tube to 100% Solid-State offering easy access to a myriad of unique pre-amp tones. The UA 710 Twin-Finity is designed and built in the USA, will have an MSRP of US$999, an estimated street price of US$799, and will include a single or dual-unit 19” pro rack mount kit. The 710 Twin-Finity will ship worldwide in July 2008. “The 710 Twin-Finity is a brand new UA design aimed at DAW users who want to upgrade their IO pre’s with our revolutionary “Tone-Blending” technology combining tone, character and affordability.” said Mike Barnes, VP of Marketing for Universal Audio. “Whether you want retro tubes or modern solid-state, the 710 Twin-Finity delivers both a real 300V tube section and transimpedance solid-state preamp path. Add to this the dual-gain feature and you can go from straight-wire-with-gain to creamy to crunchy, and handle DI duties for active/passive guitars/basses all in one quality box. ” 710 Twin-Finity Features: Vacuum Tube(12AX7) & Solid-State Dual-Path Preamp UA Sonic Quality, Twin-Finity™ Phase-aligned Tone-Blending Dual Gain Stages: Wire with Gain to Creamy to Crunchy Class A, High-Headroom, High Gain (70dB+) Mic Pre & DI Metal Chassis, Designed & Made in the USA, Rack-Kit Included Founded in 1999 and based in Scotts Valley, California, Universal Audio is best known for its vintage analog reproductions and advanced Digital Signal Processing technology. The company is focused on merging the best of analog and digital technology. The company is devoted to this endeavor, following its motto, Analog Ears, Digital Minds.
Yamaha Updates 01V96 and 02R96 Digital Mixers Yamaha Updates 01V96 and 02R96 Digital Mixers
09:24 PM 
Versatile V2 features plus a formidable array of plug-in processors Yamaha Corporation of America has updated their famed 01V96V2 and 02R96V2 Digital Mixing Consoles. While there is no change in the retail price, the new 01V96VCM and 02R96VCM models retain the powerful V2 features and add a host of powerful VCM effects pre-installed. Previously available as "add-on" effect packages for top-line digital consoles, Yamaha's highly regarded VCM Channel Strip processors and REV-X reverb are now standard features on the 01V96VCM. These extraordinary effects are based on innovative Virtual Circuitry Modeling technology that actually models the original analog circuitry — right down to the last resistor and capacitor. VCM effects are capable of capturing subtleties that simple digital simulations cannot even approach, going beyond simple simulation and delivering the truly musical performance that makes classic analog gear invaluable even in today's digital production environment. The new 02R96VCM is the 02R96 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power with no need to patch in external processors. Included are extraordinary recreations of classic compression and EQ units from the 70's, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a high-quality surround post-production package, and even a selection of vintage stomp boxes. The new 01V96VCM and 02R96VCM models are currently available at Yamaha dealers. Customers who purchased an 01V96V2 or 02R96V2 from January 1, 2008 are eligible to receive a free update CD. For more information, visit http://www.yamaha.com or call Yamaha customer support at 714-522-9000. About Yamaha Yamaha Corporation of America is the largest subsidiary of Yamaha Corporation, Japan and offers a full line of musical instruments and sound reinforcement products to the U.S. market. Products include: acoustic and digital pianos, portable keyboards, guitars, acoustic and electronic drums, band and orchestral instruments, marching percussion products, synthesizers, professional digital and analog audio products, and innovative technology products targeted to the hobbyist, education, worship, professional music, and installation markets.
Tube-Tech CL 1B Plug-in for Pro Tools|HD now Shipping Tube-Tech CL 1B Plug-in for Pro Tools|HD now Shipping
09:13 PM 
TC Electronic announces immediate availability of the Tube-Tech CL 1B plug-in for Pro Tools|HD. The CL 1B plug-in is based upon highly advanced component emulation technology, and brings the sound of the legendary CL 1B compressor/limiter to Digidesign® Pro Tools|HD, HD Accel and VENUE systems. The plug-in retails for $995. The CL 1B plug-in offers up to 30 dB of gain and a variable step-less ratio ranging from 2:1 to 10:1. It features innovative attack/release controls, with three different settings, enabling the CL 1B to be used as an insert- or bus compressor. The Sidechain/Link button in the stereo instance of the CL 1B plug-in recreates the dynamic master/slave relationship between the left and right channels, a feature usually found when having two mono units interconnected via the Sidechain Bus found on the hardware version of CL 1B. As a unique feature, users can set whether the control of the compression is to be fixed at either left or right. One capability that is unique to the CL 1B plug-in is the advanced metering, which can display the left channel, the right channel or both channels. The CL 1B plug-in uses an immaculately crafted algorithm, that allows the use of up to two instances in mono/stereo at 44.1 / 48 kHz or one instance in mono/stereo at 88.2 / 96 kHz per DSP chip on Pro Tools|HD Accel hardware. On Pro Tools|HD Core hardware one instance is supported per DSP at 44.1 / 48 kHz.
The recording academy® producers & engineers wing partners with ... The recording academy® producers & engineers wing partners with ...
08:32 PM 
"Preserving Creative America" Project to Address Problems of Credit Rights and E-Commerce Collection in Regards to Digital Music-Related Metadata The Recording Academy® Producers & Engineers Wing has announced its partnership with digital archiving and migration specialists BMS/Chace and the Library of Congress' "Preserving Creative America" program (www.digitalpreservation.gov) on a project to create a standardized protocol for music-related metadata that would travel with recorded music projects from inception to archive. "We are extremely proud to be a part of this important project," said Maureen Droney, Executive Director of The Recording Academy Producers & Engineers Wing. "It addresses many challenges in today's recording industry that stem from our rapid transition to the digital environment, such as the lack of proper crediting and other critical metadata, as well as cohesive deliverables and other information critical to the life span of a musical project." The goals of the BMS/Chace project include creating a data dictionary and collection tools that will incorporate all fields related to the files that are part of a recording deliverable — from multi-track and stereo mix files, to ancillary files including e-commerce. The intention of the project is to have these fields harmonized with existing work from SMPTE, DDEX, AES and other relevant standards organizations to create a compatible metadata environment that includes common business-related fields such as ISRC codes, official song titles, producer and engineer credits, and copyright ownership. Other partners in the project include Sony BMG Music, Universal Music Group, EMI Group and Disney Music Group. "The adoption of digital recording has virtually eliminated the vital documentation once created on paper during the recording process," explained John Spencer, President of BMS/Chace. "We are losing valuable content when files are not being identified properly and incorporated into the asset management strategy. A standardized metadata environment will allow content creators, record labels, individuals and cultural heritage institutions to document, archive, manage and re-purpose 'born digital' recordings effectively." Preserving Creative America is an initiative of the Library of Congress' National Digital Information Infrastructure and Preservation Program (NDIIPP), which addresses the long-term preservation of creative content produced in digital form. It targets preservation issues across a broad range of creative works, including digital photographs, motion pictures, sound recordings and video games. Projects will be conducted by a combination of industry trade associations, private sector companies and nonprofits, as well as cultural heritage institutions, among which are the Academy of Motion Picture Arts and Sciences (the Academy Awards), Universal Press Syndicate (UPS) and the UCLA Film & Television Archives. "America's creativity is unrivaled in the world, and it is among our most important exports," said Librarian of Congress James H. Billington. "The Library is pleased to be able to bring together creators of such diverse content for the sake of saving our nation's heritage, which is increasingly being created only in digital formats." Currently, more than 6,000 professionals comprise the Producers & Engineers Wing, which was established for producers, engineers, remixers, manufacturers, technologists, and other related creative and technical professionals in the recording community. This organized voice for the recording community addresses issues that affect the craft of recorded music, while ensuring its role in the development of new technologies, recording and mastering recommendations, and archiving and preservation initiatives. For more information, please visit www.producersandengineers.com. Established in 1957, The Recording Academy is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. In its 50th year, The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com.
Ueberschall announces the availability of LoungeOramA Ueberschall announces the availability of LoungeOramA
08:01 PM 
LoungeOramA--Euphoria Unlimited Background 20 all new easygoing construction kit mix foundations made exclusively for Ueberschall‘s advanced “Nouvelle” series. Each mix, backing and drum bed in a kit are over a full minute in length. All source material loops and samples used to make the full mix are included. Outro / Intros, Verses and Chorus provide the framework of all kits. Fashioned in the likes of Ueberschall‘s wildly popular, not so leisurely accessed “Easy Listening” collection. This set is ready to use from the start, thanks to Elastik‘s premapped presets and d.a.w. accessible interface. Mix with these genuine Lounge methods and fuse the ultimate contemporary easy listening experience for numerous kinds of projects. Enchanted Inside Seductive harmonies and chilled soundscapes influenced by Bossa Nova, Mambo, 70`s Soundtracks, Soul, Cool Jazz and Electronica. Travel through relaxed soundscapes and getaways made to comfort the mind, body and soul. LoungeORama provides lush samples with a huge variety of Rhodes licks, vintage analog synthesizers and drum machines. Live recorded basslines, guitars and percussion, atmospheres and fx. Also including separate drumloops (bassdrum, snare, hi-hat loops) and tons of single sounds. Applications Include: FilmScore GameAudio Songs Jingles DJ Sets Credits: Select Construction Kits produced by Danya Vodovoz. Originating from Hannover/ Germany, Danya Vodovoz collaborated with Mousse T. and Raul Paz. He released on labels like Ministry Of Sound, Peppermint Jam, Stereo Cool, Naïve and recently remixed “4Hero`s - Morning Child” alongside Massive Attack. Kick back, sit back and relax. 1.7 GB 880 Loops and Samples Elastik Soundbank for Mac/PC/AU/VST/RTAS Elastik Player included - no sampler required! LoungeOramA is available for 119,- USD / 99,- Euro / 17.800,- Yen / 69,- GBP Further Information at: www.ueberschall.com
Ueberschall announces the availability of Score FX Ueberschall announces the availability of Score FX
04:23 PM 
