Ableton Newsletter, July 2008 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Contents: 1. Tassmania! Special Tassman Offer for Live Users 2. Ableton Artist Movie: Hot Chip 3. Session Drums Summer Sale 4. Write a Dance Track! Win Ableton Prizes! 5. Ableton Supports the Bob Moog Foundation 6. Free Workshops with Pitch Black and Tom COSM 7. New Live 7 Reviews 8. Bring Your Talents to the Ableton Team! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1. Tassmania! Special Tassman Offer for Live Users - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - There are two types of people in this world--those who know about the Tassman and those who don't. For those who don't know, the Tassman is an incredible modular sound synthesis studio from Applied Acoustics Systems. Incredible because you can create pretty much any sound you want, from realistic emulations of acoustic instruments to way-out-there, left-field craziness. Great sounds, complete control and awesome sound design power. Now that we ALL know what we're talking about, listen up. Ableton and Applied Acoustics Systems are offering registered Ableton Live users an opportunity to step out into the modular world of physical modeling synthesis. The coupon code below gives you USD 150 (about EUR 95) off the price of a Tassman: this is nearly 45% off the retail price of this incredible instrument. This offer is open until July 31. Here's your coupon code: AB-D713-75C2-B365-1 We love the Tassman, and we think you will too. Enter your coupon code on this page: http://www.applied-acoustics.com/buy_tm_online.htm Happy tweaking! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2. Ableton Artist Movie: Hot Chip - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Hot Chip, perhaps Britain's most refreshing electropop band, are renowned for their inspiring live shows, great songs, innovative videos and DJ skills. After using Ableton Live to compile their DJ Kicks album last year, the band have come to rely on Live as an essential part of their performance and studio setup. We met Felix from Hot Chip to talk about the details of how they use Live and why. Watch the interview here: http://www.ableton.com/hot-chip?i=nl - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 3. Session Drums Summer Sale - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - The sun is beating down here in Berlin, we're feeling good and we want to spread the goodness with a price cut on Session Drums! Get great acoustic drums with detailed control options for just EUR 129/ USD 159. That's pretty hot. Find out more about Session Drums here: http://www.ableton.com/session-drums?i=nl - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 4. Write a Dance Track! Win Ableton Prizes! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - It's not too late--you can still enter the I-dance.com producer competition. Upload your best dance tracks and battle it out with other producers. The I-dance community and a panel of judges will choose the winner, who gets a copy of Ableton Suite. Closing date for entries is July 9 2008. Get the full story here: http://www.ableton.com/producer-contest?i=nl - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 5. Ableton Supports the Bob Moog Foundation - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - "We all owe a huge amount to Bob, whose work continues to influence musicians everywhere." Craig Anderton writes about the Bob Moog Foundation and how Ableton is supporting it. Read all about it: http://www.ableton.com/bob-moog-foundation?i=nl - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 6. Free Workshops with Pitch Black and Tom COSM - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - New Zealand's renowned electronic performers and Ableton Live evangelists Pitch Black and Tom COSM are doing two free workshops in London and Amsterdam. Not only a chance to get in-depth tips and advice from these seasoned performers, but also an opportunity to see some blistering live electronica: both acts will perform in the same venue later that evening. Very. Highly. Recommended. Here are the details: http://www.ableton.com/pitchblack-tomcosm-workshop?i=nl - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 7. New Live 7 Reviews - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - What's the word on the street? It's really pretty good. Read what the press have been saying about Ableton Live 7: http://www.ableton.com/live7-reviews?i=nl - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 8. Bring Your Talents to the Ableton Team! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Ableton is looking for experienced and motivated people for the following positions: - Web Developer - Application Developer - Website/User Survey Analyst - Documentation Assistant (New York) For further information, please visit http://www.ableton.com/jobs?i=nl - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

KORG CONTINUES PROMOTIONS CELEBRATING THE 20TH ANNIVERSARY OF THE WORKSTATION MELVILLE, NY, July 3, 2008 -- The year 2008 marks the 20th anniversary of the famous Korg M1 Music Workstation, the product that first defined the workstation category and redefined music making. Korg has been celebrating all year with various promotions and offers. New for the summer is the following offer: From July 1 through August 30, 2008, customers who purchase any new M3 Music Workstation (M361, M373, M388 or M3M) from an authorized Korg USA dealer, can receive a free EXB-RADIAS expansion option (a $350 value). The EXB-RADIAS is a 24-voice analog modeling and digital synthesis engine that also includes Korg's exclusive formant-recording vocoder.

WAVES AUDIO TO INTEGRATE ITS AUDIO PROCESSORS WITH HARRIS CORPORATION'S VELOCITYTM NEWS EDITING SYSTEM -- VelocityTM bundle offers specialized audio tools for news-gathering professionals -- TEL AVIV, ISRAEL, July 3, 2008 -- Waves Audio today announced that three of its essential audio processors are being bundled with Harris Corporation's new Velocity ESXTM on-SAN editing system, a turnkey high-resolution workstation for journalists, reporters and broadcasters, which is part of the Harris NewsForceTM comprehensive HD/SD news platform. The Velocity ESX bundle features advanced tools for time compression, pitch shifting and equalization. These Wave components include UltraPitch, a pitch shifter and voice disguiser; Renaissance EQ, a paragraphic equalizer with 2-, 4- and 6-band components; and SoundShifter, a time compression and pitch shifting processor. These are the same tools used by top engineers on hit records, major motion pictures and popular video games the world over. The Velocity ESX workstation arrives with these processors fully loaded for user convenience. "Waves is proud to contribute to the high-end feature set of Harris Corporation's turnkey Velocity ESX system," says Waves CEO Gilad Keren. "Our tools have been used for years in the broadcast world, and we're delighted to see products developed specifically for journalists working in electronic media."

GuitarGearHeads.com Awards KRK Studio Monitors As the Official 2008 Studio Monitor, the KRK VXTs will serve as the platform for testing all equipment that requires audio output. July 3, 2008 - Blaine, Washington – GuitarGearHeads.com has awarded KRK Systems the title of “Official Studio Monitor of GuitarGearHeads.com for 2008.” After extensive testing, GuitarGearHeads.com has elected to upgrade their musical equipment testing labs with the VXT 6 inch studio monitors from KRK Systems. These monitors will be used in all testing of equipment and software done where studio monitors are required. The VXT Series represents a significant update to KRK’s very popular V-Series monitors. “From the first time I used the V6 inch monitors, I was impressed with the quality of sound. After witnessing a monitor shootout between the new VXT series against several high end and very expensive name brand monitors at 2008 Winter NAMM, we knew that a full upgrade was in order,” said GuitarGearHeads.com President Gary Allen. “KRK makes incredible products and we are proud to place their monitors in our testing facilities,” continued Allen. “We are thrilled to be recognized by GuitarGearHeads,” said KRK Vice President of Marketing Tony Rodrigues. “For the VXTs to be honored in this professional testing environment is confirmation of the caliber of monitors they are,” added Rodrigues.

With a very successful ABTT theatre show in London and Cinema Expo convention in Amsterdam behind us, we've stepped into the second half of 2008 and at the same time into the next 5 years of Alcons "growth of something beautiful". The past five years turned out to be much more than just proving our reason for existence in this seemingly crowded market, with a surprisingly fast expansion of "Alcons pro-ribbon ambassadors" around the globe. "The best is yet to come", so we're shifting Alcons into the next gear, with increased investments in R&D, support and partnerships! The LR14/90 ultra-compact pro-ribbon line-array is now shipping; Identically equipped as the LR14/120, but now with the 800W RBN401 pro-ribbon HF driver on 90-degree Alutec™ wave-guide, the LR14/90 is designed for (even) longer throw and controlled projection in more narrow applications. Very precise projection and throw control in combination with HiFi at concert SPL's. Alcons' amplifier Digital Drive Processor™ module has received upgraded V1.5 firmware, with a range of new settings and features; LR14/90 line-array presets (a.o. array-length optimisation, stacked/flown configuration); BF181/362 subwoofer presets with selectable response settings ("sub", "bass" and "punch"); Cardiod subwoofer presets and futher optimized phase-responses. Over 6 months underway (and running!), with around 400.000 tickets sold, Ciske de Rat - the musical is the most successful travelling Dutch musical ever. At the recent Musical Awards Gala 2008, this musical scored another record with 7 awards out of the 13 nominations. Not surprising then that this production is touring with an Alcons LR14 line-array system, with BF sub's and powered/controlled by Amplified Loudspeaker Controllers. In Austria, the event dome of the international headquarters of Red Bull, called "Hangar 7", received a state-of-the-art sound system, with semi-permanent Alcons QR36 5m. line-source columns on purpose-designed stands; Powered and controlled by ALC's, with Trinnov outboard optimizing processing. Total project design and realization by Pro Performance of Austria. A large number of LR14 and LR14B line-array systems were recently installed in Malaysia's Tertutup stadium. The indoor stadium, located in Kuala Terengganu, was finished just in time for the Sukan Malaysian ("SUKMA") Games 2008. No less than 14 arrays, driven by same number of ALC2 Amplified Loudspeaker Controllers with SDP processing and Dolby Lake system control. Total project design and realization by Hybrid Junction of Malaysia. Other recent projects include: Buddha Bar Beirut Lebanon, Hamburg's Thalia Theater and Schmid's Tivoli, Volkswagen car manufacturer Dresden, Fraunhofer Institute Germany, Pathé Cinema group, Landestheater St.Pölten Austria, to name just a few.

Community Unveils ENTASYS Column Line-Array Chester, PA - Community Professional has introduced ENTASYS, a new high-performance, three-way full-range column line-array loudspeaker system that delivers true line-array performance in a compact weather-resistant package. Designed for permanent installation applications including auditoria, airports and train stations, conference centers, houses of worship, stadium concourses and museums, ENTASYS offers high output and high power handling capability that outperforms comparable systems, boasting multiple low frequency, midrange and high-frequency drivers for the most consistent, lobe free, coverage available, and delivering a uniform, constant vertical beamwidth from 800 Hz – 16 kHz. Each ENTASYS full-range column includes six low frequency neodymium drivers, eighteen 2.35” midrange drivers and six 7” long x 1” wide planar-coupled patent pending Compact Ribbon Emulator (CRE) high frequency elements. The ENTASYS line is designed to be modular, with multiple ENTASYS columns used to create extremely narrow focused vertical coverage previously only possible using powered, steered arrays. All ENTASYS systems are available from the factory in elegant black or white finishes, with each individual enclosure featuring a compact 5-½ inch wide by 7-3/8-inch deep “teardrop” shaped footprint and standing 44-½ inches tall. A range of mounting brackets is available to fit nearly every installation design.

MIPRO ACT- 51 nominated for 2008 TEC Award MIPRO, Taiwan-based manufacturer and designer of wireless microphone systems, is widely recognized for their exceptional RF reliability, performance and offering innovative product features. The ACT- 51 wireless microphone system has been nominated for a 2008 Technical Excellence & Creativity Award in the category of Outstanding Technical Achievement, Wireless Technology from the Mix Foundation. The TEC Awards is a prominent forum for honoring outstanding Technical Excellence and Creativity in professional audio production and product design. MIPRO ACT- 51 is an innovative wireless microphone system incorporating the company?s highly respected ACTTM function. This world?s first proprietary technology from MIPRO is the most intelligent channel set-up feature and now becoming the industry standard. Automatically scanning the local RF environment and locking the receiver on to an open, interference-free channel, the system then provides rapid and precise set-up of the handheld or belt pack transmitters to the same channel. Once the frequency has been set, the data is stored in memory. Programmable multi-function VFD (vacuum fluorescent display) displays all information on the same screen for easy control and monitoring. Just simply set up one screen and able to view all settings. Thanks to a bright full color VFD, another world?s first from MIPRO.

MIPRO to launch flagship, MA-808, for the portable sound market MIPRO is pleased to announce the introduction of the new MA-808 Portable Wireless PA System. Featuring a rugged, high-impact enclosure with retractable handles and integrated wheels for easy transport, this bi-amplified system delivers clear, powerful sound?thanks to a Class AB amplifier for the HF (high frequency) driver and a Class D amplifier that drives a large, 10-inch woofer. With a built-in CD/ MP3 player module, support for two wireless receiver modules and onboard storage for the transmitters, the MA-808 is a complete, self-contained PA solution. As the new flagship of the MA Series product line, the MIPRO MA-808 is all about performance, and the bi-amplified, 250-watt power system plays an important role by utilizing a dedicated amplifier for each of the HF and LF sections. For a thunderous low end, the MA-808 utilizes a Class D amplifier to feed the 10-inch woofer. To ensure crystal clear high frequency performance, the unit?s HF section employs a 1.5-inch compression driver powered by a Class AB power amp. As a wireless PA system, the MA-808 excels. Featuring twin receiver modules, wireless setup is effortless via MIPRO?s industry-leading Auto-scan and ACTTM function. This true diversity system ensures clear, reliable reception over substantial distances ? free from signal dropouts and interference. Another important aspect of the MA-808?s wireless design is its built-in antenna, which eliminates any possible inconvenience caused by antenna breakage. With onboard storage provisions for the transmitters, the MA-808 redefines ease-of-use when working with portable, self-contained wireless PA systems. When it comes to accommodating various program sources, the MA-808 inspires confidence. In addition to its wireless capabilities, the MA-808 comes with one wired microphone that can serve as an additional microphone source. Additionally, the included MP3 recorder/player module's 3-in-1 design supports CDs, MP3, and SD Flash cards. The Flash card reader/writer supports MP3and WMA formats and supports up to 1GB of SD memory, with record capability depends on SD memory and recording quality. User can choose either SP mode (standard quality, about 1MB per minutes) or LP mode (long time quality, about 0.25 MB per minutes). For the utmost in flexibility, the MIPRO MA-808 is both an AC and battery-powered system. There are dual large capacity, rechargeable batteries that can be recharged even while being used. Further, the MA-808 uses a universal AC switching power supply to ensure constant, reliable voltage. The MA-808 is a tremendously versatile tool for a wide array of sound reinforcement applications. With its easy portability and table-top or tripod stand mounting capability coupled with an extensive feature set supporting both wireless and wired microphones as well as the integrated CD/MP3 player module, the MA-808?s high-efficiency output makes it ideal for large crowds in any event where a portable sound system is required.

APG on tour with Ricard S.A. Live Music APG adds a new major reference to its client list with Ricard S.A. Live Music 2008. Selected products are APG4000 Series for Side Fill and the already popular SMX15 for stage monitors, all provided by ACS Sonorisation. The programme will feature an exceptional guest list, with Martin Solveig, one of the most famous DJ & producer who will start his first live tour, and the Californian band Maroon 5, whose second album, entitled "If Won't Be Soon Before Long" confirms both the creativity and power of its new rock sound. For additional information, please do not hesitate to contact us. APG France Stephan Roche – International Director Email : sr@apg.tm.fr - Web : www.apg.tm.fr

Total Workstation Rack? Announced by IK Multimedia and Muse Research The ultimate sound module Powered by SampleTank and Receptor June 2008, Modena, Italy ? IK Multimedia and Muse Research have teamed up to offer one of the most powerful instruments ever made: the Total Workstation Rack, powered by SampleTank? and Receptor?. The Total Workstation Rack is a combination of Muse Research?s unique Receptor hardware plug-in player with IK?s Total Workstation line of ?Powered By SampleTank? instruments: SampleTank? 2.5, Sonik Synth 2?, Miroslav Philharmonik?, SampleMoog? and SampleTron?. These IK products come pre-installed and authorized within Receptor; allowing immediate access to make music live and in the studio. The ultimate sound module This unique combination of hardware and software together makes for one of the most powerful sound modules ever made, with over 10,000 sample-based sounds of the highest quality audio from every instrument category! Regardless of what kind of music you make, the Total Workstation Rack has you covered with a massive collection of world-class Acoustic Grand Pianos, Electric Pianos, Strings, Brass, Winds, Vocals, Organs, Percussion, Drums, Basses, Guitars, Synths, Loops, Ethnic samples and more. The Total Workstation Rack also includes an entire collection of one of the best sounding Orchestral sound sets ever made and a complete collection of extremely rare and sought-after Vintage Keyboards and Synths. The Total Workstation Rack delivers these amazing sounds with pristine audio performance, super low latency, full synth and effects? editing and unmatched versatility for creating layers and splits. For the ultimate in flexibility, you may edit and save these new sounds for instant recall using a simple MIDI program change message from your keyboard or controller. A revolutionary instrument for stage and studio The Total Workstation Rack offers the most advanced solution for both live and studio usage. On stage, the Total Workstation Rack behaves exactly like a hardware synth but with incomparable sound range and quality, due to SampleTank?s super-efficient sound engine coupled with Receptor?s high-performance host environment. Your sounds will load AND respond quickly, thanks to Receptor?s superior audio I/O and MIDI implementation with proprietary, low-latency drivers. In the studio, the Total Workstation Rack can be integrated with any DAW as a normal instrument plug-in using Muse?s UniWire technology, without putting that extra strain on your computer?s CPU, allowing for extremely rich, complex arrangements. Inspirational magic to enhance your creativity Whether you play keyboards, drums, guitars or compose or engineer music, you know that the ideal musical tool lets you ?live in the moment? and deliver sounds that are ?just right? with a minimum of fuss. That?s exactly what the Total Workstation Rack provides ? inspirational sounds without the hassle. A virtually unlimited range of sounds awaits in the new Total Workstation Rack, ready to be exploited quickly and easily. "The Total Workstation Rack is a true revolutionary instrument", says Enrico Iori, IK Multimedia?s CEO. "The combination of hardware and software that IK Multimedia and Muse Research have made possible by teaming together gives the best of both worlds in a next generation hybrid instrument; with the immediate usability of a hardware synth and the highest quality sound, expandability and integration that only IK?s software can offer." "The Total Workstation Rack powered by Receptor is a keyboardist?s dream come true." Explains Chris Halaby, CEO of Muse Research. "The combination of a vast assortment of great sounds that load quickly and perform efficiently on Receptor will really help musicians with their creative flow and allow them to play their best." Price & Availability The Total Workstation Rack is available for only €1,599.99 (ex VAT) and includes over €3,500 worth of hardware and software for an astounding 55% savings when compared to regular list prices!!! Plus, you get the convenience of all this software pre-installed, authorized and ready to go right out of the box! For a limited time, IK registered users can get the Total Workstation Rack crossgrade version for a special reduced price of just €1,399.99 (ex VAT), receiving an additional savings of up to 61% over regular prices! The Total Workstation Rack is available for purchase online directly through the IK Multimedia and Muse Research websites, and is also available for purchase from selected dealers around the world.