Score FX-Cinematic Sound Design A comprehensive solution for professional, musical sound design. Welcome to the Ueberschall Score FX system. Liquid Phrasing Technology + rigorous sample organization and tonal precision = Done Deal. This instrument includes 7 GIGs of brand new sonic stimulants. Featuring a progressive structure and layout made for building tracks from supplied "themes" and construction kits offering ease of injection into projects. Thanks to the extended possibilities of Liquid you can shape individual notes within all the included phrases until each loop is tailored to your situations needs. Making Score FX a unique exceptional package for mood stacking sound design around Cues / Animation / Spots / Songs / GameAudio. Score Illuminator: 28 construction kits with all individual parts provided, allowing you to rebuild and rearrange the kits to your unique picture. Each construction kit is at least one minute in length with rich complex textural design and contrast. Thousands of single accents, hits and stings, evolving soundscapes and organic rhythms are grouped into logical themes such as: Concern", "Mysterious", "Pleasing" or "Scary". The complete library is very user friendly and is categorized for easy and fast access. The single loops / shots come in three main categories: Accents - The Accents include 954 small hits for every cinematic situation. From "confused" to "disturbed"--"piercing" and "high" to "worry and anxiety". Additionally there is a special folder with "Vocal Bits" in different styles. Beds - The Beds concentrate on evolving and lively soundscapes. Each is about 30 sec to 1 min long and can be stretched or shortened with Liquid without any artifacts! All in all about 2GB of material in this section, 198 different samples, separated in 15 different folders. Rhythms - The rhythms come with 362 files in 32 different folders. The complete loops can be time-shifted and pitched so it will perfectly fit to your production. Plus, you can even pitch single hits out of one loop and create interesting new percussive sequences. Or combine different sequences together and create new patterns. With Score FX you can build and recall your own character presets to enhance your existing themes within projects. So whenever the character enters the scene, you will be able to trigger that individuals Score FX instrument and play the needed textures for that scenario. As your scenes evolve, Score FX can be used as the "shadow" of that character's theme available for blending. Film Score / Composer / Soundtrack Exhaustive inspiration for hectic workflows. Mix and match FX from the entire collection to build your own mood presets and environments. Alter elements such as notes, pitch, rhythm and length of every sample loaded in the Keyboard. Add and Subtract emphasis by simply triggering the sounds as desired. Game Audio / Animation / Production If your work calls for engine layers (such as in Racing games where speed triggers additional audio tracks), this a great resource for ready to crossfade interactive, adaptable soundscapes to supplement existing layers. Motion / Impact / Transitions / Fades are all covered in the Score FX collection. Credits Score FX is Produced by: Ilya Kaplan - Candian Composer and musical sound designer working in the field of TV / Film drama, animation and documentary. Specs Score FX sound collections have been encoded for use with Ueberschall's award winning Liquid Player to give complete flexibility. Constraints such as pitch and tempo are a thing of the past. Liquid is an exclusive Virtual Instrument engine co-developed by Celemony Melodyne Technology that works in all the popular DAWs. All samples are recorded and programmed exclusively for Score FX and are 100% license free. No additional license permission required. You can use these samples in trailers, music library work, scores, songs--anything except for making sample cds. Further Information plus tutorial and demo videos at: www.ueberschall.com 7 GB, 28 construction kits, 1995 loops and phrases Liquid Soundbank for Mac/PC/AU/VST/RTAS Liquid Player included - no sampler required! Score FX is available for 199,- USD / 149,- Euro /
Ableton Releases Orchestral Instruments Ableton Releases Orchestral Instruments
04:08 PM 
Ableton announces the release of the Orchestral Instruments-four sampled instrument collections representing the four sections of an orchestra. The instrument collections are available individually or as an attractively priced bundle and bring rich, authentic, symphonic sound to Ableton Live. Strings, Brass, Woodwinds and Percussion have been painstakingly recorded in a number of velocities and articulations, employing the expertise of world-class musicians, engineers and producers. The Orchestral Instruments are seamlessly integrated into the Ableton Live environment and use a technology called SmartPriming to manage system resources efficiently, providing big symphonic sound with a minimum of CPU action. The instruments include violin, viola, cello, double bass, French horn, trombone, trumpet, tuba, flute, clarinet, bassoon, oboe, English horn, vibraphone, marimba, xylophone, crotales, glockenspiel, tubular bells, cymbals and timpani. Many instruments are provided in solo and ensemble variants and multiple articulations. Each instrument is available in a high-fidelity version for studio production and a lower-fidelity configuration for decreased overhead and instant performance. The Orchestral Instruments were produced in partnership with SONiVOX. Pricing and availability: The Orchestral Instruments are available from the Ableton webshop as of May 5, 2008. Orchestral Instruments Collection - EUR 499/USD 599 Orchestral Strings - EUR 159/USD 189 Orchestral Brass - EUR 159/USD 189 Orchestral Woodwinds - EUR 159/USD 189 Orchestral Percussion - EUR 129/USD 159 About Ableton Ableton develops technology to inspire creative people. Since the company started in 1999, Ableton has attracted an extensive and highly committed community of musicians, composers and DJs worldwide. Currently, Ableton counts about one hundred employees in its Berlin and New York offices. The company has received outstanding press, awards and customer feedback since the unveiling of Live in October 2001. About Live Ableton Live accompanies every stage of the musical process, from creation to production to performance. In the creative stage, Live is transparent, intuitive and responsive, capturing inspiration and encouraging the flow of musical ideas. During production, Live provides all of the professional tools and studio compatibility required to complete and perfect projects. On stage, Live delivers the expressive control and stability that innumerable performing artists have come to rely on. About SONiVOX SONiVOX, from Sonic Network, Inc., is a suite of sound products that provide leading audio technology and content to a wide array of customers, from professional musicians to mass mobile consumers. SONiVOX products are licensed in several markets, including wireless devices, PCs, games, software applications and music synthesizers, as well as sold directly to end users.www.sonivoxmi.com
FabFilter releases FabFilter Volcano 2.01 update FabFilter releases FabFilter Volcano 2.01 update
12:56 AM 
FabFilter has released a 2.01 update for the new FabFilter Volcano 2 filter plug-in. This important update fixes a bug that could cause the plug-in to crash when using tempo-synchronized XLFOs. Of course, the 2.01 update is free for existing Volcano 2 users. Just released on May 28, FabFilter Volcano 2 is the successor of the popular Volcano filter effect plug-in. More filters and routings and practically unlimited modulation possibilities make FabFilter Volcano 2 much more powerful. Yet at the same time, the revolutionary new 'what-you-use-is-what-you-see' interface makes it also far easier to use. FabFilter Volcano 2 is now available for EUR 119, USD 179 or GBP 94. It can be used on Windows and Mac OS X in VST and VST 3, RTAS and Audio Units plug-in formats (both mono and stereo). Bundles with FabFilter Volcano 2 and other FabFilter plug-ins are also available. See www.fabfilter.com/shop. Existing FabFilter Volcano users can upgrade to Volcano 2 for just EUR 39, USD 59 or GBP 29. All other FabFilter customers that own Timeless, Pro-C, Twin, Simplon or One can crossgrade to FabFilter Volcano 2 for just EUR 79, USD 119 or GBP 59. These upgrade and crossgrade offers last until July 31, 2008. System requirements for FabFilter Volcano 2 are either Windows Vista, XP, 2000, 98, Me, or 2003, SSE-capable processor, and a VST 2 or VST 3 host or Pro Tools, or Mac OS X 10.3 (Panther) or higher, Intel or G4/G5 processor, and an Audio Units host, VST 2 or VST 3 host, or Pro Tools.
FabFilter releases FabFilter Volcano 2 FabFilter releases FabFilter Volcano 2
12:43 AM 
FabFilter has released FabFilter Volcano 2, the successor of the popular Volcano filter effect plug-in. More filters and routings and practically unlimited modulation possibilities make FabFilter Volcano 2 much more powerful. Yet at the same time, the revolutionary new 'what-you-use-is-what-you-see' interface makes it also far easier to use. To start with, Volcano 2 now contains four full-featured filters which can be routed in almost any possible way, including per-channel and mid/side modes. Each filter supports low-pass, high-pass and band-pass responses with 12, 24 and 48 dB/octave slopes and a staggering amount of eleven different high-quality filter characteristics that define the unique sound and overdrive of the filter. All characteristics have been tuned very carefully, using FabFilter's state-of-the-art filter technology. They range from clean with no distortion and smooth with moderate overdrive to raw, self-oscillating and over-the-top. Finally, each filter incorporates a delay line which enables the creation of chorus, flanging and phasing effects. FabFilter Volcano 2 also introduces new and improved modulation sources. The new XLFOs extend our classic LFO, offering you anything from a simple sine or saw wave to a fully programmable 16-step sequencer. The XLFO features global and per-step glide parameters with adjustable glide curve type, synchronizable frequency, and our classic wave form balance feature. The new MIDI modulation sources let you modulate parameters using any form of MIDI data, like modulation wheel, pitch bend, keyboard tracking, velocity and controller data. Finally, the new well-tuned envelope followers and the classic envelope generators can use both regular input and side chain input, opening up a world of new modulation possibilities. But undoubtedly the best feature of FabFilter Volcano 2 is the highly improved user interface with a 24-slot drag-and-drop modulation matrix that enables you to easily set up modulation connections using the 6 XLFOs, 6 envelope generators, 4 envelope followers and 10 MIDI sources. To make working with this virtually unlimited modulation power easy and understandable, FabFilter introduces the revolutionary new 'what-you-use-is-what-you-see' interface concept. The idea is simple yet powerful: Do you want another filter? Just add one! Do you want an envelope follower? Just add one and start modulating things! At all times, the interface only contains the filters, modulation sources and slots that you are actually using. This results in an intuitive user interface that will appeal to experienced producers and novices alike. Like all FabFilter plug-ins, FabFilter Volcano 2 also offers large, perfectly fine-tuned knobs that offer quick and precise control in both vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample accurate automation, AltiVec and SSE optimization and much more. FabFilter Volcano 2 is now available for EUR 119, USD 179 or GBP 94. It can be used on Windows and Mac OS X in VST and VST 3, RTAS and Audio Units plug-in formats (both mono and stereo). Bundles with FabFilter Volcano 2 and other FabFilter plug-ins are also available. See www.fabfilter.com/shop. Existing FabFilter Volcano users can upgrade to Volcano 2 for just EUR 39, USD 59 or GBP 29. All other FabFilter customers that own Timeless, Pro-C, Twin, Simplon or One can crossgrade to FabFilter Volcano 2 for just EUR 79, USD 119 or GBP 59. These upgrade and crossgrade offers last until July 31, 2008. System requirements for FabFilter Volcano 2 are either Windows Vista, XP, 2000, 98, Me, or 2003, SSE-capable processor, and a VST 2 or VST 3 host or Pro Tools, or Mac OS X 10.3 (Panther) or higher, Intel or G4/G5 processor, and an Audio Units host, VST 2 or VST 3 host, or Pro Tools. About FabFilter: FabFilter Software Instruments was founded in 2002 by Frederik Slijkerman MSc and Floris Klinkert MSc. Both being professional software engineers as well as musicians and studio engineers, they decided to create their own software instruments because none of the available products met their high standards. Currently, the FabFilter product range consists of the Volcano 2, Timeless and Simplon effect plug-ins, the Twin and One synthesizer plug-ins and the Pro-C professional compressor plug-in. FabFilter will continue to update and expand their range of plug-ins in the future, providing the best possible sound quality and new, innovative user interfaces.

 

 Thursday June 19, 2008 
Sae los angeles hosts three-day event with legendary producer/en... Sae los angeles hosts three-day event with legendary producer/en...
11:07 PM 
From May 8-10, 2008, SAE Institute, the world leader in pro audio and multimedia education, hosted an intensive three-day event with legendary producer/engineer Eddie Kramer at its Los Angeles campus. Kramer's resume boasts production and/or engineering work on dozens of smash hits with some of the most legendary names in rock history: the Beatles, Led Zeppelin, Jimi Hendrix, David Bowie, Kiss, the Rolling Stones and many more. SAE Institute Los Angeles, whose graduates have gone on to work in the southern California studio and multimedia scenes, hosted the special in-session engagement with Kramer, giving SAE-LA students and alumni the opportunity to see first-hand how Kramer creates a recording, from pre-production through the final mix of a song. In the weeks leading up to the event, local bands from Oakland to Los Angeles submitted their demos, and L.A.-based band Mitchells Folley was selected for the project. Kramer made sure to get SAE students involved in every aspect of the sessions, stressing real-world applications of their knowledge and skills. The project began with a seminar on May 8th, in which Kramer presented many of his philosophies about recording and mixing music and offered a slide show of photographs he has taken over the years of some of rock's most influential performers. Kramer discussed with the students his various choices of microphones and gear he uses to record and mix, after which Mitchells Folley set up in SAE-LA's dubbing theater for pre-production. After a brief discussion about the band, its style and the direction in which they wanted to take the song, they ran through their song "Late Show" with Kramer and the students, who then discussed its sections and style. Solos and bass lines were refined, and then Kramer picked two students from the audience to together write additional vocal harmonies. Agreeing the arrangement was complete, the band broke down and moved all their equipment into the studios to prepare to record in SAE-LA's Neve V3 room to 2-inch tape and Pro Tools HD. Kramer had students setting up mics, the console and racks of additional outboard gear that he brought in specifically for the session. The May 8th sessions broke after nine hours of pre-production and equipment setup. On day two (May 9th)=), SAE students and alumni rotated in and out of the 12-plus hour session, some opting to stay the entire day. Upon completing the basic tracks, Kramer held an additional drum miking seminar for the students to detail his techniques. All basic tracks were then transferred into Pro Tools for overdubs. Once the students had everything synched, the tracks were flown into the Pro Tools HD system and tracking continued. As overdubs progressed throughout the day, students were involved in every aspect of the session from tape op to patching, miking to signal processing. Vocal tracking and mixing were completed on May 10th. In the end, Mitchells Folley found themselves with a new song, produced by Eddie Kramer, assisted by no fewer than 35 SAE-LA students over the course of three days. Kramer stated, "I cannot stress enough how important this sort of hands-on real-world application is for all of these up-and-coming engineering talents. It is vital that they experience living with a project from start to finish, as well as how we can converge the best of digital and analog technologies. It has been fun, hard work, and we made immense progress in a short, intense span of time. We all have a personal stake in the future of the industry, and I am proud to pass on my experience and guidance." Paul Hughes, Director, SAE Los Angeles, stated, "Eddie Kramer is an engineering and producing legend, and the chance for our students to work with him is a once-in-a-lifetime opportunity. Eddie is a singular talent who's body of work encompasses classic tracks with iconic artists while pointing to the future of recording technology." About SAE Headquartered in Oxford, England, SAE Institute is the world's first and largest network of audio and multimedia education and training centers. SAE is affiliated with Middlesex University (England), Southern Cross University (Australia) and Southern Institute of Technology (New Zealand). The Institute operates over 50 campuses in 24 countries on five continents. It offers diploma, bachelor's and master's programs in audio, multimedia, digital filmmaking, animation and gaming. SAE is part of the SAE Technology Group, which also owns and operates Studios 301 (with locations in Sydney and Byron Bay, Australia, Cologne, Germany, Studios 301 is a collective group of state-of-the-art recording and mastering facilities), the Computer Graphics College and Qantm. --For more information, please contact SAE Institute of Technology, 7 Music Circle North, Nashville, TN 37203. Tel: (615) 244-5848; Fax: (615) 244-3192
Audio Ease releases All In Bundle for Mac Audio Ease releases All In Bundle for Mac
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All Audio Ease Plug-ins and Snapper in one box at a massive discount Audio Ease bundles all its plug-ins and adds Snapper, at massive savings. The suggested retail price of the All In Bundle is $1195/€ 960, with expected street price around $1095/€875, saving over $500 on the combined plug-in prices. The Audio Ease All In bundle comes in two varieties: one with the XL (TDM surround) version of Altiverb 6, and one with the regular Altiverb 6 in it. Upgrades are available to customers that have purchased either Speakerphone or Altiverb 6. They can upgrade until october 31 2008. Besides Altiverb, the All in bundle includes of course Speakerphone and all other plug-ins of Audio Ease: Periscope, Riverrun, Deep Phase Nine, Orbit, Follo and Roger. Altiverb Altiverb is the first and highest acclaimed convolution reverb. It comes with the largest, and ever expanding collection of top quality room samples available anywhere, ranging from Sydney Opera House to the Gol Gumbaz of India. Speakerphone Speakerphone gives you authentic speakers of any size together with their natural environments. The end-all speaker simulator plug-in, with 12 DSP modules and 5 gigabytes of ambiences to build the absolute most realistic and complete environment of any speaker. Snapper When you select an audio file in the Mac Finder, Snapper immediately appears right beneath the current window, showing you the wave form. Play, Drag, Drop and Convert snippets of files, upload to your Pro Tools cursor, turn selections into mp3’s file and much more, right from the Finder. Periscope Graphic analyzer and surgical phase correct eq. Grab faders where you see the audio happening. Unprecedented low frequency resolution. Riverrun Granular Soundscape Synthesizer oozing tiny particles taken from your original audio. Build rhythmic textures or wide harmonic soundscapes. Deep Phase Nine The dramatically deep Phaser with unprecedented control and visual feedback. Up to 24 notches per channel, with beat locked sample and hold. Orbit Control the virtual position of your sound source. Accurately calculates the sound source’s reflections of the walls of a virtual ‘outer room’. Follo Dynamic amplitude following bandpass resonator. Creates autowah on a guitar, or adds thumping resonating bass. Roger Apply vowel filters to your audio. Use the vowel bar at the bottom to click through vowels, or use rhythmic gibberish mode.
Engineer for Sheryl Crow Achieves Album-Quality Sound with VENUE... Engineer for Sheryl Crow Achieves Album-Quality Sound with VENUE...