Community Debuts New Powered S-Series Loudspeakers Building on the success of their SONUS line of portable, linear-response loudspeaker systems, Community Professional has introduced new powered versions of each model in their "S-Series" range. Designed for working musicians, all SONUS models feature lightweight design and Community's legendary durability. Powered S-Series systems add high-efficiency Class D amplifiers for better performance, less heat and maximum reliability. "In the year since its debut, SONUS has become one of our most popular loudspeaker lines," said Julia Lee, Community's Director of Sales and Marketing. "We're pleased to expand this lineup into the S-Series to include both passive and active versions of each model and debut it here at InfoComm." The S-1296A and S-1596A are two-way models with 400-Watts of low-frequency power and 100-Watt high-frequency amplification. The S-3294A and S-3594A three-way models add 100W mid-range amps to the package. Powered subwoofers complete the lineup, employing single 1000W amplifiers in the dual 15-inch S-215SA and dual 18-inch S-218SA models. The new Powered S-Series offer powerful DSP features, including four user-selectable preset voicings, a Mic/Line sensitivity switch, and built-in high pass switch for seamless integration with an S-Series subwoofer. The factory programmed settings feature steep crossover slopes, up to 10 equalization filters per driver, and multiple limiters. All Powered S-Series offer analog and S/PDIF compatible AES3 digital inputs, and even convert an analog input signal into to AES3 output for low loss digital signal distribution.

At Seattle's University Presbyterian Church, Meyer Sound MILO Meets the Challenge The west coast's largest Presbyterian Church has upgraded its sanctuary with the installation of a new Meyer Sound system. As Director of Media Services at University Presbyterian Jeff Blackburn explains, the Seattle church's 1,400-seat sanctuary has a history of sonic challenges. "This is a very tough, reflective room," says Blackburn. "And our old PA was directing the sound to all the wrong surfaces." The owner of the second largest pipe organ west of the Mississippi, University Presbyterian has 7,000 pipes adorning the front walls. With different services running the gamut from traditional Christian music to a range of contemporary styles, the new system also had to address the needs of a diverse congregation. Curt Hare of Seattle-based Point Source Inc. specified a center array of five MILO(r) line array loudspeakers and one MILO 120, augmented with a delay hang of five M'elodie line array loudspeakers. A pair of 600-HP subwoofers are flown directly behind the MILO array. "We flew the subs in a cardioid pattern to reduce low frequency buildup on the stage, as well as above it," says Hare, referring to a large resonant area between the room's ceiling and exterior roof. Meyer Sound's Galileo(tm) loudspeaker management system handles the subs, as well as several zones of delay and processing. The room's reflectivity was addressed by acoustician Michael Yantis with a treatment of rear wall diffusers. Blackburn reports the new system exceeds all expectations. "When I heard the system, my first reaction was: Change nothing," he says. "It sounds like a recording, everywhere in the room. If a better sound system exists, I haven't heard it."

Meyer Sound Helps Saatchi & Saatchi Celebrate World Changing Ideas The World Changing Ideas Awards ceremony is an annual event staged by Saatchi & Saatchi to celebrate innovations with the potential to impact our world. Creative ideas from contributors ranging from scientists to schoolchildren were evaluated by a panel of judges, which included Edward de Bono, author of Lateral Thinking; musician and activist Peter Gabriel; Malcolm McLaren and Jordan's Prince Hassan. This year's finalists featured a collapsible wheel, a brain-computer interface, $100 laptops for impoverished children and the winner, a portable water purification device called LifeStraw. As in previous years, the ceremony was held at one of Saatchi's large Manhattan loft spaces, equipped with a high-performance audio system from Meyer Sound to deliver the awards presentation and ambient background music by a resident DJ. According to the audio crew, the venue presents challenges for sound design, including a mix position situated behind a curtain. "It has a concrete, expoxied floor, painted drywall and large windows, making it quite reflective," reports Michael Corbett coordinator of the event and audio engineer of Nashville, TN-based PeopleTech. "As it was an awards reception with lots of ambient noise, system intelligibility was a primary concern. At the same time, the show included lots of music, so a full-range audio system was a priority." Corbett designed a multifunctional system that included six Meyer Sound UPJ-1P VariO(tm) loudspeakers flown at a height of 14 feet to provide ambient sound. Four flown M1D line array loudspeakers supported the video cube for the awards presentation, and low frequency was provided by a single M2D-Sub subwoofer. "With people milling all over the room, we had to achieve foreground-quality coverage while remaining unobtrusive to the reception," Corbett explains. "Coverage was clean and intelligible, but people were still able to converse without having to shout no matter where they were standing." PeopleTech Project Manager Chris Simmons adds: "The World Changing Ideas awards has always been a wonderful and inspirational event. This year there was a desire to take it up a notch, with a strong focus on the presentation ceremony itself, the finalists and their unique contributions. The great sound quality and control of the Meyer Sound system really helped us to sharpen that focus and get the message across."

Meyer Sound Announces 24-hour Technical Support Phone Line Meyer Sound has announced the launch of its 24-hour worldwide technical consultation phone line, a new addition to the company's comprehensive customer support program. Long known for its award-winning products and exceptional customer service, Meyer Sound understands the pressure audio professionals could face during setup for a live show or in the middle of a critical installation. While its worldwide education program and powerful system design and optimization tools - such as MAPP Online Pro(tm) acoustical prediction program and SIM(r) 3 audio analyzer - empower customers to create the best listening experience possible for the audience, Meyer Sound believes that accessible service is essential to ensure success for each customer. "We take pride in giving our customers 100% confidence when using our products, from highly reliable and pristine-sounding equipment to accessible and knowledgeable support when they need it," says John Monitto, Director of Technical Support. "It is important for us to work closely with our customers and give them the attention they deserve." For Meyer Sound's 24-hour technical consultation service, call +1 510 486 0657.

Procon and Meyer Sound Help Bring Eurovision Song Contest to Millions Across the Globe One of the longest-running events on television, the Eurovision Song Contest made its debut in 1956 and has grown steadily ever since, with recent audience estimates exceeding 100 million. Viewers cast their votes among contestants from each participating country and the winning country hosts the following year's event. Russian representative Dima Bilan and his song, "Believe," is the winner of this year's Eurovision held at Belgrade's Beogradska Arena, one of Europe's largest indoor sporting venues. A massive Meyer Sound M3D and MILO® line array loudspeaker system was deployed, provided by Hamburg, Germany-based Procon Event Engineering GmbH which handled the challenging multimedia logistics including sound, light and video. As with most large sporting venues, the acoustics in the 23,000-seat, 48,000-square-meter (517,000-square-foot) arena were less than optimal. "With the large numbers of TV broadcast crews covering the event," FOH engineer Carsten Kümmel reports, "it was very important for us to avoid unwanted reflections. Thankfully, the tight focus of the M3D and MILO line arrays enabled me to deliver a sound that was powerful and consistent across the entire arena." The sound system, comprising two main arrays of 15 Meyer Sound M3D and two MILO 120 line array loudspeakers per side, was augmented by a center hang of six MILO 90 cabinets. Two more hangs of 13 MILOs supplied outfill coverage, while deep low end was covered by six flown M3D-Sub directional subwoofers per side and 12 650-P subwoofers on the ground. A Galileo(tm) loudspeaker management system with three Galileo 616 units provided system drive and processing. Onstage monitoring was handled by nine M'elodie(tm) line array loudspeakers and two 600-HP subwoofers per side. "We choose Meyer Sound equipment because of its excellent reputation all over the world," added Procon's Managing Director Morten Carlsson. "For an event of this magnitude, Meyer Sound equipment is really the only choice. It's simply the best there is."