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For Sheryl Crow’s current spring tour, promoting her new album Detours, FOH engineer Sean “Sully” Sullivan (Beck, Justin Timberlake) put together a streamlined live sound system based around a Digidesign® VENUE D-Show® Profile™ integrated with a Pro Tools|HD® system. Keeping the system compact was a primary objective for Sully. The VENUE system allows him to reduce the need for outboard analog processing in favor of TDM plug-ins. And when combined with Pro Tools|HD, the D-Show Profile provides Sully with access to studio-quality production tools that allow him to achieve exceptional album-quality mixes from venue to venue on a nightly basis. “On this tour, I have a very small simple setup,” he explains. “When my production manager saw my rig he asked, ‘When does the rest of it arrive?’ But the bonus is, with the VENUE [D-Show] Profile, my favorite plug-ins and a Pro Tools rig, I am achieving album-quality mixes night after night!” With VENUE and Pro Tools integration, Virtual Soundcheck has also become indispensable for Sully. “Virtual Soundcheck saved my life. I no longer rely on the band to show up at soundcheck. Now I only need to update and make new snapshots while playing back actual shows from my [Pro Tools] HD 3 rig. It’s simply amazing!” Sully sums up his opinion of the Digidesign VENUE system by saying, “Studio engineers have had the ability to study the tracks they are working on since the beginning of time… it’s about time we live engineers have the same capabilities!” For more information about Sheryl Crow’s Detours tour visit www.sherylcrow.com. About VENUE Digidesign’s VENUE live sound environment is revolutionizing the art and profession of live sound mixing with studio-quality sound, TDM plug-in effects processing, and direct connectivity to industry-standard Pro Tools® recording and playback systems. For more information about the VENUE line of products, visit www.digidesign.com/venue. About Digidesign Digidesign is a worldwide leading manufacturer of digital audio production systems and the winner of the 2001 Technical Grammy® Award and 2003 Oscar® statuette representing the Academy Scientific and Technical Award for the design, development, and implementation of the Pro Tools® digital audio workstation. Digidesign provides the professional music, film, video, multimedia, and radio broadcast industries with tools for digital recording, MIDI sequencing, editing, signal processing, and surround mixing. Digidesign products are marketed in more than 40 countries worldwide through a distribution network of value-added dealers, distributors, and OEM relationships. Digidesign is a part of Avid Technology, Inc. For more information, visit www.digidesign.com. About Avid Technology, Inc. Avid (Nasdaq: AVID) is a worldwide leader in tools for film, video, audio, 3D animation, gaming and broadcast professionals – as well as for home audio and video enthusiasts. Avid professional and consumer brands include Avid, Digidesign, M-Audio, Pinnacle Systems, Sibelius, Softimage and Sundance Digital. The vast majority of primetime television shows, feature films, commercials and chart-topping music hits are made using one or more Avid products. Whether used by seasoned professionals or beginning students, Avid’s products and services enable customers to work more efficiently, productively and creatively. Avid received an Oscar statuette representing the 1998 Scientific and Technical Award for the concept, design, and engineering of the Avid® Film Composer® system for motion picture editing. For more information about the company’s Oscar, Grammy and Emmy® award-winning products and services, visit www.avid.com.
Danley sound labs introduces sh-46 synergy horn at infocomm Danley sound labs introduces sh-46 synergy horn at infocomm
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At InfoComm 2008, Danley Sound Labs is introducing the SH-46 Synergy Horn, a 40 x 60-degree dispersion pattern speaker offering very high-output capability with ultra high-fidelity. This latest addition to the company's Synergy Horn product line is designed to be operated vertically or horizontally and may be configured standalone or in an array. The SH-46 handles 1,400 watts RMS of power and has a sensitivity of 106dB. Frequency response is 70Hz - 16kHz (+/-4dB, using two or more cabinets). The braced Baltic birch enclosure measures 29 inches high by 22.5 inches wide and 22.75 inches deep and weighs 105 pounds. "The SH-46 provides more vertical coverage and higher output than the SH-50. It doesn't go as low or as high as the SH-50 but for many applications the SH-46 will be a welcomed addition to the Danley Synergy Horn line," noted Mike Hedden, president of Danley Sound Labs. "To hear the latest loudspeakers innovations from Tom Danley, visit our booth and demo room at InfoComm. We'll remind you why you got into audio in the first place. It's about the sound!" Tom Danley is one of the most innovative loudspeaker designers in the industry today and is recognized worldwide as a pioneer for "outside the box" thinking in professional audio technology. His legendary designs have been utilized in projects ranging from ground zero bombing simulation, jet engine active noise cancellation, and sonic boom generators to critical listening mastering studios, high-end home theatre, and houses of worship around the world. Danley Sound Labs www.danleysoundlabs.com PLEASE STOP BY AND SEE US AT INFOCOMM 2008 BOOTH #C5069 AND DEMO ROOM #N107
Ueberschall announces the availability of Balkan Lines Ueberschall announces the availability of Balkan Lines
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Wild, Festive, Pounding, Hypnotic Balkan Intensity!!! Balkan Lines combines a touch of pure Balkan traditions (Gypsy, Turkish, Serbian, Greek, Romanian, Slavic and other Southeastern European influence) with contemporary and progressive rhythms from Dance, Club, RnB and Marching Band. Balkan grooves are in high demand across the pro audio terrain and can be heard in countless blockbuster scores. Now getting easy access to these styles for blending in a comprehensive hi-fi solution is no problem for all. No additional passport needed! A ton of variation for the authentic Balkan experience or even just a shade is available to your productions. Featuring Balkan Lines is specialized production made in close cooperation with: Süperstar Orkestar - celebrated Balkan brass band Aref Shakouri - Violinist extraordinaire Tonal Atlas Thousands of grooves and phrases are included with some of the most complex acoustic / synthetic rhythmic blending to date. The stylings include a diverse assortment from Reggaeton to House / RnB Hip Hop as well as traditional Pop influence. The mix-lines deliver an inspiring overview and supply an immersive brainwave of the beats inner drive. The drum parts without the back- lines are punchy and groovy enough to get any listener to bounce in their seats. And the high quality acoustic instrumentals and synthetic samples can be applied and used in endless project formats. Balkan Lines also features high quality samples and phrases of: Accordion Acoustic and Electric Guitar Bouzouki Oud Kanun Darbucka Organs Gypsy style Vocals and Claps Traditional Keyboard solo Licks Synth Leads and FX Scratch Noises Rap and Spoken words Ready 2 Fuse Balkan lines is powered by the ultimate and easy going Elastik engine which contributes all the flexibilities for usage within professional DAW environment and also works on it's own. All sounds are ready to use and browse from the start. Produced  by: A-tee (Oriental RnB) 3.6 GB Balkan Lines, 1070 Loops and Samples Elastik Soundbank for Mac/PC/AU/VST/RTAS Elastik Player included - no sampler required! Balkan Lines is available for 119,- USD / 99,- Euro / 17.800,- Yen / 69,- GBP
Native Instruments launches Native Instruments launches "Komplete Your DAW"
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Native Instruments today launched "Komplete Your DAW", a time-limited special offer that allows owners of selected professional music sequencers to purchase the KOMPLETE 5 bundle with a discount of 30% from June 2nd to July 31st, 2008. "Komplete Your DAW" gives producers an especially affordable opportunity to add Native Instruments' comprehensive range of professional software instruments and effects to their studio, greatly expanding its sonic capabilities for all styles of music. KOMPLETE 5 combines 11 acclaimed pieces of music software, including powerful creative tools like REAKTOR, KONTAKT, ABSYNTH, GUITAR RIG, BATTERY and others. Products that qualify for the "Komplete Your DAW" special offer include Ableton Live, Apple Logic Pro, Cakewalk Sonar Producer, Digidesign Pro Tools LE/HD, Magix Samplitude Pro, MOTU Digital Performer as well as Steinberg Cubase and Nuendo. The "Komplete Your DAW" offer for KOMPLETE 5 will be available from authorized dealers and in the NI Online Shop for a suggested retail price of $779 / EUR 699 from June 2nd to July 31st. More information on "Komplete Your DAW" can be found at www.native-instruments.com/kompleteyourdaw.info About Native Instruments: Native Instruments is the pioneer and market leader in the field of software instruments, and one of the key players in the market of computer-based audio production technology. The company's mission is to develop outstanding musical tools for all styles and genres. The resulting products regularly push technological boundaries and open up new creative horizons for professionals and amateurs alike.