Michael Bublé Crosses the Globe with Meyer Sound MILO A chart-topper in Europe, Australia and his native Canada, singer Michael Bublé has broken through to superstar status worldwide, garnering a GRAMMY® for Best Traditional Pop Vocal Album and selling out arenas from coast to coast. With a Meyer Sound MILO® line array loudspeaker system, Michael Bublé and his opening a cappella group, Naturally 7, are performing across the US and Australia, ending with a week of shows in the UK in July. "With eight horns in a 13-piece band, there's a wide range of dynamics and a lot going on," explains FOH Craig Doubet, whose credits include k.d. lang, Sergio Mendes and Luis Miguel. "MILO is really the only system I trust to deliver the show with clarity and accuracy. Mixing on MILO after using another system is like pulling a wool hat off your ears." Provided by Montreal-based Solotech, the touring system includes two hangs of 14 MILO and two MILO 120 line array loudspeakers, and two side arrays with 12 MICA(tm) line array loudspeakers each. Six M1D line array loudspeakers cover front fill, with eight M3D-Sub directional subwoofers on the deck. Four CQ-1 loudspeakers sit atop the subs for spot fills. A Galileo(tm) loudspeaker management system with three Galileo 616 processors control the system, with as many as 14 zones per side. On stage, ten M'elodie(tm) line array loudspeakers provide foldback. With an itinerary that includes large arenas, Doubet relies on MAPP Online Pro(tm) acoustical prediction program to minimize setup time. "The first thing I do is walk in with my trusty laser tools and measure the room. Once I've got the data from MAPP, the rig goes up quickly. I can't imagine having to set up without it." Doubet also gives high marks to Meyer Sound's flexible hardware design. "The rigging on the MILO and MICA is incredibly versatile. You can do very extreme side hangs and cover challenging areas. The biggest challenge in arenas is height; the upper seats can be 90 feet in the air and there's always a section of glass in the middle. With the Meyer rigging we can aim the arrays so precisely, and compensate for whatever the hall throws at us." During a recent stop at Nashville's Sommet Center, Bublé's crew visited Meyer Sound's Soundcheck office and caught up with Lee Moro, Meyer Sound's Nashville Operations and Touring Support and a veteran engineer for Bublé. "I mixed Michael on tour and haven't seen most of them since then," says Moro. "Craig and the crew really do a fantastic job and it was a pleasure to hear Michael and the a cappella group sounding so good."

Sonic Reality Releases Studio ProFiles Drum Master Series! Access to the Master Grooves June 27th, 2008 Miami, Florida - Sonic Reality is pleased to announce the release of Studio ProFiles Drum Masters featuring 8 new drum groove libraries from legendary drummers Steve Gadd, Jerry Marotta, Danny Gottlieb, Bun E. Carlos, Bill Bruford, Nick D’Virgilio, John Blackwell and Ed Greene. Thousands of world-class grooves are immediately available for download in Rex2, Apple Loops and Acidized Wave formats from http://www.studioprofiles.com With drummers who have played with Peter Gabriel, Pat Metheny Group, Steely Dan, Yes, Genesis, Prince, Diddy, Barry White, Cheap Trick and more, these loop libraries have the pro sound, style and feel of classic albums right at your fingertips. Using these loops in your own music is like having a dream session with some of the best musicians in the world! Sonic Reality’s Studio ProFiles sample collections are dedicated to providing stereo and multi-track drum loops and playable kits in popular sampler formats. Multi-Track Grooves and Drum Master Kits will also be available in Q3, 2008 for Kontakt, Battery and BFD2 from studioprofiles.com

Community's M12 Stage Monitor Design Improved Community's popular M12 stage monitor has been redesigned to improve ease of handling, access to inputs and to provide for optional mounting for fixed installations. Since its introduction, the M12 has received excellent reviews for its exceptional performance and stylish, low-profile exterior. Now, in response to customer feedback, Community has improved the M12 with rubber pocket grip handles for better portability, and a larger, easier-to-access connector base. The M12's new recessed handles are innovatively designed to make it simple to lift and carry using both handles or just one, making it one of the most ergonomically designed stage monitors available. The base of the M12 has also been redesigned to provide easier access to the input connectors, reducing setup and teardown times for live events and portable applications. The M12 is ideal for any application where low visibility is a key requirement, including televised and corporate events, houses of worship, as well as theatre and stage performances. The M12's high frequency driver is mounted to a moulded one-piece asymmetrical horn with a 90-degree pattern at the top and 40 degree at the bottom, allowing full-range monitor output close up or at a distance. This unique pattern delivers even coverage while keeping energy away from stage walls. For installers seeking to mount the M12 to walls or ceilings, an optional built-to-order install version will also be available with four M10 hang points and a mounting bracket plate for permanent installation. The install version of the M12 can be used anywhere a conventional 12-inch two-way speaker cabinet would be used, as well as in many applications where a conventional speaker cabinet would not, such as overhead or under-balcony use, conference rooms and distributed systems. The M12 is available in low-lustre black or white finishes, with the HF horn moulded into the faceplate to either the right or left of the LF driver for application preference and to provide for L/R pairs for stereo monitoring. With Community's latest improvements, it is also now available with or without handles or mounting points, giving greater choice to suit the application.

EDDIE KRAMER AND WAVES ON TOUR WRAP UP "STUDIO CLASSICS COLLECTION EXPERIENCE" WITH FINAL EVENT -- Legendary producer/engineer Eddie Kramer and renowned DSP leaders Waves announce one more appearance in Los Angeles -- TEL AVIV, ISRAEL, June 23, 2008 -- Waves on Tour's "Studio Classics Collection Experience," featuring legendary producer/engineer Eddie Kramer, announces its upcoming final appearance: 7:00 pm, Monday, June 30 Guitar Center West L.A. 10831 W. Pico Blvd. Lost Angeles, CA 90064 Waves Director of Business Development Asher Bitansky stated, "The tour has been a smash success beyond our expectations. The turnout has been great, with crowds in the 150-250+ range filling these spaces to capacity. Week after week, crowds have turned out to see the legend in action and experience our new tools in action." The events have featured a wide range of attendees, from college students to music business professionals, to hobbyists and rock aficionados. Each appearance includes a pre-lecture slide show from Kramer's personal photo collection (showcasing candid shots of Jimi Hendrix, the Rolling Stones and Led Zeppelin, among others), offering a rare glimpse into the personalities and creative minds who have shaped the history of rock. At the beginning of each event, Waves Product Specialists discuss invaluable practical applications of digital signal processing products, after which Kramer leads a fascinating deconstruction of one of his actual recent tracking sessions with a London rock act. This lets the audience see the Waves Studio Classics Collection at work firsthand, applied to raw tracks. Kramer then fields questions, enlightening and entertaining the crowd with anecdotes and priceless studio secrets from his half century-long career working with such legendary acts as Jimi Hendrix, Led Zeppelin, the Beatles, the Rolling Stones, Kiss, David Bowie and more. "Studio Classics Collection Experience" wraps up with its final appearance June 30 in Los Angeles. Feel free to RSVP for the upcoming event by e-mailing RSVP@waves.com. For more information on the Waves Studio Classics Collection and Waves, please visit www.waves.com.

Winner of the Great EDIROL VJ Challenge announced! The first ‘Great EDIROL VJ Challenge’ recently took place at the London International Music Show with nine of Europe’s best VJs performing live in a bid to win nearly £2,000 worth of EDIROL gear. And the winner is… Winning the first ever EDIROL VJ Challenge is a dream come true for Christian Scullion from Belfast. Not only does he have the honour of being the first ever winner of a competition that has set the VJ world alight, he also walks away with two incredible prizes in the form of the new EDIROL V-8 mixer and the P-10 visual presenter (worth a combined £1899 RRP). Nine VJs took part in the competition including entrants from the UK, Spain and Germany. All nine have VJ’d at respected clubs around the world and alongside many top DJs. Each performed live using their own gear plus an EDIROL set-up that included the prizes. They were judged on: entertainment, use of the P-10 and V-8, the way their visuals interacted with the music and the actual video content. After three days of intense battling VJ Christian S from Belfast took the title. He has previously VJ’d at The Miami Winter Music Conference and is the resident VJ for the Vibe Collective in Belfast. “It’s really, really fantastic,” he says about winning the EDIROL VJ Challenge. “There was a lot of talent in the competition and a lot of VJs whose work I respect very much, so being the overall winner has been a real honour for me.” “The prize gear will definitely change my sets now, giving me much more hardware to play with. During my second set at the competition I had some software issues and the P-10 really came to my rescue. So the EDIROL gear will give me much more hardware to play with, many more options and some back up as well.” “I really enjoyed LIMS. It was a real rush getting up there to perform and intense because you knew you were being scrutinized but I liked that. It meant I could really engage with the audience and try to tell a story through the visuals and audio.” Interviews with all of the VJ finalists will soon be on the EDIROL website. EDIROL’s highlights at LIMS: EDIROL Europe celebrated their first decade in business at the London International Music Show (LIMS) and the VJ competition was just one event at the show. Highlights included… • 10th Anniversary party and boat trip • The unveiling of some brand new gear, including the UA-25EX, a worthy successor to the industry standard UA-25. • The finals of the EDIROL VJ Challenge. • Important educational seminars for both schools and project studio owners. • An incredible stand featuring all of the latest EDIROL hardware and Cakewalk software. More about the EDIROL VJ Challenge prizes The EDIROL V-8 is a new video mixer that looks set to dominate the market in the same way as EDIROL’s ubiquitous V-4 by offering seven inputs plus an RGB input for computers. This means that two computers can be connected at any one time, along with a host of other inputs, making the V-8 an all-in one solution for video mixing. The EDIROL P-10 is the latest visual performance product and solid-state recorder on SD card. It has a very intuitive operation, integrated design and easy triggering of video clips via the sampler-like interface and is the perfect solution to using it alongside the V-8 and a laptop on stage.