 

 Wednesday June 18, 2008 
gUITAR RIG SESSION and GUITAR RIG 3 XE now available in stores! gUITAR RIG SESSION and GUITAR RIG 3 XE now available in stores!
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Native Instruments is excited to announce that GUITAR RIG SESSION and GUITAR RIG 3 XE are now available in stores worldwide. GUITAR RIG SESSION is a new recording solution for guitarists, bass players and songwriters that provides studio-quality results at an entry-level price. Offering the acclaimed sonic power and ease-of-use of the award-winning GUITAR RIG platform, and equipped with a specially designed audio interface and additional recording software, GUITAR RIG SESSION is a versatile toolkit to create guitar-driven music of any style. At the heart of GUITAR RIG SESSION is the new GUITAR RIG 3 XE software, which offers a selection of five true-to-life tube amplifier models and 12 cabinet types, as well as 21 stomp boxes and effect units. All components can be freely combined in the virtual GUITAR RIG rack, allowing musicians to easily create sounds ranging from authentic signature tones to totally unique sonic flavors. A library with over 150 instantly playable tones from different musical eras and genres is included, together with several helpful tools including dual tape-decks, metronome, tuner, and a dedicated Live View. GUITAR RIG SESSION and GUITAR RIG 3 XE are available for a suggested retail price of $249 / 229 Euro and $119 / 99 Euro respectively from authorized dealers and in the NI Online Shop. More information on GUITAR RIG SESSION and GUITAR RIG 3 XE can be found at www.native-instruments.com/guitarrigsession.info
stompIO Upgrade Version Launched! stompIO Upgrade Version Launched!
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Enhanced software bundle also released for StompIO full version By popular demand, IK Multimedia is proud to announce the release of the StompIO upgrade, a reduced price, hardware-only version of StompIO available to all registered users of AmpliTube® 2, AmpliTube 2 Live, Ampeg® SVX, AmpliTube Jimi Hendrix™ or AmpliTube Metal. Thanks to the included AmpliTube X-GEAR™ in StompIO upgrade, these “Powered by AmpliTube” users will be able to immediately control their software live and in the studio. Together with the launch of the StompIO upgrade, an enhanced assortment of software has been bundled in the full version of StompIO that now includes all five IK “Powered by AmpliTube” software packages out of the box: AmpliTube 2, Ampeg® SVX, AmpliTube Jimi Hendrix™, AmpliTube Metal (formerly only for previously registered AmpliTube 2 users) and AmpliTube X-GEAR (for over $1,400/€1,000 worth of software included). The combination of “Powered by AmpliTube” software with StompIO’s revolutionary USB floor controller and audio interface provides users with the most advanced guitar and bass multi-FX system ever made, for both live and studio usage. Now for the first time, you can fully control a monstrous software-based set-up LIVE, with over 150 models of highly sought-after, award-winning gear, operating the same way you would use a traditional floor processor-with no need to connect a keyboard, monitor or mouse from your Mac/PC. StompIO gives you ultimate creative control over guitar and bass sounds on the fly, where the only limit is your imagination. Offering the first fully expandable and customizable modeling FX system. AmpliTube X-GEAR gives you the power to mix and match every stomp, amp, cabinet, mic and effect of all of the “Powered by AmpliTube” software into a unique, truly customizable, mega-rig. Plug the StompIO into your computer and you are automatically ready to rock with a staggering amount of 4,000 presets in a double series/parallel rig with all of their parameters immediately available and pre-assigned! Without ever taking your hands off your instrument, these presets are fully editable through StompIO’s easy-to-use interface: oversized displays, 6 dynamic rotary knobs, 10 footswitches and up to 6 external expression pedals. Ultimately, the sound you get from StompIO’s class-A DI, all analog design, high-end converters and huge dynamic range is far superior to any USB audio interface you’ve ever heard, ensuring the most amazing guitar and bass tones both in live performance and studio recording inside all popular DAWs. Price & Availability The new StompIO upgrade costs €599.99/$799.99 (exc. taxes) and is available for previously registered users of AmpliTube 2, AmpliTube 2 Live, Ampeg® SVX, AmpliTube Jimi Hendrix™ or AmpliTube Metal. And for a limited time only, customers who purchase the StompIO upgrade will also receive a free downloadable version of AmpliTube Metal (worth $269.99/€199.99), the newly released metal distortion powerhouse. The full version of StompIO costs €799.99/$1,049.99 (exc. taxes) and now includes the entire collection of five “Powered by AmpliTube” software packages: AmpliTube 2, Ampeg® SVX, AmpliTube Jimi Hendrix™, AmpliTube Metal and AmpliTube X-GEAR (for a total value of over $1,400/€1,000 of included software). Both StompIO upgrade and StompIO full version products are available for purchase from the IK Multimedia online store and through selected dealers around the world. For more information on StompIO, please visit: http://www.stompio.com
Precisionsound releases Celtic Harp for HALion, Kontakt & SoundFont Precisionsound releases Celtic Harp for HALion, Kontakt & SoundFont
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The “MEGHAN Celtic Harp" is the biggest and most resonant Celtic Harp in the family with 36 strings and a 5 octave range. It’s traditionally tuned at the white keys for 5 octaves but we retuned the Harp so C1 to B2 is almost completely sampled in halftones. The highest octaves C3 to C5 is the white keys only and stretched to C6, the complete range of our library is 6 octaves and in 4 effective velocity layers and sampled in discrete stereo. The “MEGHAN Celtic Harp" library contains 8 programs for HALion, 10 programs (24bit) for NI Kontakt and 5 (16bit) SoundFont programs. The total amount of stereo WAV files is 207. The SoundFont version is compatible with Gigastudio, EXS24, NN-XT (Reason) and all SoundFont compatible samplers for both MAC and PC. The “MEGHAN Celtic Harp" costs $69 (+$11 if you want it on CD-R). All formats are included when you buy the library. For more information and demos, visit www.precisionsound.net
Native Instruments releases DEEP TRANSFORMATIONS Native Instruments releases DEEP TRANSFORMATIONS
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Native Instruments today released DEEP TRANSFORMATIONS, an innovative KORE SOUNDPACK that turns KORE 2 and the free KORE PLAYER into a creative sound processor for live performance and studio productions. Utilizing the powerful sound engines integrated in KORE, the new sound pack provides 150 sophisticated multi-effect combinations that can colour, transform and mangle any audio material in inspiring and unexpected ways. The advanced control features of KORE make DEEP TRANFORMATIONS an especially intuitive sound shaping tool for musicians, producers and DJs. With the integrated engines of ABSYNTH, FM8, GUITAR RIG and REAKTOR as well as its own high-quality internal effects, KORE 2 and KORE PLAYER provide outstanding sound processing capabilities that are now fully explored with DEEP TRANSFORMATIONS for the first time. The advanced audio and MIDI routing in KORE has been used to construct a wide range of unique and unusual effects such as FM Sound Generator, Talking Ring Modulator, Artefact Creator, Enveloped Distortion, Formant Delays, Vinyl Effects and more. Every effect processor in DEEP TRANFORMATIONS is equipped with a clear and intuitive set of controls, which give direct access to all essential sound parameters and map easily to any MIDI hardware controller. Sophisticated multi-assignments and the versatile Sound Variations feature of KORE 2/KORE PLAYER allow both smooth and drastic multi-dimensional changes in tone and texture using just a single controller knob or automation parameter. All presets are also outfitted with KoreSound metadata that make them instantly accessible through the KORE Sound Browser, integrating DEEP TRANFORMATIONS seamlessly into any KORE SOUNDPACKS collection. DEEP TRANSFORMATIONS is available for download purchase in the NI Online Shop for a suggested retail price of $79 / EUR 69. More information on DEEP TRANSFORMATIONS including audio demos can be found at www.native-instruments.com/deeptransformations.info About Native Instruments: Native Instruments is the pioneer and market leader in the field of software instruments, and one of the key players in the market of computer-based audio production technology. The company's mission is to develop outstanding musical tools for all styles and genres. The resulting products regularly push technological boundaries and open up new creative horizons for professionals and amateurs alike.
CME Updates BitStream 3X Firmware CME Updates BitStream 3X Firmware