New software Release for Popular RSS M-400 V-Mixer Digital Console Las Vegas, NV. ? InfoComm 2008 ? Roland Systems Group is pleased to introduce a new software release for its popular RSS M-400 V-Mixer Digital Console. In direct response to feedback from a rapidly growing customer base, the Version 1.5 update is packed with a number of significant features including: - Increased flexibility in Compressor and Gate assignment - Addition of 8 Matrices - Direct Channel Output Assignment for increased flexibility when using personal mixing systems and recording split - Tap Tempo for delay settings - Addition of numerous shortcuts for faster access and rapid setup - Numerous user interface enhancements for accelerated workflow and ease of use The free software update will be available for download from www.rolandsystemsgroup.net in July 2008. Users can download the update to a USB flash key and simply execute the system update function found in the M-400 V-Mixer System page. About the V-Mixing System The RSS V-Mixing System incorporates the RSS M-400 Live Digital Console, configurable digital snakes with high quality remotely controlled mic preamps, and a multi-track recording option (SONAR REAC Recording System). This fully digital system eliminates the bulk and noise susceptibility typically associated with analog snakes and replaces it all with Cat5e (Ethernet/LAN) cable or fiber. The system generates superior sound quality by converting analog inputs to 24-bit digital streams at the stage via high-quality mic preamps located near the source. The V-Mixing System then secures the quality of audio signal throughout the complete system path en route to the M-400 V-Mixer Console, back to any outputs and on to the limitless splits positions. The M-400 V-Mixer features rapid recall of scenes, 100mm motorized and touch sensitive faders, a large bright 800 x 480 color screen, dedicated effect knobs for EQ, Pan, and Gain. The V-Mixer console integrates with PCs for remote control as well as sending/receiving setup data allowing users to prepare channel setups and configurations before arriving at the venue. The SONAR REAC Recording System enables recording of up to 40 channels of multi-track audio from the split port on the M-400 V-Mixer or additional split location. REAC is a powerful driver protocol that allows the transfer of up to 40 channels of 24-bit audio plus MIDI and remote-control data down one Cat5e or fiber cable. Simply connect a cable from the REAC split port on the M-400 to the gigabit network port on your PC for 40 channels of clean, pure 24-bit audio transfer

The American Folksinger/songwriter James Taylor performed at the Hamburger Laieszhalle with his One Man Band, Larry Goldings, accompanying him on piano and keyboards. The five-time Grammy winner, with 20 albums made and around 40 million records sold, has a career spanning almost 40 years. With famous songs like “Fire and Rain”, “Sweet Baby James” and “You’ve Got A Friend”, he still sings and plays the guitar on his “One Man Band” European tour. The Alcons system deployed by Profimusik in Hamburg consisted of: 6x LR16 per side, with 6x LR14 as underhang, powered and controlled by ALC2 and DDP processing, with for bass fundament 1x BF302MK2 per side on ALC6 with DDP processing. As stage-lip fill for the first rows, 4 units SR9 with ALC2 and DDP came into play. His engineer David Morgan and James’ crew were extremely happy with the system sound. Or to quote a visitor: “Super! I’ve never heard such a good sound during a concert. It is perhaps not that difficult to obtain with just one voice and two instruments, but it was striking how cleanly, powerful and clear his voice and instruments came over”. Do we need to say more?

RØDE VIDEOMIC HELPS GIVE A VOICE TO PACIFIC COMMUNITIES RØDE Microphones is extremely proud to be a part of the recent ‘Pacific Black Box’ project, a two week training forum for the youth of Bougainville, Papua New Guinea and surrounding areas. The Pacific Black Box project aims to provide skills and resources for young people to raise awareness of environmental and social issues through audio/visual digital communication mediums, helping them become community advocates on a local, national and global scale. A collection of RØDE VideoMics were used as audio recording devices, attached to both digital camcorders and digital audio recorders. The RØDE VideoMic was selected for its high performance, ease of use, integrated shock mounting and robust ABS construction. As many of the participants had never used a camera or touched a computer before, the forum commenced with training in the use of video cameras and digital audio recorders, as well as basic software, editing and storytelling principles. Groups were then chosen to create a set of ‘digi-stories’ - short films using still camera shots and audio. Choosing subjects that emerged from discussions on climate change and sea level rise, the participants captured a range of images and sounds that helped tell their story. The forum concluded with the participants constructing a documentary describing the situation of the Carteret Islanders, who have been identified as the first international community to become entirely displaced. Experts predict that rising sea levels will engulf the entire island chain by 2015. The documentary premiered at the recent UN Conference on Sustainability in Bonn, Germany, successfully raising crucial awareness amongst international delegates. The forum has been seen as an overwhelming success in its aim to provide communication channels. “I can do the documentation of my own island instead of letting outside countries do this” commented Nicholas Hakata, a youth from the Carteret Islands.

Ciske finds his way with Alcons! Most successful musical underway with Alcons With 50.000 tickets sold in the first few days after the premiere, visited by Her Majesty Queen Beatrix of The Netherlands, Ciske de Rat – the Musical already scored its first record. The critics were unanimously praising. Now, over 6 months underway and running!, with around 400.000 tickets sold, it is the most successful travelling Dutch musical ever. Not surprising then that this musical scored 7 awards out of the 13 nominations at the recent Musical Awards Gala 2008. Another record. The musical, based on three books written by Piet Bakker in the Fourties, tells about the Amsterdam street rascal Ciske, having difficulty in finding his way in life, in the Thirties. The head role is interpreted by Danny de Munk, who already played the renowned character in the successful movie from 1984. The sound design for Ciske the Musical was in the hands of Jeroen ten Brinke. After having already successfully deployed Alcons pro-ribbon systems in earlier musicals like among others Beauty & the Beast, Rembrandt and The Wiz, Jeroen again designed a configuration on basis of Alcons sound systems, this time with LR14 ultra-compact line-array. The sound system, with as particular characteristic a centrally flown left/right array for better imaging, consists of 2 arrays of each 12 units LR14 ultra-compact line-array (2x, 6.5 + RBN401 Pro-Ribbon) and 1 unit LR14B (2x 12 bandpass) line-array bass for the hindmost half of the groundfloor + balconies; For the first half of the groundfloor per side 4 units LR14 + 1 unit LR14B are stacked. 2 units BF302 (double 15 bass system) act as a separately sent bass system. (Ciske de Rat / Alcons press cont’d) All loudspeakers are powered and controlled by Alcons' ALC2 and ALC4 Amplified Loudspeaker Controllers, with analogue SDP loudspeaker processing. Besides a lifelike pro-ribbon sound quality, with very high gain-before-feedback and equal tonal balance on all SPL’s (important with very dynamic sources, like musicals), were not only the very compact format and light weight, but also the fast logistics of the system decisive in the choice. The Ciske de Rat – the musical “caravan” requires no less than 7 trailers for decor, light- and sound equipment and will be visiting Netherlands’ 15 largest theatres until December 2008. As a result of the success, extra performances are being inserted into the planning. More information on: www.alconsaudio.com and www.theribbonnetwork.net Alcons background information; Alcons Audio is a Dutch company, active in development and manufacturing of professional sound systems for quality-conscious clients in the cinema, installation and touring industry. Alcons sound systems excel in HiFi sound quality at concert sound pressure levels; Basis for this quality is Alcons’ proprietary high-power ribbon technology. All Alcons speakers and amplifiers/processor are developed and manufactured in house with traditional craftsmanship combined with the latest technologies, materials and production processes.

EDIROL celebrate 10 years at a ‘fantastic’ LIMS! EDIROL Europe celebrate their first ten years in business at the London International Music Show and pull the stops out for their most successful show of the year… EDIROL Europe celebrated their first decade in business at the London International Music Show (LIMS). As well as putting on a glittering party and boat trip, the company marked the occasion with an impressive, feature-packed stand in the heart of the main exhibition space. There was a dazzling array of hardware and software on offer for visitors to try, including the brand new R-09HR and R-44 field audio recorders and Cakewalk’s incredible SONAR 7 and Pro Suite music production software. Edirol Europe also hosted the live finals of the ‘EDIROL VJ Challenge’ on the stand with nine of Europe’s best VJs fighting it out to win nearly £2,000 of EDIROL gear. There were also special SONAR seminars designed to show how the award-winning music production software can be best utilised in education and project studios. Finally EDIROL unveiled a brand new interface: the UA-25EX, a successor to the hugely successful industry standard UA-25. The UA-25EX features 24-bit/96kHz processing, pro-grade microphone preamps, a newly developed analogue compressor/limiter, ground-lift functionality for studio and stage plus a suite of free Cakewalk ‘Production Plus’ software. At Edirol Europe’s 10th anniversary party, Managing Director Massimo Barbini commented: “It’s been an amazing first 10 years, during which time we believe we have developed some of best products in our markets. We have now become the company to beat in desktop music production, field recording, and audio visual technology, and I would like to thank all of our supporters, customers, designers, dealers, partners, and the organisers of LIMS – it was a fantastic show for us at EDIROL!” EDIROL’s highlights at LIMS: • 10th Anniversary party and boat trip! • The unveiling of some brand new gear, including the UA-25EX, a worthy successor to the industry standard UA-25. • The finals of the EDIROL VJ Challenge – the winner will be announced soon! • Important educational seminars for both schools and project studio owners. • An incredible stand featuring all of the latest EDIROL hardware and Cakewalk software. More about LIMS LIMS is certain to become one of the biggest music making shows. It includes four shows for the price of one: the London Guitar Show, Drummer Live, The Sound Recording Technology Show and The Unplugged Show. LIMS 2008 also featured two live stages with appearances from some of the world’s leading musicians, and four massive halls full of the latest musical instruments and equipment from the world’s leading brands.