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CME, makers of the BitStream 3X MIDI Controller, have released version 1.8 firmware for the unit, adding new features and enhancing its functionality. As the world' s first 3 axis MIDI controller, CME Bitstream 3X is a completely new direction in MIDI controllers and is perfect for controlling Virtual Instruments, DAWs, and even other MIDI hardware. This compact desktop unit includes 35 knobs, 8 sliders, 16 buttons, a joystick, a cross-fader and controller. The new version 1.8 firmware update adds the ability of the Bitstream 3X to generate SMPTE Sync at 24, 25, 30 dropped and 30 frames per second, 64 new Arppegiator Scenes independent from the 100 existing Snapshot Scenes, and an enhanced Switch (Jump/Toggle) Mode. Workflow improvements include independent enabling/disabling of Hook Mode, Scenes can now be changed via incoming program changes (0-99), the Arppegiator is now initialized in Automatic Mode after a factory reset, and Start/Stop/Pause bitmaps are now updated when the unit is synchronized from external source. The Bitstream 3x is fully programmable and includes more than 13,000 presets for popular samplers, synthesizers, and software including Propellerheads Reason and Rebirth, Steinberg Cubase, Ableton Live, Native Instruments Reaktor, Traktor, Kontakt, and Absynth, Fruity Loops and more. An 8 track motion sampler, transport functions, and a large LCD display round out this versatile unit. Version 1.8 Firmware for the CME Bitstream 3X can be downloaded free of charge for registered users at http://www.waveidea.com/en/products/bitstream_3x/download_fw.php. About CME CME® is the registered trademark of Central Music Co, a high-tech enterprise founded in Beijing, China in 1993 and focused on the growing digital music production market. Central Music Co imports and distributes many of the world's top music production brands including Apogee, Emu, Event, Kurzweil, Millennia, Moog, MOTU, Novation, PreSonus, RME, Rode, and Terratec in the Chinese market. The company uses its unique talents and vision to develop and manufacture digital musical instruments to meet the needs of the new generation of professional musicians. These products are sold worldwide under the brand of CME.
Motu announces 896mk3 firewire audio interface Motu announces 896mk3 firewire audio interface
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896MK3 FIREWIRE AUDIO INTERFACE ADDS DSP EFFECTS AND MIXING MOTU, Inc. has introduced the 896mk3, a cross-platform FireWire audio interface with on-board effects and mixing. Features include eight XLR/TRS "combo" style analog inputs with high-quality preamps, true hi-Z guitar inputs, a total of 28 inputs and 32 outputs, 192 kHz analog operation, signal overload protection, a 32-bit floating point DSP for digital mixing and effects processing, two banks of configurable optical I/O and much more. "For high-end FireWire-based audio recording, the 896mk3 offers exceptional audio quality and professional XLR analog connectivity in a two rack-space form factor," said Jim Cooper, Director of Marketing at MOTU. "If you are looking for the very best that FireWire audio recording has to offer, look no further than the 896mk3." Digital mixing and effects processing -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- The 896mk3 provides 28 inputs and 32 outputs in a two rack-space form factor. All I/O is routed to a new on-board 16-bus digital mixer driven by hardware-based DSP with 32-bit floating point precision. The mixer allows users to apply no-latency effects processing to inputs, outputs or busses directly in the 896mk3 hardware, independent of the computer. Effects can even be applied when the 896mk3 is operating stand-alone (without a computer) as a complete rack-mounted mixer. Input signals to the computer can be recorded wet, dry, or dry with a wet monitor mix (for musicians during recording, for example). Effects include reverb, parametric EQ and compression/limiting. The 896mk3's Classic Reverb™ provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60-seconds. Two forms of compression are supplied: a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control. Finally, the EQ section provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB. The 838mk3's flexible effects architecture allows users to apply EQ and compression on every input and output (a total of 60 channels), with enough DSP resources for at least one band of parametric EQ and compression on every channel at 48 kHz. However, DSP resources are allocated dynamically and a DSP meter allows users to keep tabs on the 896mk3's processing resources. Each input, output and mix bus provides a send to the Classic Reverb processor, which then feeds reverb returns to mix buses and outputs, with a selectable split point between them to prevent send/return feedback loops. Overload protection -=-=-=-=-=-=-=-=-=-=- An individual trim knob, 20 dB pad switch and 48V phantom power switch is supplied on the front panel for each of eight mic/guitar combo jacks on the rear panel, all eight of which are equipped with preamps and V-Limit™, a hardware limiter that helps prevent digital clipping from overloaded input signals. With V-Limit enabled, signals can go above zero dB (where limiting kicks in) to as high as +12 dB above zero with no distortion due to digital clipping. Additional protection can be applied to the mic/guitar inputs by enabling the 896mk3's Soft Clip™ feature, which engages just before clipping occurs and helps reduce perceptible distortion. Comprehensive metering -=-=-=-=-=-=-=-=-=-=-=-=-=- The 896 is well known for its comprehensive front panel metering, and the 896mk3 builds on this unique feature to further set it apart. 10-segment ladder LEDs are provided for every input and output. One eight-channel meter bank is dedicated to the eight analog inputs. Another eight-channel meter bank can display any input or output bank, which the user can quickly select with a convenient front-panel rotary encoder. Dedicated main out meters are also provided. CueMix FX software -=-=-=-=-=-=-=-=-=-=- All of the settings in the 896mk3 are accessible from the programmable front-panel backlit LCD. Users can also launch the CueMix FX control software for Mac OS X, Windows XP and Windows Vista. CueMix FX is a completely new software front-end with attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Three separate tabs show inputs, mix busses (eight stereo busses) and outputs. Users click a "Focus" button on any channel or bus to edit its settings in another area on the right-hand side, which provides separate tabs for graphic editing of parametric EQ, compression and other effects. Each channel displays a graphic thumbnail of EQ curves, compressor settings and other channel specific parameters. There is also a section for talkback and listenback. CueMix FX can be operated side by side with any host audio software for Mac or Windows, and it can be controlled from the Mackie Control Universal Pro automated worksurface. Comprehensive I/O -=-=-=-=-=-=-=-=-=-=- The 896mk3 allows users to connect a wide variety of studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. In addition to the eight mic/guitar preamp inputs, the 896mk3 provides two independent headphone jacks with independent volume knobs, one of which also controls the XLR main outs on the rear panel. This "master vol" knob can also be programmed to control any combination of outputs (analog and/or digital). For example, it can control monitor output for an entire 5.1 or 7.1 surround mix. All analog I/O, including eight XLR outputs, two dedicated XLR main outs and the eight preamp inputs, can operate at sample rates up to 192 kHz (a total of eight analog inputs and ten outputs). Two optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/MUX optical I/O at 96 kHz or two banks of stereo TOSLink at rates up to 96 kHz. The banks operate independently, allowing users to mix and match any optical formats. AES/EBU and RCA S/PDIF connectors also supply independent sets of stereo digital I/O. Synchronization -=-=-=-=-=-=-=-=- The 896mk3 is equipped with Direct Digital Synthesis™ (DDS), a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the 896mk3 is resolved to an external clock source via either word clock or SMPTE time code. The 896mk3 can directly resolve to (or generate) time code via a dedicated quarter-inch time code input and output, without the need for an extra synchronizer. Expansion, drivers and AudioDesk -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- As with other MOTU FireWire interfaces, the 896mk3 supplies two FireWire jacks so it can be daisy-chained with additional MOTU FireWire audio interfaces or other devices. The 896mk3 is also fully compatible with the 8pre, a single rack MOTU interface that adds 8 mic preamp inputs to the 896mk3. Because the 8pre connects to the 896mk3 via ADAT optical, its mic inputs are fully integrated into the 896mk3's on-board CueMix FX digital mixer. The 896mk3 provides CueMix FX and drivers for Mac (OS X) and Windows (XP and Vista) for cross-platform compatibility with virtually all audio software via WDM/ASIO/Core Audio drivers. The included AudioDesk® workstation software for Mac provides 24-bit recording/editing and 32-bit mixing/processing/mastering. Availability -=-=-=-=-=- The 896mk3 will ship this summer. Price is $1,295.