Timothy Dorwart & Michael Quandt Selected for Stanton Group Board of Directors Hollywood, Fla. – (June 17, 2008) –The Stanton Group, a leading audio equipment company operating Stanton Magnetics, Cerwin Vega!, and KRK Systems, is proud to announce the appointment of Tim Dorwart and Mike Quandt to Stanton Group’s Board of Directors. Rory Brooks, Chairman of the Board of Directors remarked, “We are extremely pleased with the recent additions of Mike and Tim to the Board. Their additional contributions will be invaluable as the company continues to go through an exciting growth phase. On behalf of the Board, I welcome Tim and Mike and look forward to working with them in their expanded roles.” Mr. Dorwart began his career as a professional musician and followed that up with successful stints at Bose Corporation and DMX Music where he built up their sales, marketing and distribution divisions and pioneered innovative selling channels. With over 25 years of experience, Dorwart has managed the profit and loss results for major national/multi-national corporations as well as multi-million dollar capital, expense and revenue results. “I’m honored to join a group of individuals who have played a pivotal role in developing three award winning brand," said Tim Dorwart, Stanton Group CEO. “I look forward to contributing to the continued success of KRK Systems, Cerwin Vega! and Stanton DJ.” Mr. Quandt was appointed to the position of President and COO in February 2007. Mike joined the Stanton Group as CFO in 2002 and was responsible for overseeing the Groups administrative and financial operations and also held the title Senior Vice President of Operations. Quandt is a CPA with over 20 years of financial and operational management experience, including Vice President of Finance at AAR Landing Gear Services and held several senior level financial positions at Phelps Dodge Corporation. “I am excited by the challenges and opportunities we face,” said Mike Quandt, Stanton Group COO. “When you couple these challenges with the opportunity to work with a team of people we have at the Stanton Group, this is a truly unique and rewarding.” For additional information on the selection of Tim Dorwart and Mike Quandt to Stanton Group’s Board of Directors or to request corporate images, please contact PR Representative Breen Halley at (305) 576-1171 x23 or by e-mail at breenhalley@maxborgesagency.com. About Stanton Group Headquartered in Hollywood, Fla., The Stanton Group, consisting of Stanton Magnetics, Cerwin Vega!, and KRK Systems, is a leading audio equipment company specializing in high quality products for professional DJs, studio monitors for the music industry, and home audio for consumers. For more information, visit www.stantongroup.ws.

New England’s Mohegan Sun Cabaret Shines with Meyer Sound M’elodie One of New England’s busiest resort destinations, the Mohegan Sun in Uncasville, Conn., boasts everything from a glowing crystal mountain and a spectacular planetarium to a 1,200-room luxury hotel and spa, a massive casino and three celebrated entertainment venues. A more intimate performance space at Mohegan, Cabaret Theatre features a year-round schedule of concerts, comedy shows and Broadway-style productions. The 300-seat theatre has been upgraded to a Meyer Sound M’elodie™ line array loudspeaker system, replacing its left-right-center MSL-4 and CQ-1 loudspeaker configuration, also from Meyer Sound. “We’ve used Meyer Sound systems in the Cabaret, as well as for ‘floating’ tasks throughout the facility,” says Matt Diamond, Mohegan Sun’s director of audio. “There’s really no other loudspeaker that comes close. When we looked into redesigning the Cabaret, the M’elodies were an ideal fit. They’re small enough not to interfere with sightlines, but they’re more powerful than speakers twice the size. And the coverage is phenomenal.” Two arrays of eight M’elodies serve as the main system. Four UPM-1P loudspeakers provide front fills, and a Galileo™ loudspeaker management system handles system processing. The system was provided by Mt. Vernon, NY-based PRG Audio and installed by John Paul Peregrin, Robert Nolan, and James Czelusniak of the Mohegan Sun. Since the installation, Frank Sinatra Jr., Joan Rivers, Tony Danza, Colbie Caillat, Aisha Tyler and Emmy®-winning Wanda Sykes have all performed with the M’elodie system. Diamond finds that artists look forward to playing at Mohegan Sun because they know they can expect great sound: “We’ve got a reputation of delivering great shows here, and a big part of that is providing a world-class sound system to our performers,” says Diamond. “People who have been in this room many times are coming up to me and telling me how much they like the new system. It sounded pretty good before, but I think it definitely sounds even better now.”

THE RØDE NTG-3 TAKES AUDIO RECORDING TO THE EXTREME Introducing the new NTG-3 - a precision, broadcast-grade shotgun microphone from RØDE Microphones. The NTG-3 is the result of years of development by RØDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone. Using a technology known as RF-bias the RØDE NTG-3 is almost completely resistant to moisture, making it the only option when recording in any demanding environments where condensation is an issue. Be it in a tropical rainforest, arid desert or sub-zero snowstorm the NTG-3 can be relied on to faithfully record audio where traditional condenser microphones would fail. In addition to its robust properties the NTG-3 combines very low weight (163g), a durable anti-glare finish and incredibly low handling and self-noise (13dBA) to become RØDE’s premier A/V microphone. When not in use the NTG-3 can be stored away in the included weather resistant aluminium storage cylinder, providing additional protection when travelling and storing the microphone. “The new NTG-3 is one of RØDE’s most exciting microphones.” commented Peter Freedman, President of RØDE Microphones. “I am confident that the robustness afforded by RF bias technology, combined with incredibly low self-noise and handling noise make the NTG-3 a clear market leader in the broadcast-grade shotgun microphone category.” Australian sound recording guru, Ric Creaser (60 Minutes, Survivor, Australian Idol), was given the opportunity to field test the NTG-3 as a part of RØDE’s thorough product development. “The NTG-3 has amazingly low handling noise, which will make it a boom operator’s dream mic” observed Ric. “The audio quality is exceptional; providing the full bodied, robust, punchy audio I have come to expect from only the most expensive high-end broadcast shotgun microphones.” “Also the off axis capability is a little wider than a 416, therefore more forgiving when trying to capture two spaced sources; a real bonus. I plan to use the RØDE NTG-3 as my main microphone from now on - it is outstanding.” Key features: • Designed to withstand adverse environmental conditions • 50% less self-noise than the majority of shotgun mics • True condenser (externally RF biased) • Extremely low handling noise • High level of immunity to radio frequency interference • High sensitivity • Superior broadcast sound quality • Weather resistant aluminium storage cylinder included • Designed and manufactured in Australia • 10 year warranty (online registration required) For more information on the NTG-3 please visit www.rodemic.com/ntg3

Finland Celebrates April Jazz Espoo Festival with Meyer Sound M’elodie Finland has long been a hotbed of jazz aficionados and its April Jazz Espoo is the largest annual jazz event in the Helsinki area. The five-day event draws thousands of visitors from throughout Europe and beyond. This year marked the Festival’s 22nd year, as well as the city of Espoo’s 550th anniversary, making the event even more noteworthy. Performers at this year’s festival included singer Angelique Kidjo, jazz legends Ron Carter and Pharoah Sanders with their ensembles, and jazz composer Maria Schneider conducting the Espoo Big Band. Sound engineer Tuomo Matikka handled the event’s audio using a Meyer Sound system. The Festival’s largest venue, Tapiola Hall at Espoo Cultural Centre, was outfitted with two arrays of 12 M’elodie™ line array loudspeakers each. Low end was covered by six 700-HP subwoofers configured in cardioid pairs. The main arrays were augmented by two UPA-2P loudspeakers for infills and eight MM-4 miniature loudspeakers for frontfills. A Galileo™ loudspeaker management system handled system DSP and drive. In the same complex, the smaller Louhi Hall was treated to a permanent installation of 16 M1D line array loudspeakers, with four M1D-Sub subwoofers, two 650-P subwoofers and eight MM-4 loudspeakers in front. “We are very, very happy with the system’s performance and the setup and tuning performed by Meyer Sound’s technical personnel,” Matikka remarked. “The sound was excellent.”

Korean R&B Sensation Se7en Performs in Hollywood through Meyer Sound System Korean pop/R&B singing sensation Se7en recently held an album preview party for his first American release, performing to a group of music industry luminaries at Hollywood’s Highlands lounge. A multi-platinum star and MTV favorite in Asia, Se7en performed several tracks from the album, Se7olution, as well as “You Got Me Now” accompanied by Academy Award winners Three 6 Mafia, and “Girls,” produced by Rodney Jerkins. For an audience that included executives from Interscope, Jive and Sony record labels and celebrities such as director John Singleton and musician/producer will.i.am, Seoul, Korea-based Avix Tech provided a powerful Meyer Sound system to deliver the dynamic showcase. The configuration comprised two arrays of five MICA™ line array loudspeakers, with six 700-HP subwoofers handling the thumping low end. A Galileo™ loudspeaker management system was used for system drive and processing, and a pair of UM-1P stage monitors were linked directly to a PM5D FOH console. “The self-powered aspect of the Meyer Sound equipment proved to be invaluable,” remarked engineer Eric Han of Avix Tech. “Due to scheduling conflicts, the equipment arrived only two and a half hours before the show. But thanks to the Meyer gear’s fast setup and easy optimization and assistance from Highland’s house engineers, we were up and running with time to spare.” Han monitored system functionality for the presentation using a SIM® 3 audio analyzer. “The SIM system allowed me to keep an eye on frequency response, phase, RTA and other aspects of the system via a single LCD monitor,” Han said. “I have always found the SIM system to be exceptionally reliable. That’s why I brought my own SIM system from Korea for the shows.”

Meyer Sound Brings the Future of Integrated Audio Solutions to InfoComm in Las Vegas At InfoComm 2008, audio industry innovator Meyer Sound returns to the show with an extensive array of award-winning integrated systems. From new digital signal control technology to robust self-powered loudspeaker products, the Meyer Sound booth will please AV professionals seeking high-quality audio solutions in a broad spectrum of installation, corporate AV and entertainment production applications. Meyer Sound will demo the new UPQ-1P wide coverage loudspeaker at 2PM, 3PM and 4PM on Thursday June 19 in Ballroom III at the nearby Renaissance Hotel. A new high-powered addition to the award-winning UltraSeries™ products, the UPQ-1P incorporates a 15-inch neodymium magnet low frequency driver, a four-inch diaphragm compression driver coupled to an 80-degree by 50-degree constant directivity horn, and 1,275 watts of peak amplifier power. With its integral pole mount receptacle and flexible rigging options, the UPQ-1P easily adapts to permanent theater and nightclub installations as well as portable AV systems. The self-powered MM-4XP miniature loudspeaker is another product that will surely impress visitors. With its extremely compact dimensions (the faceplate is 4-inches square), the MM-4XP is easy to conceal yet it delivers a peak SPL of 113 dB. Custom color versions will be shown. Other products on display include M’elodie™ and M1D line array loudspeakers and the M1D-Sub subwoofer. UPJunior™ VariO™ loudspeaker, CQ-1, UPM-1P and UPA-1P loudspeakers will also be shown. Many of these products will be heard in all four rooms of the popular Large Venue Display Gallery at the show. The Meyer Sound booth has assigned a dedicated area for visitors to gain hands-on experience with the latest signal analysis and prediction products, and have conversations with the company’s audio experts. The company’s famed emphasis on customer service now offers 24-hour worldwide technical support. Understanding the pressure audio professionals could face in a live sound environment, Meyer Sound is ready to lend expert support whenever it is needed. Making its show debut is the Galileo™ 616 AES, a new version of the processor for the Galileo loudspeaker management system. Galileo 616 AES introduces new digital outputs and provides improved flexibility in system design. Eliminating the need for another set of converters, the new processor can drive additional Galileo processors via their AES/EBU inputs through a digital connection between the units. Visitors can also preview Galileo’s Compass™ 2.1 control software slated for release late summer. Compass 2.1 features easy-to-use tabbed interface and better linking capabilities. The powerful Matrix3™ audio show control system will be available with SpaceMap® multichannel surround panning and Wild Tracks™ hard disk playback. Matrix3 is handling some of the most complex audio cues in the best known attractions in Las Vegas, including Wynn Las Vegas’s Lake of Dreams spectacle, Fremont Street Experience, as well as Cirque du Soleil® productions such as The Beatles® LOVE, KÀ™, ZUMANITY™ and others. Other premier showrooms and themed spectacles on the Las Vegas Strip depend on Meyer Sound systems to deliver memorable entertainment experiences to the audience. Notable examples include Phantom – The Las Vegas Spectacular at the Venetian, Le Rêve Aqua Theatre, and the extravagant Colosseum at Caesars Palace, featuring a diverse list of artists including Bette Midler, Cher, Elton John and Jerry Seinfeld. Meyer Sound maintains product consistency and quality by manufacturing all of its products in the U.S., principally at its Berkeley, Calif., headquarters.

Tony Awards Applaud Broadway Productions Using Meyer Sound Systems Music has the GRAMMY®, movies have the OSCARS®, and in the world of American theatre, the most coveted award is the Tony®. Bestowed upon the best shows on Broadway, the Tony Awards recognizes excellence in all aspects of theatrical production, from writing and performance to direction and choreography. This year the Tony Award Committee has added two new categories that many in the theatre world agree are long overdue: Best Sound Design of a Play and Best Sound Design of a Musical. Meyer Sound’s loudspeakers and technologies have been entrusted to deliver many celebrated productions on Broadway and in London’s West End, and so Tony’s new award categories are particularly exciting for the company. An impressive list of Broadway productions featuring Meyer Sound systems will be spotlighted at this year’s Tony Awards ceremony. Sound designers Ian Dickinson (Rock ‘n’ Roll), Adam Cork (Macbeth) and Simon Baker (Boeing-Boeing) have all been nominated in the Best Sound Design of a Play category, utilizing M1D line array loudspeakers and MM-4 miniature loudspeakers as well as the famed UltraSeries™ products including UPA-1P, UPA-2P and UPM-2P loudspeakers and USW-1P subwoofers. Christopher Cronin, Technical Supervisor for New York-based Sound Associates, has worked as the associate sound designer on numerous Broadway productions. Cronin confirms the dominance of Meyer Sound systems across the New York theatre circuit: “Since the early 1980s, Meyer Sound has been a de facto standard on Broadway,” says Cronin. “I’ve been involved with many of these Tony-nominated plays, and in each one, Meyer Sound products have played a pivotal role in delivering crystal clear shows, eight performances per week. Now, for the first time, the Tony Award Committee is recognizing sound design with its own award category. It’s great to see Meyer Sound products receiving the recognition they deserve.” Other Tony-nominated productions using Meyer Sound systems include Grease, nominated for Best Revival of a Musical; Passing Strange, with multiple nominations including Best Musical, Best Book of a Musical, and Best Original Score; and Xanadu, also nominated for Best Musical and Best Book of a Musical. Best Play nominees include The Seafarer, August: Osage County, and Rock ‘n’ Roll.

Verse D:Sider VERSE Pro Audio has unveiled the digital D:Sider speaker line, comprising three active speaker systems and four subwoofers. The 350W RMS D:Sider 8 combines an 8-inch woofer with a 1-inch HF compression driver, while the D:Sider 10 and D:Sider 15 cabinets have 10-inch and 15-inch woofers with 510W and 1220W RMS handling respectively. The compression drivers on all models are coupled to asymmetrical rotatable horns. The four subwoofers cover a single 10-inch design (D:Sub 10) to a dual 15-inch version (D:Sub 215), and include the single 15-inch D:Sub 15 and single 18-inch D:Sub 18. Digital signal processing runs at 48kHz with 24-bit AD/DA converters, and all models are equipped with amplification modules to power satellites as well as the subwoofers. The control panel offers parameters including a 12-band feedback remover, dynamic loudness, high-pass filtering and other factory settings. An LED monitor shows power status, protection, temperature, limiter (not on the Sub models! ), and signal on. VERSE has combined two D:Sider 8 cabinets with a single D:Sub 10 to offer the 2kW D:System 2k, while the D:System 7k comprises two D:Sider 15 speakers and two D:Sub 215 subwoofers producing 6640W of power. The D:System 3K combines two D:Sider 10 cabinets with a D:Sub 15, while the D:System 5k marries two D:Sider 15 speakers with a D:Sub 18.

ALLEN & HEATH LAUNCHES DEDICATED HOME RECORDING MIXER Allen & Heath has chosen the forthcoming Sound Recording Technology (SRT) show - part of the London International Music Show (LIMS) - to launch its first dedicated recording mixer for over 10 years. The Allen & Heath ZED-R16 combines an analogue recording mixer with a FireWire soundcard, MIDI controls and ‘home-studio’ routing so you can build tracks in the studio, record live gigs, mix-down and remix. “Allen & Heath used to be well known for its recording mixers and the last one we designed was the GS3000 - a traditional analogue mixer - nearly ten years ago,” explains designer, Mike Griffin. “The way the recording musician works now is quite different, so with the ZED-R16 I was looking to offer a product which addressed the world of digital recording. ZED-R16 offers an interface to that world but also offers great analogue functionality – where you can mix in digital or analogue.” The ZED-R16 can be employed as a standard analogue mixer while recording multi-track via FireWire or ADAT, a traditional inline mixer recording with send and return per channel via FireWire, or as a MIDI controller via switchable channel faders. It features 16 mono inputs, 2 stereo inputs, a high quality dual mic pre-amp, 4-band fully-parametric EQ, 4 auxes, a stereo bus, 2 stereo returns, and 18+18 FireWire I/O and 8+8 ADAT I/O. For studio work, there are control room speaker outputs, two separate artist monitor feeds, two analogue recording outputs in addition to the digital interface, and a dedicated internal condenser talkback mic. Each channel has its own independent soundcard channel, so instruments can be recorded simultaneously (pre or post EQ) into the sequencer separately. To minimise clock jitter and provide synchronicity between the ZED-R16 and other devices, the mixer is equipped with the professional JetPLL™ digital audio chipset. ZED-R16 is equipped with a host of MIDI control options. In addition to the 4 dedicated MIDI faders, 12 rotary controllers, 12 switches, and 5 dedicated transport switches, all channel faders can also be switched to become MIDI faders. As with all models in the ZED range, the ZED-R16 is also bundled with Cakewalk’s SONAR LE music production software. In addition to multi-track recording, the ZED-R16 allows mixing down in analogue, then recording back into the computer in digital. For live use, the ZED-R16’s 4 aux buses become foldback feeds and FX sends, and the main XLR outputs feed the PA system, and the record feed signal can easily be assigned pre and post EQ using the buttons next to the faders.