 

 Tuesday June 17, 2008 
Propellerhead Software Introduces Reason Electric Bass ReFill Propellerhead Software Introduces Reason Electric Bass ReFill
07:54 PM 
Eight classic basses, Hypersampled with selectable bass rigs and switchable signal chains offer the most dynamic, natural sounding bass sounds available anywhere Propellerhead Software today announced the Reason Electric Bass ReFill for Reason, Propellerhead’s acclaimed music production system for Mac and PC. Reason Electric Bass captures the soul of the bass guitar, delivering amazingly realistic electric bass sounds for music producers of all contemporary music genres. Reason Electric Bass consists of a number of Combinator patches for Reason 4 with samples of eight classic electric bass guitars: Fender Jazz Bass, Fender Precision Bass (flatwound), Gibson Les Paul, Rickenbacker 4001, Gibson EB-0, Kay Hollowbody, MusicMan Stingray Fretless and Fender Precision Bass (roundwound). Each patch also contains a number of performance embellishments like release samples, hammer-ons, and glissandos yielding the most organic sounding bass instrument on any platform. The product ships on two DVDs containing both 16-bit and 24-bit versions of the sound library. The 16-bit version is lighter on the CPU and is suitable for composing and production work, while the 24-bit version is good to use at final mixing. The two are easily interchanged. All instruments were captured using Propellerhead Software’s Hypersampling method. To capture every nuance of each instrument’s sonic character, each was recorded at multiple velocity levels, using both direct inputs and multiple sets of microphones through two different dedicated bass rigs. With all the signals available separately in Reason, Reason Electric Bass users can select and mix between combinations of mics and direct from pickups to truly attain that “live bass player” sound. “If you thought bass sounds were just bass sounds, think again,” says Kristoffer Wallman, Content Manager at Propellerhead Software. “These instruments are gritty, soulful, alive. Substituting Reason Electric Bass for your bass tracks will have dramatic positive affects your computer-based music production, really making them come alive and breathe.” Reason Electric Bass, the fourth in the series of hypersampled ReFills from Propellerhead, fills out the “backline” of the rhythm section, alongside Reason Pianos and Reason Drum Kits—providing users with amazingly realistic foundations for any style of music. More info can be found at: www.propellerheads.se/reason-electric-bass About Propellerhead Software Propellerhead Software is a privately owned company based in Stockholm, Sweden. Formed in 1994, Propellerhead has created some of the most innovative new music software (ReBirth, ReCycle and Reason) and technology standards, including ReWire and the REX file format, which are used extensively in all kinds of music production. Propellerhead ReBirth program was the first virtual emulation of vintage analog gear—a trend that now dominates music software.
Dangerous Music Ships DAC-ST Digital-to-Analog Converter Dangerous Music Ships DAC-ST Digital-to-Analog Converter
05:24 PM 
Stereo DAC Expansion System Option for Monitor ST Controller Goes to First Customers Dangerous Music, Inc. has shipped their first units of the "DAC ST," a mastering quality, stereo digital-to-analog converter option for their popular Monitor ST controller. The DAC-ST is the first available option in the line for the new Additional Switching System (A.S.S) one-rack space expander which can house up to two banks of two cards each, adding four additional functions switchable directly from the ST-SR remote. "The new DAC-ST greatly enhances the power of the Monitor ST controller for those users who must have exceptional digital-to-analog conversion and digital source switching integrated into their listening system," said Bob Muller, Dangerous Music's Founder and Co-owner. "The new open architecture of the Additional Switching System expansion chassis offers customers an easy way to create their own custom integrated controller system. The DAC-SR 6-channel digital-to-analog converter option for ST/SR surround users is up next." Offering mastering quality on-board stereo D-to-A conversion and digital source switching for Monitor ST, the Dangerous DAC-ST option delivers superbly accurate D-to-A conversion, instantly accessed from the Monitor ST remote control. Integrated digital source switching allows the user to monitor all digital sources through the same converter, which is crucial for critical listening, confidence monitoring and level matching. The DAC-ST takes the guesswork out of any digital monitoring task. Now it's easy to compare a mix to any reference source, without the need to factor in differences in level and sound quality that exist when using several external converters. All 4 rear-panel digital inputs on the DAC-ST accept AES or SPDIF formats and have active Thru outputs for routing these input signals to other devices. When the user needs to quickly hook up external units such as beat-boxes or keyboards that have an SPDIF output, the front panel dedicated SPDIF input saves crawling behind a rack with a flashlight. Being a truly professional system, DAC-ST can be calibrated to match your chosen studio reference level. The Additional Switching System is sold as a chassis/power supply set with one or two user-selected options, each option having a specific price. Users can purchase a single option along with a chassis, then purchase a second option later and self-install that card; or purchase a chassis with two options already installed. Several other options are in the works including the "DAC-SR," a 6-channel DAC for surround setups, and a companion to the Monitor SR expansion. Monitor ST-SR The Monitor ST-SR focuses on solving monitoring problems associated with DAW-based recording and mixing in studio environments not employing a traditional console. The Monitor ST is a remote-control based input source and speaker switcher with integrated cue and talkback systems, including an onboard headphone power amplifier- all in one rack space. The Monitor SR is a companion one-rack space expansion module providing full 5.1 surround monitoring capability. Studios working in stereo can start with the ST and later expand to surround by adding the SR unit with no equipment redundancy or obsolescence. With the cat-5 connected remote control unit, included with the Monitor ST, engineers can configure and control an entire system from the comfort of the studio's sweet spot. The DAC-ST suggested retail price is $1199 US, and 925 Euro, and includes the integrated power supply unit and expansion chassis with an extra space for a second user-installable option. The suggested retail price for Dangerous Monitor ST is $2199 US and 1850 Euro; and Dangerous Monitor SR expander is $1499 US and 1350 Euro. About Dangerous Music, Inc. Dangerous Music, Inc. designs and builds products that are indispensable to any DAW-based recording environment. Dangerous Music co-owner and electronics designer Chris Muth has spent over 20 years working in, and designing custom equipment for, top recording and mastering studios. Muth and his partner Bob Muller pioneered the concept of the dedicated analog summing buss for digital audio workstations with the Dangerous 2-Bus in 2001. Today the company offers a wide range of products for recording, mastering, mixing and post-production facilities, all designed by Chris Muth and built with mastering-quality standards and a practical aesthetic. Key products include the Dangerous 2-Bus and 2-Bus LT, Dangerous Monitor ST-SR and its Additional Switching System expansion units, Dangerous D-Box, Dangerous Master, Dangerous S&M, Dangerous Monitor and Dangerous MQ. For more information visit www.dangerousmusic.com, phone 607-965-8011 or email: info@dangerousmusic.com Photos of the "Additional Switching System with DAC-ST" are available on the web at: http://www.dangerousmusic.com/media.html

 

 Sunday June 15, 2008 
“DUY Silence” noise reduction plug-in now shipping “DUY Silence” noise reduction plug-in now shipping
08:52 PM 
DUY announced today that a powerful noise reduction software solution for RTAS, AU, VST & MAS is now shipping. Removes noise in just seconds!
New Expressivo with e-Books in English New Expressivo with e-Books in English
08:36 PM 
Expressivo 1.4 - the latest version of the software that reads books with a beautiful voice - has been launched. Buying the software with the English-speaking voice of Jennifer you also receive a free collection of 50 popular e-books in English.
BTE Audio releases BEQ3 British Console Equaliser Algorithm BTE Audio releases BEQ3 British Console Equaliser Algorithm
08:34 PM 
BTE Audio has extended its line of Equalization Algorithms with the BEQ3, a high performance digital equalization algorithm that simulates the sound and feel of the world-renowned British Mixing Consoles of the 1970s. With its proprietary topology, the BEQ3 algorithm simultaneously achieves both absolute sonic accuracy and extremely high processing efficiency. Targeted at desktop and embedded professional audio applications, the BEQ3 algorithm will enable quality-conscious third-parties to incorporate the highly revered British EQ sound into their products. BTE Audio

 

 Tuesday May 27, 2008 
Cluster Sound releases Tube Sequenz Cluster Sound releases Tube Sequenz
07:01 PM 
Tube Sequenz is an instrument loops library treated with tube machines. This Free XPander Pack consists of 370 WAV & REX loops and 370 Live Drum Rack clips & devices, useful for a wide range of tech-based music styles. A powerful collection of fat and pulpy bass sequences, trancy synths, crystal chords that are ready to use but also easily customizable. Tube Sequenz is compatible with all audio softwares and especially optimized for Ableton Live. The loops are organized in 3 main sections (WAV – REX – LIVE) that contain the following sub-folders : 1) TPDSP Loops 2) Phaser Loops 3) Cycled Basses 4) Valve Loops Tube Sequenz is FREE for all Tech Producer DSP registered users. For more information, visit their web site at www.clustersound.com Tech Producer DSP updated specifications : 14.5 GIGABYTES OF AUDIO FILES 10.500 Construction Loops & Samples (WAV - 24bit / 44.1 Khz) 7.800 Ableton Instruments & Clips 3.700 REX2 Loops : Reason & Stylus RMX ready 2.550 Kontakt / Halion / NN-XT / Redrum / FL Studio patches Cost : 249,00 € (free shipping worldwide)
Heavyocity Launches Heavyocity Launches "EVOLVE"
06:55 PM 
Evolve Created by the TV and video game composers from Heavy Melody Music & Sound Design, Evolve is a virtual instrument powered by Native Instruments' Kontakt 2 Player. With an emphasis on the dramatic, it is geared toward film and game audio, as well as artist production and live performance. Sonically, Evolve doesn't just contain the typical sounds that form the foundation of most composers' setups. Instead, it accentuates them with a powerful combination of diverse percussion, massive stings/transitions and evocative tonalities in ways that have "never been heard before". Heavyocity Media has announced the release of Evolve, a new virtual instrument that "supercharges creativity and streamlines productivity for modern composers and sound designers". Evolve's signature collection features: 600+ beat-sliced loops strategically key-mapped into 7 genre-specific suites 60 sequenced and arpeggiated percussive and tonal instruments. 75+ modern percussion kits and instruments. 45+ sting and transitional instruments 250+ tonal instruments and FX. 3 custom scripted interfaces. Nearly 6 gigabytes containing 3,900+ 24/16 bit samples. Powerful user control features. Intuitive key-mapping systems. Enhanced creativity and productivity. About Heavyocity Media, Inc. Friends and collaborators since 1989, Berklee College of Music alumni Dave Fraser and Neil Goldberg formed Heavy Melody Music & Sound Design in 2003. Over the years, they've worked with a vast range of clients such as the NFL, Sony, GE, Gillette, Atari, Obsidian Entertainment, NBC, Discovery Channel, and many others. Audio for these organizations must sound top-notch and be produced quickly to meet tight deadlines. This requires Dave and Neil to engage technology to its fullest and always keep up with the latest trends. In recent years, the need for a virtual instrument that could deliver unique, world-class sound in a more efficient and inspiring manner became evident. This led to the formation of Heavyocity and its launch title Evolve. "Evolve is the creative tool we've always wanted," says Heavyocity visionary Dave Fraser, "It's going to make people realize there's are different way to do things." Heavyocity co-founder Neil Goldberg adds, "As soon as you dive into Evolve, its power and potential to inspire creativity will be clear." Rounding out Heavyocity's creative team are Composers/Sound Designers Ari Winters and Mark Kauffman. Ari holds a masters degree in Entertainment Technology from Carnegie Mellon and previously worked for Treyarch/Activision. Mark earned his degree in Commercial Music from Florida State and has an extensive background in audio production and creation for mixed media. With more virtual instruments on the way, Evolve is only the beginning for Heavyocity. Pricing & Availability With an MSRP of $399 Evolve is available for Windows and Mac OS X in AU, VST, RTAS, DXi and Standalone formats via the included Kontakt 2 Player. www.HEAVYOCITY.com e-mail for Heavocity: info@Heavyocity.com

 

 Thursday May 22, 2008 
The New-J Bass Sample Library The New-J Bass Sample Library
10:46 PM 
Our mission was to create a bass sample library with no frills, tricks, and gimmicks. We did not set out to sample every little nuance of the instrument so users could program amazing MIDI bass solos. We set out to sample the core of the instrument, while still preserving the crucial nuances of the bass. This gives the user a practical and very useable sample library that can exist within almost any musical setting.

 

 Tuesday May 20, 2008 
MigMusic.com Offer Nova/Supernova Sound Bundle With Free 512 Mid... MigMusic.com Offer Nova/Supernova Sound Bundle With Free 512 Mid...
10:36 PM 
MigMusic.com have decided to give away to customers who buy their Nova/Supernova Sound Collection Bundle an extra product for free which is called the Tr909 Midi Dance Collection and contains 512 Trance/Techno/House midi drum patterns.
Native Instruments releases KONTAKT RETRO MACHINES Native Instruments releases KONTAKT RETRO MACHINES
10:33 PM 
Native Instruments today released KONTAKT RETRO MACHINES, the latest addition to its KORE SOUNDPACK range of high-quality sound libraries for KORE 2 and the free KORE PLAYER. Based on material from the acclaimed KONTAKT 3 factory library, KONTAKT RETRO MACHINES offers an essential collection of charismatic vintage instruments that were formative for many electronic music genres of the past decades. This includes various classic synthesizers as well as several sought-after drum machines, with their creative potential maximized through the powerful capabilities of the KORE platform. The sounds in KONTAKT RETRO MACHINES originate from eleven outstanding analog synths, five vintage digital synthesizers and six classic drum machines, all captured in absolute studio-quality and with a dedicated sample set for each of the over 130 included KoreSounds. The sonic arsenal provided is entirely faithful to a range of seminal sound aesthetics that are still popular today, ranging from pioneering electronic music of the '70s to the rough electro and hip-hop of the early '80s. Like all KORE SOUNDPACKS, KONTAKT RETRO MACHINES makes extensive use of the advanced capabilities of KORE 2 / KORE PLAYER and of its integrated instrument and effect engines. Every instrument sound offers eight distinct variations, organized in a concise scheme that includes optional percussive, pad, solo/lead and arpeggiated flavors of every preset. Authentic "vintage synth" operation is achieved through special performance features like adjustable glide, unison, polyphonic portamento, optional pure tuning mode and much more. All options are provided in an intuitive and immediately accessible way through the unique sound shaping and control features of the KORE platform and the integrated KONTAKT engine. Native Instruments is determined to firmly establish the KORE SOUNDPACKS line as the most valuable, diverse and inspiring range of sound material for studio and stage, and will release a substantial number of additional libraries over the course of 2008. KONTAKT RETRO MACHINES is now available for download purchase in the NI Online Shop for USD 59 / EUR 49. More information on KONTAKT RETRO MACHINES including audio demos can be found at www.native-instruments.com/retromachines.info About Native Instruments: Native Instruments is the pioneer and market leader in the field of software instruments, and one of the key players in the market of computer-based audio production technology. The company's mission is to develop outstanding musical tools for all styles and genres. The resulting products regularly push technological boundaries and open up new creative horizons for professionals and amateurs alike.

 

 Wednesday May 7, 2008 
IK Multimedia Presents StompIO’s World Tour! IK Multimedia Presents StompIO’s World Tour!
09:12 PM 
“Stomp onto a Revolution!” IK Multimedia is proud to announce the official launch of the worldwide “Stomp onto a Revolution” Tour! StompIO, the revolutionary hardware-software guitar and bass multi FX system, will be featured in open clinics and special events dedicated to change the way musicians gig live and record in the studio forever. Kicking off in May and lasting through Summer 2008, “Stomp onto a Revolution” Tour dates will be held in the United States, Germany, Japan, Italy and the UK, with more to be announced. These special events are free to attend, featuring famous and expert musicians that already use StompIO live on stage and in the studio. Reserve your seat now and catch the StompIO Tour to win music gear prizes, concert tickets and watch history unfold as StompIO turns your Mac/PC into the most powerful amp and stomp-box modeling system ever made! Check out tour dates and reserve your seats here: http://www.stompio.com/tour Learn from professional artists and IK clinicians how StompIO integrates hardware and software to work on stage like a traditional multi-FX pedal with stunning realism and tone. Featuring: Traa Daniels, bassist from the multi-platinum rock band P.O.D., cult-funky bassist and vocalist T.M. Stevens, melodic virtuoso guitarist Neil Zaza, Tommy Bolan wicked guitarist/producer from NYC band and Warlock, and many more to be announced. Let StompIO Tour’s expert clinicians and celebrity musicians show you how StompIO saves you time and frustration in the studio by capturing every detail of your performance and integrating seamlessly with your preferred DAW. Demo units of StompIO will be at every event so you can rock out and see how easy it is to take control of all of the amps, cabinets and FX from AmpliTube® 2, AmpliTube Jimi Hendrix™, Ampeg® SVX™, AmpliTube Metal™ and future IK software packages! Reserving your seat now online and bringing a friend with you to the event will entitle you and your friend to receive a copy of AmpliTube 2 DUO and Ampeg SVX UNO at the end of the event TOTALLY FREE! Drawings at the event will also give you chances to win IK’s StealthPlug, tickets to a P.O.D. concert in L.A., expensive music gear from StompIO Tour Sponsors, IK’s music production hardware and software tools, T-shirts and all kinds of prizes just for showing up! Check the IK website and reserve your free seat to join the StompIO Revolution in these cities: UNITED STATES Houston, TX Dallas TX Atlanta, GA New York, NY Ft. Lauderdale, FL Miami, FL Chicago, IL East Brunswick, NJ Los Angeles, CA Lawndale, CA INTERNATIONAL Tokyo, Japan Brighton, UK London, UK Hamburg, Germany Köln, Germany Berlin, Germany Milan, Italy Rome, Italy About IK Multimedia: IK Multimedia is a computer music technology company that offers a diver