Now Shipping! Stanton DJ’s New C.324 Slot Loading Tabletop CD Player New C.324 features real-time sample and loop sequencing, beat synchronized samples and loops, and slot loading CD mechanism with LED for quick loading in low light situations HOLLYWOOD, FL – June 5, 2008 – Stanton DJ, an industry leader in the design and manufacture of professional audio products for DJs, is now shipping the new C.324, the company’s newest slot loading tabletop CD player for the professional DJ. This advanced new DJ CD player has been gaining acclaim since it made its debut at NAMM, and is expected to be a hot-selling addition to Stanton’s diverse line of DJ gear. The unit showed off its expanded functionality and smooth operation during captivating performances at both NAMM and the company’s Winter Music Conference activities by popular DJs such as Stryke, Hi-Tek, Richard Devine, and B-Side. The C.324 was even put to the test at NAMM by the phenomenal scratch DJ GM Roc Raida, who performed and scratched on the unit with ease. Also a useful tool with features that can be used in a studio environment, the C.324 induced the following comments from producer Hi-Tek at his Remix Hotel Miami performance, “This is a crazy piece of equipment. It’s the next level for DJs and producers. I plan to take this thing to my studio.” The C.324 is designed for digital DJs who want to scratch CDs like vinyl, and has all the latest components needed for ultimate performance. It features MP3 and CD audio playback with onboard file and folder browsing, onboard pattern and real-time sequencer for drum machine style performances, seven on board digital effects, and a sleek slot loading CD mechanism with LED for quick loading of CDs into the unit in low light situations. The C.324 has added responsive trigger pads that offer real-time sample / loop sequencing. This means that trigger patterns can now be recorded in real time and looped instantaneously. Drum machine style sequencing effects also bring a completely new twist to live DJ remixing. Using the C.324, sequences can be created in seconds compared to minutes using drum machines. The C.324 can record loops and samples, with the length determined by the time setting. This new feature makes it easy to set up seamless loops. The C.324 also allowed for the creation of beat synchronized loops based off of the current song’s BPM. This means that a perfectly timed seamless loop can be set on-the-fly with one press of a button. Once a beat synchronized loop has been set, it can be trimmed or expanded in real time by beat increment. By trimming the beat, a one bar loop can be turned into a 1/2 bar loop, 1/4 note or 1/8th note. Smaller loops can be expanded in the same fashion. For more information on the Stanton C.324, video footage and extended artist feedback, and to view the company’s complete catalog, visit www.stantondj.com.

ALLEN & HEATH LAUNCHES XONE:4D DJ CONTROLLER Allen & Heath has selected the forthcoming Sound Recording Technology (SRT) show - part of the London International Music Show (LIMS) - to unveil the new Xone:4D performance DJ controller. Evolved from the revolutionary Xone:3D, the Xone:4D has an enhanced feature set, combining a fully-featured, high specification professional analogue DJ mixer with 105 MIDI controls, and a new high-end 96 kHz/24bit 20-channel USB 2.0 soundcard. The mixer section is based on the award-winning Xone:92 and features 4 triple-input stereo channels (soundcard, phono and line), 3 band total kill EQ, 2 stereo effects sends, 2 analogue VCF filters with LFO, VCA crossfader and dual-rail channel faders, DJ mic and cue monitoring system. For the assignable LFO, a new editable step-filter function has been developed, encouraging creative combinations of the tempo-detecting BPM counter and tap tempo. Each MIDI fader becomes a filter cut-off frequency, enabling users to “draw” their own tempo-locked LFO waveform. There is also a new 16-bit tempo detecting circuit, which constantly monitors the BPM and outputs a MIDI clock to help synchronize MIDI-controlled music replay software with external source program material. The stereo FX sends can be used with external equipment such as effects units and samplers and now both FX sends can be routed to the USB audio system and sent to the PC. Following customer feedback, the FX2 hardware output can be switched to act as a Main Mix record output. There are two dedicated MIDI control strips comprising 8 60mm faders, 16 centre-detented rotary controls, 10 rotary encoders with push switches, 32 switches (8 illuminated), and 2 improved high quality custom jog wheels with 4 navigation switches. The Xone:4D’s MIDI sections now have a ‘shift’ function giving two layers of MIDI controls, allowing 227 mappable MIDI messages from the 105 MIDI controls on the front panel, and a fader pickup algorithm allows seamless movement between the layers. In addition, several mixer functions generate and respond to MIDI, and the BPM counter provides MIDI start/stop and clock. The Xone:4D provides full control of external MIDI devices including the most sophisticated DJ performance computer environments. Overlays are available to identify the control function for popular software applications. A high performance 20-channel USB2.0 soundcard is built into the mixer, featuring 4 analogue stereo inputs and outputs, transmitting audio at up to 96kHz with 24 bit resolution. It uses USB to interface the mixer audio and MIDI to a PC where the sound may be manipulated in real time using any music software application. The soundcard also produces SPDIF, COAX and optical digital inputs and outputs. A low latency ASIO driver is provided for audio streaming between the 4D and PC. Each mixer channel has its own soundcard input routing switches allowing for complete flexibility on what gets sent to or from the PC. The most noticeable visible change in the Xone:4D is the new style and colouring, developed in response to users’ requests for panels which are easier to read in low light. The white screening is in Ultra Violet sensitive paint, which glows when exposed to UV light. “When we launched the Xone:3D in 2005, we were proud to offer the DJ community a pioneering and unique tool that integrates computer-based digital media into the traditional DJ workspace. The new Xone:4D is the culmination of over two years’ experience and feedback from DJ’s using the 3D, and includes technological developments that did not exist or were prohibitively expensive at the time of the original design,” comments Xone designer, Andy Rigby-Jones. “The Xone:4D will enable DJ’s to greatly extend the capability of their digital setup by, for example, running 4 simultaneous decks in Native Instruments’ Traktor, or by being able to achieve genuine multi-track recording of their sets in applications such as Ableton Live or ProTools.”

StompIO Upgrade Version Launched! And software bundle enhanced for the full version May 2008, Modena, Italy – By popular demand, IK Multimedia is proud to announce the release of the StompIO Upgrade, a reduced price, hardware-only version of StompIO available to all registered users of AmpliTube 2, AmpliTube 2 Live, Ampeg® SVX, AmpliTube Jimi Hendrix™ and AmpliTube Metal. Thanks to the AmpliTube X-GEAR software supplied with the StompIO upgrade, all “Powered by AmpliTube” users will be able to immediately control their software live and in the studio. Together with the launch of the StompIO Upgrade, an enhanced collection of software is now bundled with the full version of StompIO which now includes all five IK “Powered by AmpliTube” software packages straight out of the box: AmpliTube 2, Ampeg® SVX, AmpliTube Jimi Hendrix™, AmpliTube Metal (formerly only for previously registered AmpliTube 2 users) and AmpliTube X-GEAR (giving a total of over £900 worth of software in the box). The combination of “Powered by AmpliTube” software with StompIO’s revolutionary USB floor controller and audio interface provides users with the most advanced guitar and bass multi-FX system ever made, for both live and studio usage. Now for the first time, users can fully control a massive software-based set-up LIVE, with over 150 models of highly sought-after, award-winning gear, operating the same way as a traditional floor processor-without needing to connect a keyboard, monitor or mouse to the Mac or PC. Price & Availability The new StompIO Upgrade Version costs €599.99 ex.VAT and is available for all currently registered users of AmpliTube 2, AmpliTube 2 Live, Ampeg® SVX, AmpliTube Jimi Hendrix™ and AmpliTube Metal. Furthermore, for a limited time only, by purchasing the StompIO upgrade, customers will also receive a free downloadable version of AmpliTube Metal (worth €199.99 ex.VAT) our newly released metal distortion powerhouse. The full version of StompIO costs €799.99 ex.VAT and now includes the entire collection of five “Powered by AmpliTube” software packages: AmpliTube 2, Ampeg® SVX, AmpliTube Jimi Hendrix™, AmpliTube Metal and AmpliTube X-GEAR (for a total software value of over €1000).